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Essays on importance of oral history
Strengths and limitations of oral history
Strengths and limitations of oral history
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Traditionally, oral history has been described as the art and craft of collecting one’s stories and memories. From the data collected, we learn about events, activities of the past based upon the person telling the stories, and the collection of the memories. The collection of oral history is part of the tools historians have to collect and evidences for analysis of past history. It gives us new material to draw conclusions based on a variety of angles. According to Nigel A. Raab, author of Who is the Historian?, “Oral historians do not collect compile these sources to gather objective information about a past event, but they collect narrative stories from individuals to get a better sense of a community’s attitude and an individual’s place …show more content…
Bless argues, “a central tension in the role of the oral historian, between responsibility to the interviewee and responsivity to society and history” (Perks 424). Either view, she continue to make the point that “oral histories are rooted in principles of progressive and feminist politics, particularly in a respect for the truth of each informant’s life experience and a quest to preserve the memory of ordinary people’s lives” (Blee 424). The chapters also address the importance of the evidence interviewers collect and the empathy and ethic when address the topic of Klanswomen and feminism as the backdrop to explore their activism and views on their movement and its impact on groups they call …show more content…
For example, Blee’s writing allows the reader new insights regarding women in the movement. Standard documentary sources, assembled by contemporaries and historians who assumed that women were politically insignificant, focus entirely on the male Klan” (Blee 427). Klanswomen defined their role in the women’s right era of the first half of the twentieth century, and “participated in the women’s temperance movement and the extension of the right to vote to women.” Another takeaway from the reading was regardless of their view about “others,” they viewed themselves as everyday people. Klan families participated in “weddings, baby christenings, teenaged auxiliaries, family picnics, athletics contest, parades, spelling bees, beauty contest, rodeos, and circus, it is little wonder that the 1920s Klan is recalled by former members as normal white Protestants” (Blee 428). The oral interview project, allowed me to understand that their personal beliefs about African Americans, Jews and Catholics was the dominant definition of who they were 24/7. But the reading allows us to understand their mindset, and how they just view themselves as “ordinary
...ons. First, the oral history sources are well integrated with the existing literature. Next, by covering relatively long period of time, the reader gets a good sense of the dynamics of change.
In “ ‘It Was Like All of Us Had Been Raped’: Sexual Violence, Community Mobilization, and the African American Freedom Struggle” by Danielle L. McGuire, McGuire begins her piece with a haunting tale of the rape of Betty Jean Owens, that really illustrates the severity of racial brutality in the 1950s. She depicts a long history of african-american women who refuse to remain silent, even in the face of adversity, and even death, and who've left behind a testimony of the many wrong-doings that have been done to them. Their will to fight against the psychological and physical intimidation that expresses male domination and white supremacy is extremely admirable. The mobilization of the community, and the rightful conviction of the 4 white men most definitely challenged ideologies of racial inequality and sexual domination, and inspired a revolution in societal
In her Fire in a Canebrake, Laura Wexler describes an important event in mid-twentieth century American race relations, long ago relegated to the closet of American consciousness. In so doing, Wexler not only skillfully describes the event—the Moore’s Ford lynching of 1946—but incorporates it into our understanding of the present world and past by retaining the complexities of doubt and deception that surrounded the event when it occurred, and which still confound it in historical records. By skillfully navigating these currents of deceit, too, Wexler is not only able to portray them to the reader in full form, but also historicize this muddled record in the context of certain larger historical truths. In this fashion, and by refusing to cede to a desire for closure by drawing easy but inherently flawed conclusions regarding the individuals directly responsible for the 1946 lynching, Wexler demonstrates that she is more interested in a larger historical picture than the single event to which she dedicates her text. And, in so doing, she rebukes the doubts of those who question the importance of “bringing up” the lynching, lending powerful motivation and purpose to her writing that sustains her narrative, and the audience’s attention to it.
Angelina Grimke and Sojourner Truth were both prominent American civil rights activists of the 19th century who focused on the abolition of slavery and women’s rights issues, respectively. While both of these women challenged the societal beliefs of the United States at the time regarding these civil rights issues, the rhetorical strategies used by each of these women to not only illustrate their respective arguments but also to raise social awareness of these issues was approached in very different fashions. Angelina Grimke promoted the use of white middle-class women’s positions in the household to try to influence the decision makers, or men, around them. On the other hand, Sojourner Truth, a former slave turned women’s rights activist,
The 19th century was a time of great social change in the United States as reflected by the abolitionist movement and the women’s suffrage movement. Two very influential women leaders were Angelina Grimke and Sojourner Truth. Grimke was born a Southern, upper class white woman. She moved to the North as a young woman, grew involved in abolitionism and women’s rights, and became known for her writing, particularly “Letters to Catherine Beecher”. Sojourner Truth was born into slavery as Isabella Baumfree; she escaped to freedom, changed her name, and became an active speaker on behalf of both the abolition and women’s rights movements. Truth’s most famous speech is “Ain’t I a Woman?”. While both Grimke and Truth use a personal, conversational tone to communicate their ideas, Grimke relies primarily on logical arguments and Truth makes a more emotional appeal through the use of literary strategies and speech.
