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Impact of gender inequality on music performance
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With women often discouraged from playing brass instruments, Helen Butler and her band processed for women’s musical choice. In 1891, a small all women’s brass band emerged in Providence, Rhode Island. The band eventually grew to become a twenty-piece band and by 1901 they were so successful they had a sponsor and business manager. The band travelled all over to perform and even performed at a serval World’s Fairs. Helen Butler and the Ladies Military Band became notionally recognized, which was very rare because they were one of the few all-female bands. The women of this band paved the way for women to be integrated into all-male bands and freedom to choice their own instruments.
The article was published on February 6, 1943 in the midst of World War II. Women had become an asset to the war effort and were then considered "At Home Soldiers" or "Riveters". They worked in the factories constructing submarines for the Navy, planes for the Air Force, and became medics.
On the other hand, foot soldiers would hire flute and bagpipe players. As the eighteenth century passed, general community bands began to form. Military bands were still established, and these concert musicians took over the duties and practices for the town’s general safety. The. Goldman, Richard Franko.
Clara Barton’s ‘The Women Who Went to the Field’ describes the work of women and the contribution they made on the civil war battlefield in 1861. Barton highlights the fact that when the American Civil War broke out women turned their attention to the conflict and played a key role throughout as nurses. Therefore, at first glance this poem could in fact be seen as a commemoration of the women who served in the American Civil War as its publications in newspapers and magazines in 1892 ensured that all Civil War veterans were honoured and remembered, including the women. However, when reading this poem from a feminist perspective it can be seen instead as a statement on the changing roles of women; gender roles became malleable as women had the
Women in the US Military - Civil War Era. N.p., n.d. Web. 30 Apr. 2017.
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
In reading William Thackeray's novel, Vanity Fair, it was very surprising to learn that it was customary for soldiers' wives to follow and accompany their husbands' regiments when they went off to engage in combat. It seems rather odd when Amelia, on her honeymoon, boarded the ship (provided by His Majesty's government) that would take the troop on to Brussels. There is quite a big production as crowds gathered and cheered as the bands played “God Save the King”, while officers waved their hats and the crew rushed about. It did not seem possible that a major battle was going to take place in which many of the men would never again return to London. According to Andrew Uffindell's Women of Waterloo, “… many soldiers were married, but only six or sometimes four in each company were permitted to take their wives with them on active service”. After the men had marched off to fight, the ladies who stayed behind in Brussels “suffered appalling mental tortures as they awaited news of the fate of their loved ones” (Uffindell). After the Battle of Waterloo, many distraught British wives roamed the bloody battlefield in a state that sometimes bordered on madness.
Matthews, Glenna. "Gibson, Althea." American Women's History: A Student Companion. Dec. 1 2000: n.p. SIRS Issues Researcher. Web. 16 Apr. 2014.
When the American Civil War began on April 12th, 1861, over 3 million Union and Confederate soldiers prepared for battle. Men from all over America were called upon to support their side in the confrontation. While their battles are well documented and historically analyzed for over a hundred years, there is one aspect, one dark spot missing in the picture: the role of women in the American Civil War. From staying at home to take care of the children to disguising themselves as men to fight on the battlefield, women contributed in many ways to the war effort on both sides. Though very few women are recognized for their vital contributions, even fewer are
There is something that generally is very noticeable in every band: the gender imbalance. The gender imbalance is can be described by looking at a band and noticing the people in each section. Some have all males or at least a great majority of them, like percussion (which is drums) or low brass (tubas, baritones or trombones). While others such as high woodwinds (flutes or clarinets) have a majority female population. There are a few sections you may be able to look at and see this, such as trumpets or saxophones, but even this depends on the marching band. This is a huge problem in the marching band world and it needs to be fixed so that more people will join or continue on in their music. The reason this is a huge problem is because when someone breaks that gender imbalance, for example a guy plays the flute, then people start to target that person. He could be teased or bullied which could make him quit band. Not a lot of girls try out for low brass or percussion because they guys in the group will most likely see them as inferior and give them all kinds of crap every day. Marching band is supposed to be a community that is like a family and people should feel comfortable with whatever that choose to play. With the current gender problem, that is not happening and therefore the community as a whole is
Trying to hold the homefront together while there was a war waging abroad was not an
The Woman Warrior is a memoir written by Maxine Hong Kingston characterized as a work of nonfiction, however; there are many unclear boundaries between fiction and reality throughout her autobiography. Kingston paints an elaborate picture depicting the émigré experience in America while also discussing the conflict of assimilation a Chinese-American female encounters. The strength of maternal familial patriarchy on the psychological development is depicted throughout The Woman Warrior. Brave Orchid’s talk stories about China both form and deform the young Kingston’s perception of herself as a female.
...lic was introduced to a new sound and embraced it heartily. Industry provided us with new instruments and much of the improvements that we utilize today. The people of this time really did make great strides toward equality of performers and performance music and opened up opportunity for some of the most prominent musicians in history. It is with gratitude that we should look to these pioneers especially the women that paved the way through adversity and opposition for current female composers.
I think that women were so eager to see men go to war because, firstly
Women's involvement with medieval music took a variety of forms; they served at times as audience, as participant, as sponsor, and as creator. The evidence for their roles, like that for their male contemporaries, is sporadic at best. Many musical sources have been lost, and those sources that do survive only occasionally provide composer attributions. Information on specific performances is virtually non-existent, and the references to musical performances gleaned from literary allusions must be read critically. Similarly, a work of art portraying a woman musician may be representational or symbolic, or both. Yet despite these handicaps, modern scholarship reveals many ways in which medieval women were engaged with, and enriched by, the music that flourished around them.
On October 31, 1860, a girl named Juliette Gordon was born. She was just an ordinary girl with five siblings and a loving family. She went to school like everyone else, and she was even given a cute nickname “Daisy” when she was young. Fifty-two years later, however, she would be more than just a normal girl. Juliette would create an important organization that gave girls the opportunity to be active in their community: the Girl Scouts. Girl Scouts was started in 1912 in Juliette’s hometown of Savannah, Georgia because “’she believed that all girls should be given the opportunity to develop physically, mentally, and spiritually’” and starting a female equivalent of the Boy Scouts was exactly how she planned to accomplish that (Amandolare 1).