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War and its impact on society
War and its impact on society
Impact of war on society essay
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Through Stratocles or War, Jacobus Pontanus presents his audience with a message that one should not abandon school for war, in a humorous fashion. seems to present an anti-war propaganda through the medium of a play. I found the first part of the play confusing because the main character, Stratocles, appeared to fell that he was smarter than his professor, Eubulus, and treating him quite rudely. However, Eubulus expressed a great love for him depite his disrespect. Stratocles’s arrogance was shown when he was explaining why he wanted to go to war. He stated, “I no longer feel like learning. I much prefer to fight…Have I made myself clear enough?” (106-110) He also said in an aside with reference to Eubulus, “Whatever he does, he thinks everyone …show more content…
Stratocles does not change his mind and sets out for (where he went) with his cousin, Polemius. Along the way they ran into two deserters, Tremonius and Misomachus. The role of these deserters appeared to be to dissuade Stratocles from his mission to go to war. They gave vivid details of the atrocities of the battle field and of army life. I found the deserters’ accounts to be very similar to Eubulus’s description of war, the only difference being that the soldiers gave firsthand account of the experience. I thought it was interesting that Stratocles changed his mind about war after talking to the soldiers, despite his earlier resistance to opposition. It could be the grisly eyewitness accounts of war struck a chord with Stratocles, who abandoned his idea to become a soldier and headed back to his homeland. I thought the ending of the play was quite humorous and Pontanus might have intended it to serve as comic relief following the dark portrayal of war and life at the …show more content…
His arrogance is also shown through his asides to the audience. It is strange that after Stratocles’ rant and his basic belitting of his teacher of many years, Eubulus expresses great warmth toward Stratocles and begs Stratocles fervently to stay and not go to war, through a plausible and convincing argument. From here, the play takes on a much more humorous tone as the characters of (nae the two solders that had desserted). It appears that Pontanus intended for these characters to function to convinve Stratocles and his cousin Plemius, not to go off to war as they detail the horrible atrocities of te battlefield and army life. The desserters’ accounts are similar to the diescription of Eubulus but, being an eyewitness account, it is more grisly and seems to strike a chord with Stratocles and Polemius who change their minds and go back to their homeland. I think the ending of the play might serve as comic relief following the dark portrayal of war and life at the battlefront. It is humorous that Faustina bears her husband and calls him names for essentially abandoning his family. I think it is interesting that Faustina initially disowned him and was bold enough to beat her husband even though, from her husband’s words, it was much more customary for the husband to beat his wife. Overall, I found the play to be a humorous yet direct way of sending a message that young men with
...n the play is shown through Parris’ frequent biblical allusions. He is aligning himself with the central values of the community, hoping that this will result in his acceptance and restore his belonging, which is constantly on shaky grounds. However in his desire to relate himself with Godliness and belong to this Christian society, he goes too far and starts to compare himself with God, saying he has “fought here three long years to bend these stiff-necked people to me”. This pride and self importance leads to his exclusion by most of the townspeople.
Undoubtedly there has been a tremendous amount of speculation and dissection of this play by countless people throughout the ages. I can only draw my own conclusions as to what Sophocles intended the meaning of his play to be. The drama included a number of horrific and unthinkable moral and ethical dilemas, but I believe that was what made the play so interesting and that is exactly the way Sophocles intended it to be. The play was obviously meant to entertain and portray the author’s own insight. The underlying theme to the play is that no man should know his own destiny, it will become his undoing. This knowledge of things to come was presented to both Laius and Oedipus in the form of prophecies well in advance of it coming to be. The prophecies told of things that were so morally disturbing that they both aggressively did everything in their power to try and stop them from coming true. The story begins with Oedipus at the height of power as King of Thebes. His kingdom has encountered rough times and he has sent his nobleman Creon to seek help from the god Apollo to restore his land. Creon tells Oedipus that he must find the murderer of the previous King Laius and by finding this man and banishing him, his land will be restored. The murder occurred some time ago and King Oedipus sends for the seer Theiresias with his powers of prophecy to aid in the search for the murderer. Sophocles cleverly projects his feelings on wisdom and knowledge through Teirsias when he says “Alas, how terrible is wisdom when it brings no profit to the man that’s wise!”(23) Teirsias knows that this terrible prophecy has already been set into motion and the damage has already been done. There is really no point in telling it to Oedipus because it will only cause more harm than good. Oedipus provokes Teirsias into telling him the prophecy, “ Í tell you, king, this man, this murderer-he is here. In name he is a stranger among citizens but soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and beggary for riches his exchange, he shall go journeying to a foreign country tapping his way befor him with a stick.
Thucydides’ version of Pericles’ “Funeral Oration” can be read as more of an ironic rendering of Pericles’ original speech since The History of the Peloponnesian War is not just considered to be a historical account but also a “highly imaginative piece of work” in which Thucydides made characters involved in the war say what he believed they actually meant instead of what they might have originally said (Thucydides Introduction pg. x). In the “Funeral Oration”, Pericles praises certain
The book written by Thucydides, History of the Peloponnesian War, contains two controversial debates between distinguished speakers of Athens. The two corresponding sides produce convincing arguments which can be taken as if produced as an honest opinion or out of self-interest. The two debates must be analyzed separately in order to conclude which one and which side was speaking out of honest opinion or self-interest, as well as which speakers are similar to each other in their approach to the situation.
