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Generational divide essay
Generational divide essay
Generational divide essay
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Philip Larkin’s poems “High Windows” and “This Be The Verse” both emphasize generational conflicts. In each case, Larkin characterizes the tension or conflict between younger and older generations. Larkin also effectively distinguishes the effect between one generation and the next. Comparing the two poems with each other, there are various commonalities and contrasts in each pieces’ characterizations of generational influences, conflicts, or tensions. Larkin’s “High Windows” poem is composed up of five quatrains. The poem is written in a metric pattern and features an “abab” rhyme scheme. The point of view of the poem is written in a first person perspective. The audience is allowed to assume Larkin is the speaker of the …show more content…
There is a commanding and serious tone behind the title. It is as if he is trying to convince his audience that he has it all figured out. And the “it”? The “it” he has all figured out is that, “They fuck you up, your mum and dad.” He says, “They may not mean to but they do. / They fill you with the faults they had / And add some extra just for you.” The first stanza is describing how our parents bring us into existence. It is not to say that some parents, if not most, do not try to give us a good life, teach us how to live a good and long life. They simply cannot. All our parents can do is pass down their own flaws in which they possess and even add some extra ones to those. The bottom line is this: your parents fuck you up, and on top of that, they pass down their individual flaws to you. What can one do to prevent this? Absolutely nothing. There is no escaping it. If there is good news coming out of this situation, it is this: it is not your fault. All the bad you are accountable for, every mistake you have ever made, every complaint anyone has ever made about you, do not fret. Instead, take all of that and direct it towards your parents. After all, if your problems exist solely because your parents fucked you up when you were young, how can you possibly be accountable for the wrongs you do? At the same time, there is something for one to consider. If one is not responsible for their own actions, then why bother monitoring your behavior? Just do what you want and feel like, without
Poetry is painting that speaks. It might be defined as the clear expression of cloudy feelings. Composers use poetry to shape their perspective for the responder to interpret. Australia has inspired how poets use skilful language to describe its distinctive beauty. Australian vision is exemplified in Douglas Stewart’s
John Hollander’s poem, “By the Sound,” emulates the description Strand and Boland set forth to classify a villanelle poem. Besides following the strict structural guidelines of the villanelle, the content of “By the Sound” also follows the villanelle standard. Strand and Boland explain, “…the form refuses to tell a story. It circles around and around, refusing to go forward in any kind of linear development” (8). When “By the Sound” is examined in regards to a story, the poem’s linear development does not get beyond the setting. …” The poem starts: “Dawn rolled up slowly what the night unwound” (Hollander 1). The reader learns the time of the poem’s story is dawn. The last line of the first stanza provides place: “That was when I was living by the sound” (3). It establishes time and place in the first stanza, but like the circular motion of a villanelle, each stanza never moves beyond morning time at the sound but only conveys a little more about “dawn.” The first stanza comments on the sound of dawn with “…gulls shrieked violently…” (2). The second stanza explains the ref...
Larkin published his collection of poems ‘The Whitsun Weddings’ in 1964. The main focus of this collection is of post war Britain, but materialism and consumerism are also common themes which are evident in some of Larkin’s poetry. In Larkin’s poems ‘essential beauty’, ‘the large cool stores’ and ‘here’ all take reference to the ideology that there is a material world that the proletariat aspire to be a part of. ‘Mr Bleaney’ then shows the life of the working class, and that they don’t have these material possessions, which lead to little recognition of their lives. Over all they all suggests that because of the material world we have be born into it allows the bourgeoisies to condition the proletariat into accepting the capitalist society through creating a false
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
One of the many ways Larkin portrays the message of influence is by using multiple tenses throughout the poem. The first stanza is very relatable to the immediate audience, and this is because the first stanza is written in present tense. The present tense looks directly into the life of the reader, which gives the poem an overall captivating aspect. By starting off with, “They fuck you up, your mum and dad.” Larkin is looking at the present day life of his
Roethke’s poem has a regular rhyme scheme that can be expressed as “abab”. The only exception to this scheme would be the first stanza as the words “dizzy” (2) and “easy” (4) are slant rhymes. Only the end syllables of the two words sound the same. As a result, the use of a consistent “abab” rhyme scheme allows the poem to reflect the
Billy Collins has used a specific metaphor, simile, rhyme and personification in his poem ‘Introduction to poetry’ in order to show how one should better understand a poem. This poem focused on what the poem actually mean and how a poem should be clearly understood. Throughout the poem, Billy Collins has presented a clear way of understanding the poem by using a very interesting imagery, symbolism, metaphor and a very sensitive sound. The words used in this poem are so powerful that the readers are convinced to think about the issue presented in the poem.
"Characteristics of Modern Poetry - Poetry - Questions & Answers." ENotes - Literature Study Guides, Lesson Plans, and More. Web. 09 Jan. 2012. .
Nikki Giovanni and Linda Hogan both wrote poems in the 1970s about their grandmothers that seem totally different to the unaware reader. In actuality, they are very similar. These two poems, Legacies and Heritage, express the poet’s value of knowledge passed down from grandmother to granddaughter, from generation to generation. Even though the poems are composed and read very differently, the underlying message conveyed is the same, and each are valid first-hand accounts of legacies and heritages.
Before discussion of these poems can truly begin, some background information of each other is necessary to understand why they have written their respective poems and maybe shed some light onto why they have taken certain positions on each of the three topics. Considered one of the greatest English poets of all time, Philip Larkin gradua...
The author uses imagery, contrasting diction, tones, and symbols in the poem to show two very different sides of the parent-child relationship. The poem’s theme is that even though parents and teenagers may have their disagreements, there is still an underlying love that binds the family together and helps them bridge their gap that is between them.
In any discussion of poetry vs. prose worth it's stanzas, questions regarding such tools as meter, rhyme, and format must come into play. These are, after all, the most obvious distinguishing features of poetry, and they must certainly be key in determining the definition, and in fact nature, of poetry.
Progress is in the eye of the beholder. Throughout the years society has forced nature out of its life and has instead adopted a new mechanical and industrialized lifestyle. Technology may be deemed as progress by some, where it is thought of as a positive advancement for mankind. Yet technology can also be a hindrance for society, by imposing itself on society and emptying the meaning out of life. In “Autobiography at an Air-Station,” Philip Larkin conveys his distaste of how society has denounced nature. By employing an ironic tone in the sonnet, Larkin comments on the significance of the sonnet in relation to industrial life. Life has become ironic because it is no longer a natural life that society leads, but a fabricated life. Through his use of rhyme and meter, the extended metaphor comparing the air-station to life, imagery, and diction, Larkin reflects on what life has come to be: a deviation from the intrinsic.
As The High Window enters a period of rising action, Raymond Chandler uses this stage as a time to display Marlowe’s obscure feelings. Despite coming off as a tough, quick-witted detective, Marlowe begins to unveil strange reactions and moods. Although showing no significant sign of unusual behavior while talking to Mrs. Murdock, his behavior changes over only after learning that the coin was occupying two spaces simultaneously. However, the reader can only assume that Marlowe is feeling odd until Chandler’s word choice ultimately describes an unnatural Marlowe; “I pushed out of the booth and lit a cigarette with thick awkward fingers” (Chandler 103). With Marlowe forcefully exiting from the booth you can only suspect peculiar behavior, which even the awkwardness of smoking his cigarette could cover. However, his awkwardness didn’t stop there.
In the poetry of William Blake and William Wordsworth, this difference between children and adults and their respective states of mind is articulated and developed. As a person ages, they move undeniably from childhood to adulthood, and their mentality moves with them. On the backs of Blake and Wordsworth, the reader is taken along this journey.