Hi everyone, So, I read and reviewed five volumes that I found to be representative of the recent scholarship on Renaissance Imperial power structures in Italy, the works span a range of imperial topics from Italian Cardinals and the Papacy, to the absolutist rulers of Italian cities like Milan and Florence. The works themselves are of course: Jane Black’s Absolutism in Renaissance Milan: A Plenitude of Power under the Visconti and the Sforza 1329-1535, Charles Stinger’s The Renaissance in Rome, Gerard Noel’s The Renaissance Popes: Statesmen, Warriors, and the Great Borgia Myth, Margaret Ann Zaho’s Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Ruler’s, and finally K.J.P. Lowe’s Church and Politics …show more content…
Black takes a thoroughly intellectual and social approach to the study, by examining the changing interpretations of ideas and social interactions in Milan. Black writes on the ways in which the families secured their absolute power and legitimized it through legal arguments. Black argued that the Sforza and Visconti were able to legitimize their absolutist rules through the use of their lawyers, and that when the legal rhetoric turned against them, their power waned. This is significant to the study of Italian Imperial Renaissance power first and foremost because it shows how Milanese rulers functioned, and secondly, because it’s argued excellently. Black is in conversation with sources like Kenneth Pennington frequently in her work, she builds off of his and other similar sources on imperial governance and applies legal imperial theory to Milan specifically. Black successfully knocks home her point and simultaneously studies the significance of the Sforza and Visconti ruling families in wider Italy. My only knock on Black is that I would like more on other rulers or cities, perhaps more comparison between the Sforza and Visconti, it is there but it would not hurt the work at all to expand on it, but Milan is undoubtedly the best example of native non-Papal imperial power in …show more content…
Zaho’s work like Noel’s, is in a way classical in nature but for a different reason, she interacts heavily with Dante and Boccaccio, but even more so with Petrarch. Zaho traces the classical roots of triumphal imagery and its relation to Petrarch’s Africa. She argues that the revival of the antique triumph was the most significant tool, propagandistic or otherwise, in legitimizing the rules of Italian Renaissance rulers. She looks at Sigismondo Malatesta, Federico de Montefeltro, and the Duke Borso d’Este for her case studies. She lends a key contribution to the field, in that she argues a point perhaps somewhat contradictory to that of Jane Black who takes a far more legal approach to the topic of Renaissance ruler’s justifications for their
In the book, Giovanni and Lusanna, by Gene Bucker, he discusses the scandalous actions of a Florentine woman taking a wealthy high status man to court over the legality of their marriage. Published in 1988, the book explains the legal action taken for and against Lusanna and Giovanni, the social affects placed on both persons throughout their trial, and the roles of both men and women during the time. From the long and complicated trial, it can be inferred that women’s places within Florentine society were limited compared to their male counterparts and that women’s affairs should remain in the home. In this paper, I will examine the legal and societal place of women in Florentine society during the Renaissance. Here, I will argue that women were the “merchandise” of humanity and their main objective was to produce sons.
Machiavelli's Italy was caught in the middle of a conflict between France and Spain over control of Naples. When King Charles VIII of France set out, around the 1490's, to claim the southern Italian Kingdom, he found assistance, not resistance, from Lodovico Sforza, then Duke of Milan. The leader in Florence, Piero Medici, set out to confront the French invasion, but upon realization of the might of his opposition, he "panicked [and] rode out to meet Charles and presented him with keys to…the important fortresses in Florentine territory" (Muhlberger 1). With such leadership, it is no surprise that Italy was nothing more than a collection of weak city-states. The condition of Italy, with its fragmented populace and effeminate leaders, was a far cry from the glory and might of the Roman Empire.
Alessandro Allori reproduces the view of a young man in 3/4s view in his portrait of Francesco de Medici (c. 1560). Every element of the portrait, from its dominant red key to the intricate gold embroidery of the sitter’s costume connotes virtue.This rectangular composition presents a young virtuous man deserving of his power and wealth. More importantly, it exposes the attitudes of the painter and patron as towards what virtues qualified a man as deserving privilege and power.
When the word "Renaissance" is mentioned, an image of love for antiquity learning and fine arts usually springs to one's mind. Yet this perception, however legitimate it may be in many areas of Renaissance human achievements, shatters in the face of Niccolò Machiavelli's masterpiece The Prince. Unlike his contemporary Baldassare Castiglione who exemplified subtlety, Machiavelli was ruthlessly practical, nonchalantly callous, and admirably seamless in his logics about the bloody art of political power.
