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Thesis on colorblindness
Thesis on colorblindness
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After leaving the #BlackLanguageMatters class on a late Thursday afternoon, I had an overwhelming sense of excitement and nervousness for the profound things I had witnessed and heard. After spending the majority of my night telling my friends all about Harry, no words could truly express his truly special resilient personality. Walking out of that class, I not only felt as though I had made a new life long friend, but I felt a surge of hope, the kind of hope that makes you want to a better person. Harry’s narrative accompanied with the first chapter of The New Jim Crow: Mass Incarceration in the Age of Colorblindness unveiled so many inconvenient truths about the society we live in today, that I couldn’t help but blather to my friends about. …show more content…
Their responses were filled with appraisals for the professor mentioning how “dope” it was that we got to watch something from the Grammy’s. However, they fail to realize the impact and significance of that performance, song and album and to be completely honest, before that class I myself hadn’t realized the depth of his performance. Lamar’s powerful set began with him and the rest of his band entering the Grammy stage in prison uniforms, a sight I do not think viewers at home were prepared for. With a prison break, a colorful celebration ending with the image of the continent of Africa having Compton being the capital he brought front stage the internal struggles of modern blacks caused by external conflicts. A few lyrics from The Blacker the Berry that really stood out to me were “You hate me don’t you? You hate my people, your plan is to terminate my culture. You’re fuckin’ evil, I want you to recognize that I’m a proud monkey.” Lamar directs these words directly to the crowd, confronting white America about the system of oppression they have created which allows them to fetshize and appropriate the things they like about black culture, claiming it as their own, while denigrating and devaluing these qualities when they are featured on the creator. “Came from the bottom of mankind My hair is nappy, my dick is big, my nose is round and wide.” By stating these now “politically incorrect” stereotypes during the age of colorblindness he reveals an inconvenient truth that even in this day and age people still harbour these feeling towards white people. The term monkey has often been used as a descriptor of black people aiming to indicate that they have “ape” like qualities. A famous incident is how a incredibly popular and talented Brazilian soccer player had bananas thrown at him mid match. The soccer player stops and actually takes a bit out of the banana, setting flame to a
I was twelve when I first heard the name “Kanye West”. He was featured in a song I rather liked at the time called “Forever” and whilst discussing the song with my friend one afternoon I remarked:
Four black sharecroppers (Roger Malcom, Dorothy Malcom, George Dorsey and Mae Murray Dorsey) are brutally murdered by a group of white people. The murders attracted national attention, but the community was not willing to get involved. The community was not fazed by these brutal murders but, by the fact that this incident got national attention. They were even more astounded that the rest of the nation even cared. In this book Laura Wexler shows just how deep racism goes. After reading the book I discovered that Fire in a Canebrake has three major themes involving racism. The first is that racism obstructs progression. The second is history repeats itself. The last theme is that racism can obscure the truth. This lynching, in particular, marks a turning point in the history of race relations and the governments’ involvement in civil rights. In the end this case still remains unsolved. No concept of the
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
“Fire away. Take your best shot, show me what you got. Honey I’m not afraid (Chris, Lines 4-5)…” Strength, love, heartache, all words that many people can identify with, but what about mental illness, depression, and suicide. These words are those that humans avoid, pretend they are not there, but in reality those three words effect many more people that was ever thought possible. Over 18.2% of United States citizens suffer from a mental illness (Depression), 6.7% of United States citizens suffer from depression (Depression), and each year in the United States there are on average 42,773 deaths by suicide (American). Now, many people can relate to the words love and heartbreak, but many more can identify with the three words that the world
The New Jim Crow: Mass Incarceration in the Age of Colorblindness is a book by Michelle Alexander, a civil rights litigator and legal scholar. The book discusses race-related issues specific to African-American males and mass incarceration in the United States. Michelle Alexander (2010) argues that despite the old Jim Crow is death, does not necessarily means the end of racial caste (p.21). In her book “The New Jim Crow”, Alexander describes a set of practices and social discourses that serve to maintain African American people controlled by institutions. In this book her analyses is centered in examining the mass incarceration phenomenon in recent years. Comparing Jim Crow with mass incarceration she points out that mass incarceration is a network of laws, policies, customs and institutions that works together –almost invisible– to ensure the subordinate status of a group defined by race, African American (p. 178 -190).
