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Sexism in rap music
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Throughout Drake’s musical career, the theme he raps about the most is the male/female relationship. As I referenced it before the relationship between men and women is one of the pillars of rap. His most commercially successful and loved songs are about the relationships he’s had with a woman. Instead of talking about selling drugs or violent lyrics, Drake raps about his love of women and the relationships he has with him. He talks about the mistakes he’s made in the relationship one song in particular “Sooner than Later” he talks about how he has this girl he loves but let’s her get away from him and doesn’t realize it until she’s gone when he raps, “I forgot to call on your birthday/ You swear you’re the last thing on my mind, yeah/ There …show more content…
In the song Drake talks about how your world can come crashing during a break up when he says, “When a good thing goes bad it’s not the end of the world/ It’s just the end of a world that you had with one girl” (Rapgenius, Doing It Wrong) Continuing the theme of heartbreak in his song “Missin You” he continues to express his heartache when he said, “Ya, and when she not by my side/ And I hear that she gone/ Now its like a shock to my pride/ I don’t care if she know/ Cuz that’s basically just a male ego” (Rapgenius, Missin You (Remix)) That stanza struck me the most because Drake is telling the listener that he doesn’t care if people knows how he feels about his ex girlfriend. He references the male ego and how it doesn’t allow a man to feel hurt if a girl leaves …show more content…
Rappers who have been considered soft have always been the victim of humiliation from others, in the documentary “Hip-Hop” Beyond Beats & Rhymes” Byron Hurt captures a scene at a rap concert rapper 50 Cent questioning the manhood of another rapper Ja Rule. He’s projected onto a screen and says to the crowd, “Ladies and Gentleman it has come to my attention that you guys don’t know what bitch ass niggas look like. Take a look at this” Appearing on the screen is a video of Ja Rule crying with watery eyes and a single tear streaming down his face. 50 continues to talk to the crowd when he says, “I know that’s not hip hop. You know that’s not hip-hop” (Hurt, Hip-Hop Beyond Beats & Rhymes) During this time 50 and Ja Rule were in a beef with each other. By questioning Ja Rule’s manhood especially in front of thousands of fans, Ja Rule was never the same. Ja Rule didn’t follow the masculine characteristics which is meant to be followed by all rappers and to 50, Ja Rule doesn’t represent hip hop. Although in reality both Ja Rule and 50 both came from hard upbringings but the reason Ja Rule got made fun of is because he tried to show his soft side and guys like 50 who showed no emotion were quickly to point out Ja Rule and discredit him as a rapper. To me the same thing that happened to Ja Rule is now happening to Drake meaning that Drake shows his emotions but the
The song is not only expressing his love for girls, it’s also a metaphor for his love Hip-Hop. This is another example of Lupe’s Fiasco lyrical skills.
I was twelve when I first heard the name “Kanye West”. He was featured in a song I rather liked at the time called “Forever” and whilst discussing the song with my friend one afternoon I remarked:
In this piece, Beyoncé is telling her man that she is so much better than him that she can get any man she w...
Drake was just a kid who didn't stop going after what he was after, says his mother in an interview with MTV. A family member of mine that I had asked about “what is it that you pay attention more in drake's music?” And her reply was “his lyrics on how he would treat a woman so she wouldn't be lonely or hurt by the things he does and just because you lost someone you loved doesn't mean to stop chasing your
“You Was Right” by Lil Uzi Vert is fairly easy to understand lyrically. The essence of the song deals with unfaithfulness in a relationship as well as the aftermath. Lil Uzi Vert spends a large portion of the song admitting his mistakes to his presumed girlfriend in hopes of making things right between them. The song starts off with the hook, which rests upon the premise of how Lil Uzi Vert should have stayed loyal rather than taking another girl home with him. For example, he says, “You was right, I was wrong” (6) in an attempt to console his girlfriend and apologize. Following the hook, the first verse centers on Lil Uzi Vert’s riches due to his success as a rapper. He ties that in to his relationship by expressing how he wants to share his wealth with his girlfriend. At this stage in the song, Lil Uzi Vert is attempting to win his girlfriend back with his money and general success as a rapper. The hook then repeats itself to indicate that the argument between Lil Uzi Vert and his girlfriend is still continuing. The second verse signifies an escalation in their conflict, as he says, “You just locked the door, so I gotta text you” (42). His girlfriend is refusing to even listen
Objectification of women and misogyny is a common trend in song lyrics, but it is often socially accepted and further perpetuated. Finding a song in which the roles are reversed and a woman depicts a man as a sex object is incredibly difficult because when women try to break norms in the music industry, they are often criticized. In “Blah Blah Blah” by Kesha, she reverses the typical gender roles in song lyrics by objectifying men. Kesha has her own struggles within the male-dominated music industry because her producer sexually abused her and trapped her into a record deal. However, Kesha lost her court case, which illuminates gender issues within the music industry and the larger society. In 2010 when Kesha’s songs were popular, people weren’t aware of her battle with her producer. Instead, her lyrics classified her as more of a party figure and people even saw her as “trashy.” This song
