Cosimo And Lorenzo De Medici Promulgated The Italian Renaissance

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THESIS STATEMENT As wealthy Florentine bankers, Cosimo and Lorenzo de Medici promulgated the Italian Renaissance through the patronage system.
PURPOSE STATEMENT Through historical analysis, this paper will discuss the effect of Cosimo and Lorenzo de Medici’s sponsorship as great patrons, focusing on their contributions to art, architecture, and literature.
INTRODUCTION
The Italian Renaissance was a time of rebirth for the arts, sciences, politics, and religion. Italy adapted into a flourishing country with new ideas that influenced the people and their way of life. The Italians focus had shifted on to humanism and becoming wealthier. The Renaissance began in Florence, Italy and from there numerous artists emerged, including Brunelleschi …show more content…

Along with their growing wealth, an expanding influx of political power developed. “Their growing wealth brought growing political power” (Osman 28) Along with their successful banking, the de Medici’s were avid patrons of artists and helped develop the famous artists that are known today including Michelozzo and Ghiberti. Patronage played a key role in the expansion and rebirth of Italy because it allowed the wealthy to sponsor poor artists. With patronage, the arts and culture were able to flourish. “A practical result of the munificence [generous patronage] was that in these fields, what is generally known as ‘Renaissance culture’ began earlier in Florence than elsewhere” (Osman …show more content…

“Just as he led the way in the commercial world, extending Florentine markets, assisting trading houses, bringing commerce and wealth to the city, so also he led the way in that world of literature and art which, to the fifteenth-century Florentine, was of almost equal importance with the world of trade” (Ewart 210). Cosimo worked hard to create a lasting legacy for his future family. Florence under Cosimo’s rule would begin to transition into a place of wealth, architecture, literature, and art and began to step away from politics. Cosimo was the primary patron of the significant Florentine patrons of the arts (Mee 20). Cosimo provided patronage to Filippo Brunelleschi when he commissioned him to construct a dome for the great Cathedral of Florence. The dome was consecrated by the Pope in 1436 and is still standing today. “He [Cosimo] pressed Brunelleschi to redesign the whole of San Lorenzo, and when the church was finished, it was the prime example of the fifteenth- century” (20). Donatello was also supported by Cosimo and under his patronage created the free-standing sculpture of

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