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
...apid social shifts combined with impending crisis over slavery to foment a quest for salvation and perfection.” The moral reform movements of the mid to late 1800s was a cultural storm, brewing up a war of dissension, and untold horrors. This movement was fueled by the three Isms, Communal-ism, Feminism, and Abolitionism. Thousands of Utopian communities dotted the landscapes, for the first time, women were standing up and declaring what their rights were, and man and women across the north and south were standing firm in an abolitionist’s view of slavery. A cultural storm was brewing; a dissent that would not be satisfied till it had blood. A Civil war was being birthed.
I use the "as a whole" because her book can bounce back and forth in time from chapter to chapter, but as a reader, you can see the overall change from the early 20th century into the 1970s. McGuire begins her book with a prologue describing the brutal raping of Recy Taylor in 1944. She chooses to title each chapter (with the exception to chapter seven)with a "quote" from a repressed black female. Chapter one, "They 'd Kill Me If I Told", provides the reader with a background of Rosa Parks, the lead investigator for the NAACP, (not just a tired old woman with sore feet on a bus), who is put in charge of investing the Taylor case. Chapter one also introduces the reader to the power (or lack of) nation-wide media exposure. Chapter two, " Negroes Everyday Are Being Molested", shows the power of respectability in choosing who to aid, and exposes the reader the ridiculous (but unfortunately, very real in the eyes of the white male) concept of "eye rape (62)." Chapter three, "Walking in Pride and Dignity", goes more into the ideal of respectability, and its role in the movement for black women. Chapter four, "There 's Open Season on Negroes Now", analyzes the case of the "Kissing Game" and discusses the troubles with segregation due to both races having interest in Rock 'n ' Roll no matter the color of the musician.
Deborah Gray White was one of the first persons to vigorously attempt to examine the abounding trials and tribulations that the slave women in the south were faced with. Mrs. White used her background skills acquired from participating in the Board of Governors Professor of History and Professor of Women 's and Gender Studies at Rutgers University to research the abundance of stories that she could gather insight from. It was during her studies that she pulled her title from the famous Ain’t I A Woman speech given by Sojourner Truth. In order to accurately report the discriminations that these women endured, White had to research whether the “stories” she was writing about were true or not.
In the beginning of the book Hunter proceeded to tell us about the history of African-American women in a broader narrative of political and economic life in Atlanta. Her first chapter highlights the agency of Civil War era urban slaves who actively resisted the terms of their labor and thus hastened
If a person was to take a closer look at Jesmyn Ward’s Men We Reaped, they could clearly relate to the tragedies that occurred in Delise, Mississippi. Thus, Jesmyn Ward’s novel is completely genuine and the title of the novel gives reverence to the black lives that were lost during the struggle for equality, acceptance and justice. Although the deaths in Men We Reaped occurred during a modern era, the tragedies are similar to the ones that Harriet Tubman witnessed throughout her lifetime. The events that occurred in Jesmyn Ward’s memoir have an undeniable connection to the incidents of the past.
“Oral history is a maddeningly, imprecise term: it is used to refer to the formal, rehearsed accounts of the past presented by a culturally sanctioned tradition-bearers... informal conversations about “the old days” among friends, neighbors, family members… to recorded interviews deemed to have an important story to
This historic broadcast, in which Mississippians for the first time were presented a black perspective on segregation and civil rights, has never been located. Nonetheless, recordings of irate reactions by Mississippians slurred with racist epithets, “What are you people of Mississippi going to do? Just stand by a let the nigger take over. They better get his black ass off or I am gonna come up there and take it off” (Pinkston, 2013), have been found preserved at the Mississippi Department of Archives and History. Some say, history is the process by which people recall, lay claim to and strive to understand. On that day in May 1963, Mississippi’s lay to claim: Racism.
Many African American men and women have been characterized as a group of significant individuals who help to exemplify the importance of the black community. They have illustrated their optimistic views and aspects in a various amount of ways contributing to the reconstruction of African Americans with desire and integrity. Though many allegations may have derived against a large amount of these individuals, Crystal Bird Fauset, Jacob Lawrence, and Mary Lucinda Dawson opportunistic actions conveys their demonstration to improve not only themselves but also their ancestors too. Throughout their marvelous journeys, they intend to garnish economic, political, and social conditions with dignity and devotion while witnessing the rise of African Americans. The objective of this research paper is to demonstrate the lives of a selected group of African American people and their attributions to the black community.
Unlike the earlier era, in which they had received freedom but it was so new to them, and they truly didn’t understand what it meant to be a free group, they began to move into a time period where they were finding their voice, and “finding their freedom”. Instead of writing about becoming free, and wanting freedom, they begin to act free. They begin to prove they were free by giving off confident in their culture and in their work. In her writing she has many different subsections where she rebuttals the ideas pushed onto the African American race. She proves the stereotypes wrong using the truth. The first example is, under the section titled “originality” she wrote, “it has been said so often that the negro is lacking in originality that has almost become a gospel. Outward signs seem to bear this out. But if one looks closely its falsity is immediately evident.” and , “So if we look at it squarely, the Negro is a very original being. While he lives and moves in the midst of a white civilian, everything that he touches is re-interpreted for his own use. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country, just as he adapted to suit himself the sheik haircut made famous by Rudolph Valentino.” this passage shows how much she believes in her race. She isn’t asking for anything from anyone. She doesn’t beg for respect, acceptance, or freedom, she is telling them to treat them like they are free. This passage really exemplifies the theme of accepting themselves and their culture during this time period. The African Americans were able to begin to stand up for themselves and up against the falsely acclaimed stereotypes that have been made against them. During this time period they were recreating the culture that had been taken away from them. They were finding their voice through