A very brief summary of Polyeucte, begins in Act I, where Paulina, the wife of Polyeucte confesses she was in love with a man named Severus before she married Polyeucte. Paulina has since been convinced that Severus died in battle; however her father, Felix is introduced into the play and announces that Severus is alive and is frightful that he has come to seek revenge against him because he rejected Severus Paulina’s hand in marriage. Polyeucte and his friend Nearchus get baptized and become Christians and when Felix learns of this he immediately puts Nearchus to death in order to strike fear into Polyeucte and make him to recant. Paulina begs her father to not put Polyeucte to death but her father is scared that Severus is plotting something against him and executes Polyeucte. Right after the moment that Polyeucte becomes a martyr, Paulina converts to Christianity and Felix f...
...up the question of the value of truth, and whether the pain of knowing an awful truth is more important than the bliss of ignorance. This also applies to Death of a Salesman: while Oedipus chooses to pursue the truth, Jocasta and the Lomans try to live in naïveté and not face reality. The play also questions the increasingly proud leaders of the Athenian society who challenge the higher powers, i.e. men against the gods, when Oedipus reviles the oracles. The gods, he indicates, will always triumph when men, using their intellect, oppose them. One of the themes is that the course of things is partly based on the character's actions but mostly fate.
The main character in the play is Titus Andronicus while the antagonists are Tamora, Aaron and Saturninus. Titus is a roman hero because he has aided in defeating the Goths. On the other hand, he has lost his own sons through conflicts. In the play, he has a strong urge of revenge. Saturninus, late emperor of Rome’s son, does not obey the authority. Bassiunus is Lavinnia’s lover. Tamora is the Goth’s queen with a strong urge to revenge because her son, Alarbus, was executed. Aaron is a moor who has been given evil personification. Marcus, Titus’s brother, always defends the rights of the people. Titus’s sons include: Lucius, Quintus, Martius and Murtius. Publius is Marcus Andronicus son. Sons of Tamora are Alarbus, Larbus, Demetrious and Chiron. Lavinnia is a vey innocent girl who suffers from unpleasant offenses.
In conclusion, throughout the play Rome has a source of people who would make excellent leaders and guide Rome to victory. Antony is seen as being a manipulative man and proves that nothing will stand in his way to revenge his friends death. Moreover, Brutus proves that he is an honorable man by keeping his motives pure and standing by his story that he truly loved Rome more than Caesar. Likewise, Octavius played a small roll as a quiet by-stander, yet proved his point that he will not stand for being push around in any sort of matter. Antony, Brutus, and Octavius learn that the decisions they make today could very well be their death of tomorrow.
The Peloponnesian War is the conflict between the pelopoponesians league led by Sparta and the Delian league, led by Athens. Much of our knowledge on the causes and events of the Peloponnesian War, depends on the Athenian Thucydides 460-400 BC, writer of the History of the Peloponessian War. He servd as an Athenian commander in Northern Greece during the early years of the war until the assembly exiled him as he lost an outpost to the enemy. During this exile, he was able to interview witnesses on both sides of the conflicted. Unlike Heredotus he concentrated on contemporary history and presented his account of the war in an annalistic framework that only occasionally diverts from chronological order. In his account, he discuses the precursors to the war, including the 30 years truce and revolutions, such as the stasis in Corcyra. When looking at wars, the primary focus is normally the fighting itself, such as what we see for World War II. However, it is important to look at the anatomy of war, meaning what effect the war has on the people who are experiencing it first hand, and the consquences that the conflict has on the rest of the world. Therefore in this essay I shall discuss, drawing directly from Thucydides, The History of the Peloponnesian War, how the civilians reacted to the war, their involvement and socio economic factors. Furthermore, the first section of my essay shall focus on the direct effect of war on the people, regarding the plague, and violence and hopelessness that was experienced. Then I shall go on to discuss more general effects of the war and how it affected the Greek world, discussing the social and economic losses that occurred such as the cost of the war in attica, the coup d’etat that occurred in gove...
Nicias is in opposition from the start of a sea engagement that furthered the Athens’ interests and he made these opinions known in front of the entire assembly. He felt that Athens did not need to be “persuaded by foreigners into undertaking a war with which we have nothing to do.” (Strassler, p. 367, 6.9) In addition, Nicias outlines to the assembly the downfalls of fighting in distant lands (uncertainty of ally support for resources and the fact that cavalry resources will be detrimental to them) and the fact that
This paper aims to study two significant playwrights, Sophocles and Euripides, and compare their respective attitudes by examining their plays in respect to plot and character structures. To achieve this goal, the paper is organized into two main sections. In the first section, we provide a brief biography of both Sophocles and Euripides. The second and last section includes summaries of Sophocles’ Electra and Euripides’ Electra which were based on same essentials and give an opportunity to observe the differences of the playwrights. This section also includes the comparisons that are made by our observations about the plays.
Although the pace here is faster, one must remember that the central scenes are relatively short, so the meaning and purpose of including these scenes must be more obvious. The comedy in these scenes adds to the tragedy of Faustus, showing comedy against Faustus as he is given great powers but uses them to perform petty tricks, therefore ridiculing his character and making the themes more complex.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
From the beginning of the play, the audience is aware that Oedipus had killed his father and married his mother unknowingly (“Sophocles” 483). The play describes how the truth eventually came about and how King Oedipus met his tragic downfall. Sophocles uses the audience’s knowledge, or dramatic irony, to get the audience interested in the play. The audience is captivated by the hints that reveal the truth that is so obvious yet allude the characters understanding, thus adding more suspense to the plot. For example, the truth of the killer and the prophecy regarding Oedipus’ family had been exposed in the beginning by Tiresias, the blind prophet of Apollo, in lines 435, 440 to 443, and 499 to
...s you wonder if Jocasta and Oedipus had not run from their fate, what other way Sophocles would have made it happen. Also, just when the characters think they have nothing to worry about, just when they think they avoided their fate, it comes back to bite them. Sophocles makes it interesting in this way. This approach definitely keeps the reader interested because we wonder what other way he will use this writing technique in his play.