Racism and Segregation is a strong recurring theme in the novel Jasper Jones. Silvey has used Jasper, Charlie, and Jeffrey to convey the themes of racism through the book and to send an important message to the audience. He has shown us that making assumptions about someone based on rumours and appearances is wrong and that racism can rise out of ignorance. Silvey’s main message was that anyone can overcome racism and that it is just
What has changed since the collapse of Jim Crow has less to do with the basic structure of our society than with the language we use to justify it. In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. So we don’t. Rather than directly rely on race, we use the criminal justi...
In this story it clearly shows us what the courts really mean by freedom, equality, liberty, property and equal protection of the laws. The story traces the legal challenges that affected African Americans freedom. To justify slavery as the “the way things were” still begs to define what lied beneath slave owner’s abilities to look past the wounded eyes and beating hearts of the African Americans that were so brutally possessed.
Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. New York: New, 2012. Print.
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
In the early twentieth century, the United States was undergoing a dramatic social change. Slavery had been abolished decades before, but the southern states were still attempting to restrict social interaction among people of different races. In particular, blacks were subject to special Jim Crow laws which restricted their rights and attempted to keep the race inferior to whites. Even beyond these laws, however, blacks were feeling the pressure of prejudice. In the legal system, blacks were not judged by a group of their peers; rather, they were judged by a group of twelve white men. In serious court cases involving capital offenses, the outcome always proved to be a guilty verdict. In Harper Lee’s novel, To Kill a Mockingbird, the plot revolves around a Depression-era court case of a black man accused of raping a white woman. The defendant Tom Robinson is presumed guilty because of one thing alone: the color of his skin.
In a perfect world, we would not have racial tensions and we would all sing Kumbaya together, however, we do not live inside a perfect world. Racial injustice that relates to incarceration in the United States, specifically to those who are African-Americans, is a literal fabrication of our imperfect world and details the thinly veiled allegory of our social apartheid. According to author Glenn Loury, this aspect of our nation’s prison system is the most damaging to our African-American community, wherein said group are being racially profiled and “trapped in the dark vestiges of the ghetto” (Loury, 2008, 57). In his ethnography, Race, Incarceration, and American Values, Loury highlights these troubling trends concerning the dehumanization of African-Americans through our current sociopolitical landscape.
While on a recent carefree jaunt throughout Harlem, I was introduced to the lyrical genius of one “Big L.” As is common of all true artists, Mr. L passed before his time, but not without a legacy. You see, it is the will of the Almighty Himself that I elucidate the meaning of Mr. L’s first major work, “Put it On,” in order for it to be made accessible to the common man and the upper crust alike, so that this truly majestic piece may live for eternity in the bosom of humankind. To this end, I have composed a line-for-line translation of the complex, sophisticated diction, which, I expect, will henceforth serve as the standard through which all scholars will study this master of the English language.
The Blacker the Berry was a single off of Kendrick Lamar’s To Pimp a Butterfly released in 2015. Lamar’s song begins each verse with a statement “I’m the biggest hypocrite of 2015” followed by harsh criticism of how the United States treats Black Americans. Kendrick finally reveals the repetition of being a hypocrite in the final line saying: “So why did I weep when Trayvon Martin was in the street when gang banging make me kill a nigga blacker than me? Hypocrite!” The way that Kendrick contrasts the huge amount of issues that black people face from the rest of society with a single powerful line that shows how the black community also has a huge internal racism problem is how I wish the rest of the nation would view this
The narrator in the short story “The Scarlet Ibis” refuses to accept his brother, Doodle, despite their close, familial ties. Doodle was different than the narrator, so he was treated as if he was less than those around him. In the eye opening novel A Lesson Before Dying a black man named Jefferson faces racial discrimination within the justice system. Like Doodle, he is thought to be less than the people in his town, for they had lighter skin.