Why do people try to sexually seduce someone? Leo Tolstoy once said, “I think… if it is true that there are as many minds as there are heads, then there are as many kinds of love as there are heart.” Men epically try to win a woman’s heart by seducing her with meaningful words or by impressing her with his poetic language. John Donne wrote two poems that seduce women, but one is not as successful as he wants it to be; “A Valediction: Forbidding Mourning” is romantic and poetic; however, “A Flea” is not as effective for winning a women’s heart. The poem, “A Valediction: Forbidding Mourning,” has incredible wording. Donne is trying to explain to his wife that their love is much greater than physical love, and they are also conjoined in the mind. Some of the words he uses are “a love so much refined” and other enhance language like “two souls” to ease his wife when he is away. He is trying to calm his wife …show more content…
The tone of the poem helps him make his statement come across. The tone is settling in the beginning, but at the end he becomes concern for his chances. Donne uses the words “cruel” and “sudden” on the death of the flea as a symbol of the death of his chances. He argues that the flea whom has bit him and the woman, he is seducing, should participate in making love because their blood is already combine inside the flea. His wording in this poem tries to convince this lady that their blood has already mingle in this flea, so they should just make love. However, the woman he is trying to seduce thought he is out of his mind and kills the flea. The reader can see that he is trying to make excuses to make love to her. Donne keeps saying that their love making will not be looked down upon, which it will. Donne says in the poem, “A sin, nor shame, nor loss of maidenhead, / Yet this enjoys before it woo, / And pampered swells with one blood made of two, / And this, alas, is more than we would do”
To begin with, when Mr. Donne first commences his poem, he uses the personification “Death, be not proud” (1). The author gives death the human characteristics of being “not proud.” The rest of the line continues as “though some have called you thee”. ” Death should not be prideful even if people think it is. John displays through this first line how he feels about death: he is too proud for his own good.
The narrator in The Flea is a youthful man trying to convince a young woman to give her virginity to him. He tries to do this by comparing their relationship to a flea that is in the room. The flea bites them both and Donne explains to her that this is symbolic of both of their worlds combining into one. He says that the flea is now the realm of love, lust, and marriage. At first this poem seems to be just about love, commitment from a male to a female, who says no his lustful desires. However, a deeper look than just the superficial reveals that the male in this poem is actually revealing a valid point to his lady: that the loss of innocence, such as her virginity, does not constitute a loss of her honor.
At the threat of demise, the speaker states “This flea is you and I, and this/Our marriage bed, and marriage temple is” (12-13). A union is created and through the three of them, it is seen as a correlation to the holy trinity with God being replaced by the flea. Even though the woman does not seem inclined to spare the flea, Donne furthers his argument with the mixing of their blood allowing for an unmistakable union without societal norms or scandal. Since the flea can hop from one host to the other without commitment, so can we have a little romp in the hay without the pressures of marriage and life ever after. Through the third stanza, we find that the woman has killed the flea and therefore quelled any chance of a sexual union between the speaker and his quarry. He has failed once again to gain her favor and seal the deal. While the flea may have been able to take her blood without seduction, the speaker finds excitement in the challenge to live and woo another day.
John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other. However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other. For instance, in the first stanza a flea bites the speaker and woman. He responds to this incident by saying, "And in this flea our bloods mingled be."
The speaker in Donne's poetry is a theatrical character, constantly in different situations, and using different roles to suit the action. He can take on the role of the womanizer, as in "The Indifferent," or the faithful lover from "Lover's Infiniteness," but the speaker in each of these poems is always John Donne himself. Each poem contains a strong sense of Donne's own self-interest. According to Professor J. Crofts, Donne:
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
He compares his relationship with his love as “stiff twin compasses” and other similar comparisons to describe their unity (Dunne 26). Like a compass, they always seem to be working cohesively as one unit. It could have the same theme as “The Passionate Shephard to His Love” by Christopher Marlowe, the theme of love conquering all. They both seem to have an idealistic view to the relationship as well, as the shephard in Marlowe’s poem insists that his love “will all the pleasures prove” if she were to go with him (Marlowe 2). Both poems aim for a perfect life with their love, and Donne’s poem manages to come up with a more realistic option out of the
...ne exclusively on himself and his lover. By doing so he says the sun will be shining on the entire world. It is apparent in both poems the tone and language is dramatic, as this is typical of Donne’s writing style. His use of imagery and symbolism effectively present his experience of love. However it is the structure that builds up the emotion throughout the poems as Donne starts in each poem to refer to a seductive love, then in conclusion realises the importance of true love. ‘The Good Morrow’ clearly shows evidence of this when at the beginning Donne states he ‘suck’d on country pleasures childishly’ and in the end understands that a ‘Love so alike that none can slacken, none can die’.
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.
Diction refers to the word choice or phrases an individual decides to use to support his thoughts; throughout his or hers work of art and in this case John Donne poem. Donne uses an informal take of diction, He is metaphorically speaking to the love his life by shouting within himself for Anne to not leave him for “I shall hate… I shall not celebrate” (Donne, line#1&3). He claims that after losing her he will hate all women so much, that he will even hate her when he remembers she was a woman as well (Phillips Webb). This selection is one of his more famous and loved pieces, it is a great poem that was written for somebody that was very special and dear to his heart. Donne is saying something to Anne, his dead
Donne develops this idea through the symbolism of the flea and the twisted imagery of the Trinity. He uses slant rhyme to depict the man’s slanted argument and stretched logic, which highlight the man’s crooked idea of what physical love is. Donne’s use of slant rhyme and hyperbole mock other poems that praise women with flowery language in an attempt to charm them into bed. In contrast, the speaker here uses crude arguments meant to woo this woman to sex with him.Renaissance carpe diem poems speak about enjoying physical love within one’s short-lived youth. “The Flea” touches on fleeting love too; the body with the blood of life and love may soon be squished. However, there are consequences which always entail physical love. These consequences might be the real
In the first stanza of the poem, Donne tries to convince his lover to have sexual intercourse with him. At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical. Using a conceit he belittles the impact of sex and the power it has over him even though it may be untrue. Knowing that she has thought about it before, he assures her that by withholding sex from him is something so small that it does not give her power in the relationship.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
Despite the speaker’s best attempt at convincing the woman to have sexual relations with him through his metaphor of the flea, he would appear to be unsuccessful at the end of the poem. His far-fetched and cynical approach belittles both the woman’s virginity and sexual relations outside of marriage in general, and only highlight his lust for her. However, the poem’s metaphysical characteristics which include the primary use of a conceit through the flea, hyperbole, ironic wit to balance the plot between a serious and humorous nature, and an argumentative structure, allow Donne to create a satirical narrative to address the subject of sexual relations outside of marriage.
In the beginning of the poem Donne is calling the sun an “old fool” and “unruly”, which shows that he is not grateful for the sun shining through their window and waking them up. The second line and third line, “why dost thou thus? Through windows, and through curtains call on us”, asking the sun why he is awaking him and his lover by coming through the curtains and interrupting their blissful night. He asks another question, “must to thy motions lovers’ seasons run?” asking if lovers have to get up just because the sun has risen. Donne uses the words “saucy, pedantic wretch” to now describe the sun, saying that the sun has power some people but not him and his lover. He then goes on to tell the sun to go “chide” the people it still has power over like, children going to school who are late and apprentices who have overslept and are “sour” about it. The sun should be an indication to the huntsmen that the king will want go out and ride and the sun will also indicate to the “ants” that it is a good day to harvest their crops. The sun should not be waking up the lovers, because love does not change