The song is set around Chief keef being on the phone and talking to a woman, he refers to the woman on the song as a bitch, hoe, and thottie. The word thottie is derived from the word thot, which is an acronym for “that hoe over there”. The song states “You wanna Glo up, baby, Keef got you/You's a gold bottle, these hoes pink Moscato/Baby I'm the owner, you can be my castle”. This line right here compares the woman to other women by saying she is a better bottle of liquor than other women and calls her his property when he says you can be my castle. Then he goes on to say in the song “ Baby cause I like you/Only reason I text you and why I Skype you/I just wanna fuck on you, I don't wanna wife you/But you gotta brush your teeth and do what I say though/(Hello?)/Bitch can you hear me?/Keep your pussy in park, no 360... I don't wanna smell you/Cause I'ma cut/you off, quicker than I met you/I'ma swipe your name up off my schedule/And if smoke this blunt, girl, I'm gon' forget you”. The lyrics basically says the women is just there for his sexual pressure and he does not plan on making her more than that; he also tells the women that he has to be the one in control if she wants to continue this relationship; then he tells her, he will completely stop communicating/seeing her, if she does not do what he wants her to do and she can be
The big A launched its new ad for Apple Music entitled "Drake vs. Bench Press" featuring their long-time advocate Drake. On the video, Canadian rapper is seen listening to Apple Music and uses the 'Pop WorkOut' playlist includes the song of Taylor Swift 'Bad Blood'. While lifting the weight as his daily routine in the gym, he starts lip-syncing when his friend left the room since he doesn’t want to be seen by anyone. Being carried away with the tune, he starts dancing for a while and then he continued working out. But Drake ends up dropping the bench press on his chest and singing along with the song. When he wasn’t able to catch the rhythm, the award-winning rapper danced in his hilarious moves in front of the mirror. As we all know, this
In " Blurred Lines" by Robin Thicke and Pharrell it talks about how a men humiliates a women.This song talks a about sexiest men and how he caresless about womens rigths or feelings, this song made alot of people angry becaause of how it talks about women.This song actually compares womens rigths and feelings to animals
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
In the lyrics of male R&B/Hip-Hop artists in the early 1980’s, there is a noticeable shift in the language used to portray women and then themselves. The language shift is in choosing words that are filled with love and emotion to overbearing words that aim to separate men and women by social status. During the 1980’s, many of the popular songs by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This observation is similar to Frith’s (1986) finding, where most successful pop songs centers around being “happy in love”, “frustrated in love” as well as having sex interests. The “happy in love” factor that Frith notices in pop songs is seen in early R&B/Hip-Hop music. Instead of using derogatory terms
Music reflects the times. In the 60's and 70's, musicians preached peace and empathy towards the human race. In the 80's music was a form of rebellion. Today, music has manifested itself into many different forms, one being "hip hop" more commonly known as "rap". In the early 80's, rap was about break-dancing and graffiti. Now, as we approach the year 2000, hip hop has become the most listened-to form of music nation-wide and many rap artists have adopted the new title of "pop-artists", pop. meaning "popular culture". A hip hop single recently took the number 1 spot on the Billboard charts for most sales recorded. The problem here is the message many rappers are telling the world. From the beginning, rappers have flaunted their money with the expensive cars seen in their videos and the thick gold chains they wear in public, not to mention the numerous references made to wealth in their lyrics. However, many rappers are telling tales of violence and wealth as one. In fact, there are more than 10 hip hop songs actually entitled "Crime Pays". In the chart topping single, "Money, Power, Respect", Yonkers based rapper DMX raps "hit him up/ split him up/ shut him up/ then watch him come/ get him up…CLICK, step back like I did work", portraying a beating, then murder, the "CLICK" being the sound made by the trigger of a gun. The chorus then goes on to proclaim "Money, Power, Respect,...
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
Hip-Hop/Rap is one of the biggest growing genres of today. From its early stages in the 1970’s to today’s pop culture, it has grown quite a lot. Unfortunately, it has developed a terrible reputation of drugs, violence, abuse, and gangs. When people associate Hip-Hop with things it is usually a negative image that comes to the person’s mind. Which is sad, Hip-Hop/Rap has a great artistic quality to them that gets so easily overlooked. There is true poetry and emotion behind these lyrics and beats, but not everyone is willing to sit down and listen to it. They quickly judge this music genre and the immediately dislike it without giving it a second thought. Rappers pour their emotions and their souls into their songs and it really speaks to people who would stop and listen to them. Hip-Hop/Rap has evolved over time. From the early stages of Kool Herc, Afrika Bambaataa, and others to today’s rap stars like Eminem and Kendrick Lamar. Each decades style is different but each style is still good. What really made Rap huge was the Sugarhill Gang’s own song called “Rapper’s Delight” the entire song is around 15 minutes long with just three emcee’s rapping, Wonder Mike, Big Bank Hank, and Master G. An emcee is another word for a rapper. Most emcees are the head of whatever event is being taken place, kind of like people that do skits in a talent show to introduce the next act. Hip-Hop/Rap today is filled with emcees and rappers. Today we find a more complex and more diverse style than what we would find back in the 70’s. There are different styles to different rappers. Each one unique in its own way and it makes that rapper stand out compared to everybody else. Also, another thing today that is different from the past is the flow of a rapp...
'Til the vocal cords don't work in her throat no more? Shut up slut, you're causin' too much chaos.” (Eminem, Kill You) However, these pejorative lyrics are not unique to male rappers. Nicki Minaj could be considered just as obscene, if not more, than any of the top male rappers.