Analysis Of Fur Trade On The Missouri

527 Words2 Pages

Fur Trade on the Missouri
Bingham’s emblematic image touches upon settlement, trade, the Missouri and Mississippi rivers, and the issue of race. The painting can be read from left to right, adding a horizontal linear aspect. From an ominous animal chained to the prow of the flat boat, to the multiracial boy reclined on a box of some sort, to a hunchbacked elderly man propped on the stern, the viewer’s eye is able to journey in a straight line through each major element presented in the artwork, showing the progression from beast to civilization. The old man having a grim expression carries the burden of having to balance the responsibility of maintaining his business while dealing with the integration of various peoples in his community. The main purpose of this image is to reflect the commonality of interracial marriages, specifically between Native American women and the white settlers, during the time of the fur trade (Bryant). The tone …show more content…

American Indian nations traded along the Mississippi and Missouri Rivers for many centuries before the arrival of Europeans (Brinkley, 115). Afterwards, European merchants traded manufactured goods with American Indian nations for furs. In regard to the painting, the extent of its historical accuracy is limited. The fur trade of the 1800s was far from calm, and the fact that the artist depicted this continuous act as relaxing is false. Although it is true that people traded along the Missouri River, the artist idealized the event of the fur trade, depicting it as more serene than in reality (Brackenridge). After viewing this image, the public’s opinion on the cultural integration during the time of the fur trade may have shifted, becoming more aware of its presence. The historical background of the painting includes the societal aspect of the fur trade during the

Open Document