The reference article, Filippo De Vivo’s paper Paolo Sarpi and the Uses of Information in the Seventeenth-Century Venice, is structured very much like a standard essay in that it has an introduction, thesis, supporting paragraphs for the points brought up by the thesis, and a conclusion. The title of De Vivo’s paper is an accurate depiction of what the subject matter pertains to which is about Paolo Sarpi and the uses of information in Venice during the seventeenth-century. Background information regarding Venice and its information network start the paper off. It is then established that information that was once only available to the elite classes such as merchants and politicians was then made available to the masses as a saleable commodity in the form of newsletters called avvisi (De Vivo 37). His network expanded beyond that which was available to the common people and he had access to information only available to one with political ties such as his and predictably he made great use of those sources. Besides having written correspondences with ranking officials of other nations, which had severe consequences if caught doing so, Sarpi would regularly meet with both domestic and foreign merchants and other travelers to discuss the happenings abroad, which also frowned upon by the government. The thesis of the article is introduced as an explanation of Sarpi’s use of the newly developing means of information (38). To do this,
While the feudal system did not disappear for some 30 years after unification, both feudalism and a more modern-day rule of law would always be subject to interpretation. Legal scholar and philosopher Dennis Patterson concisely points out there are two prevailing camps standing at opposites: Those who argue that the interpretation of law is solely objective versus those who see it in terms of subjectivity (671). Assuming that passions during the time of Sicily’s turbulent unification were predicated more on subjectivity than objectivity, it becomes understandable that Don Fabrizio was caught in a historical trajectory not of his own choosing.
The Italian Renaissance developed in cities such as Florence, Milan, and Venice, which had emerged during the 12th and 13th centuries as new commercial developments allowed them to expand (Paolucci 12). This mercantile society contrasted sharply with the rural, tradition bound society of medieval Europe. A significant break with tradition came in the field of history, as Renaissance historians rejected the medieval Christian views of history (Cole 40). Studies such as the Florentine History (1525) of Niccolo Machiavelli revealed a secular view of time and a critical attitude toward sources (Cole 44). This secular view was expressed by many Renaissance thinkers known as humanists. Humanism was another cultural break with medieval tradition; under its ideas scholars valued classical texts on their own te...
In this brief monograph, we shall be hunting down and examining various creatures from the bestiary of Medieval/Renaissance thought. Among these are the fierce lion of imperious, egotistical power, a pair of fantastic peacocks, one of vanity, one of preening social status, and the docile lamb of humility. The lion and the peacocks are of the species known as pride, while the lamb is of an entirely different, in fact antithetical race, that of humility and forgiveness. The textual regions we shall be exploring include the diverse expanses, from palace to heath, of William Shakespeare, the dark, sinister Italy of John Webster, and the perfumed lady's chambers of Ben Jonson and Robert Herrick.
The Renaissance Papacy was a period in which the church was attempting to recover from the effects of the western schism and regain a sense of control and composure within the church itself. After the prolonged period in which the papacy had been based in Avignon, and then the intermittent years in which two popes existed in contention with the other, the Catholic model was being doubted for its ability to function well, and there was a desperate need to demonstrate that the papacy was still a powerful and influential institution, both in the west and in the immediate regions surrounding Rome. Moving along this vein of thought, the papacy turned its sights to the Papal States, and how re-establishing a sense of dominance over these states would
...ts of the Italian Renaissance." ThinkQuest : Library. N.p., n.d. Web. 21 Nov. 2011. .
During this period of Italian history, Catholicism was the dominant religion, and reigned supreme among others. Advancement in the Catholic faith was used as a means to secure political power in a divided region. With religion and politics being strongly interconnected, the Pope was often seen as the most influential political f...
Through historical analysis, this paper will discuss the effect of Cosimo and Lorenzo de Medici’s sponsorship as great patrons, focusing on their contributions to art, architecture, and literature.
The sections that I will be presenting are 73, 74, and 75. I will discuss the political ideas of Niccolo Machiavelli, Francesco Guicciardini, and Thomas Hobbes during the time of Florence Republic. First, Niccolo Machiavelli was born in Florence, Italy in 1469 at a time when the country was in political upheaval. Italy was divided between four dominant city-states, by which each of them was always at the mercy of the continual changing of princes and governments.
Prospero, the rightful Duke of Milan, so enthralled “In dignity, and for the liberal arts” (1.2 73), twelve years prior lost his dukedom to his brother Antonio. Antonio, in turn, betrayed Prospero’s trust by forming an alliance with the enemy, the King of Naples Alonso. This treaty gave Alonso “annual tribute, [to] do him homage, Subject his coronet to his crown, and bend The dukedom, yet unbowed—alas, poor Milan—To most ignoble stooping” (1.2 113-116). Ultimately, Milan gave up its freedom and became subject to Naples. Prospero, whose “library/ Was dukedom large enough” (1.2 109-110), lost his position as the Duke of Milan and he and his three year old daughter Miranda were sent “abroad a barque bore…to sea” (1.2 144-145). Eventual...
The Renaissance in Italy is the most important historical movement. Many of today’s inventions trace their paths back to the 14th century when man rediscovered himself. The Renaissance was a transition between the medieval and early modern worlds. During the middle ages, the ultimate goal of man was to find God and prove pre conceived ideas, but during the Renaissance, the ultimate goal was to find man and promote learning. This period also aided the development of the Humanist philosophy: pursuit of individualism and appreciation of art as a product of man. Historians consider Renaissance as the “rebirth of classical Rome and Greece.” This cultural emergence took place in the states of Florence, Rome, and