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Synopsis – A Fond Kiss Forside Indholdsfortegnelse Hvordan skildrer og forklarer filmen ”Ae Fond Kiss” af Ken Loach fra 2004 det kulturelle dilemma, som en ung mand med pakistansk baggrund opvokset i England befinder sig i? • En redegørelse for de kulturteorier, som I vil inddrage • En analyse og fortolkning af ”Ae Fond Kiss” med særligt fokus på det forhold, Casim har til hhv. Roisin og sine forældre samt de konflikter der opstår mellem personerne. • En diskussion af Casim’s dilemma og de valg han foretager Indledning og præsentation Fiktionsfilmen ”Ae Fond Kiss” er et romantisk drama fra 2004. Filmens store tema er ulykkelig kærlighed, da det er det, der gør det til en romantisk drama. Ken Loach er instruktøren bag filmen, og han er blandt andet kendt for, at producere …show more content…
Parforholdet er baseret på følelser og det kan let opløses, hvis kærligheden dør. Derfor er der mange skilsmisser i jeg-kulturen. Børn fødes både i og uden for ægteskaber, og der er derfor også mange enlige forældre. Kvinder er selvstændige og de kan forsørge sig selv. Man er selvstændig og styrer sig selv og frihed er godt. I vi-kulturen er kollektivet, storfamilien og klanen er vigtigst. Den enkelte indordner sig og familien og fælleskabet tager sig af de svage. Her er ægteskabet bygger på fornuft og med hensyn til slægten, og ægteskab kan arrangeres og skal accepteres af familien, man er lydige overfor autoriteterne i egen gruppe, man underlægger sig fælleskabets normer, tryghed er godt Individualisme i et land forklarer jeg- eller vi-kulturen. Et land med høj individualisme er en stærk jeg-kultur, og en lav individualisme er en stærk vi-kultur. Lande med høj individualisme betragter man individet individuelt og man følger ens egne behov og ønsker. Lande med lav individualisme er værdierne og normerne i fælleskabet det vigtigste. Loyalitet. Individualismen er højest i de vestlige lande og lavest i
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
Farrington also writes his side text boxes in italics so readers can distinguish that it is a side box. In one side text box, Farrington refers to How to Make Love: The Secret of Wooing & Winning the One You Love by Hugh Morris, which says “Let your lips traverse this distance quickly and then dart into the nape of the neck and, with your lips pursed, nip the skin there, using the same gentleness as would a cat lifting her precious kittens” (178). Farrington refers to How to Make Love: The Secret of Wooing & Winning the One You Love to show readers how others think on how kisses should be given. In other side text boxes, Farrington uses questions/answers about kissing to show the reader what they shouldn’t do when it comes to kissing. Farrington says, “Regarding Social Graces: Q: What’s are the rules about public displays of affection? A: Don’t” (188). Lastly, Farrington places steps about kissing within the side text boxes. Farrington says, “Step one: Touch her face. Step two: Part your lips. Step three: Kiss her. Step four: Let go”
The purpose with this paper is to study and compare two different directors, and to compare and contrast the two different works. How are they working with their movies and how do they use mise-en-scene? By studying two different directors that uses different techniques when making movies, we are going to find out how important mise en scene really is, and how it affects the movie.
In the unit “The Spirit of Individualism” there are two parts, “Celebrations of the self” and “The Dark side of Individualism” with pieces that present very different perspectives on human nature. “The Dark side of Individualism” portrays human nature as greedy, confused, easily caught up in fame, and addicted to wealth and possessions. In “Celebrations of the Self”, human nature is viewed in a more positive light. The characteristics shown are self reliance, independence, wisdom and selflessness. “The Dark side of Individualism” pieces are written in a more macabre tone, whereas “Celebrations of the Self” pieces have a more positive and uplifting tone to them. The generalizations of human nature are different because of the pieces in “The Dark side of Individualism” and “Celebrations of the Self” have entirely different views on life and human nature.
To begin with, Prasad states that there are several ways films negotiate the prohibition on kissing on screen, the first being to “stage the prohibition itself.” An example of this would be when lovers move towards each other for a kiss and then suddenly, the camera fades away and prevents, not the actual kiss itself, but the viewer from seeing it occur. The second way of negotiating the prohibition Prasad argues is to “thematize the prohibition as a cultural truth and duty” (Prasad 80). Prasad believes that by doing this, one would be inscribing the prohibition within the represented content, rather than treating it as a political act of curtailment (Prasad 90). Prasad’s third and final way that one could negotiate the prohibition of kissing is ...
Individualism in today’s society is the “belief that each person is unique, special, and a ‘basic unit of nature’.” The individualism concept puts an “emphasis on individual initiative” where people act independently of others and use self-motivation to prosper. The individualists “value privacy” over community the individual thrives to move ahead in life (U S Values).
The notion of individualism is extremely important in exercising the duty people have to cease from the...
Love is defined in many different ways; often times it depends on the person you ask. Sometimes it can be mistaken for lust or hate, and some people don’t even believe love exists. Although each individual carries their own opinion and perspective, it is safe to say that the portrayal of love in literature and film can appear much more magical and grand than it is in reality. Love can be an extremely controversial topic, but for the duration of this paper I ask the reader to hypothesize with me and explore the point of view from the literature and film aspect. I will be comparing the theme of love in the film Twilight and the story The Mysterious Stranger. Specifically, I will be comparing the theme of love in contradiction with “love” that
In her thesis Drumova attempts sociology of literature concerning in comparative study between novel and film. As a result of the analysis of the topics a parallel emerges between the subjects that have been preoccupations of the Victorian society (conveyed in the novel) and
Lacey, N. (2005). Film Language. Introduction to film (pp. 16-22). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
SADOUL, Georges. Dějiny světového filmu : od Lumiera až do současné doby. Vyd. 2. Praha : Orbis, 1963. s.156.
Øhrstrøm , Daniel Øhrstrøm . " En vandring gennem Munchs følelsesliv | Kristeligt Dagblad." Kristeligt Dagblad. N.p., 18 Aug. 2012. Web. 19 Sept. 2013.< http://www.kristeligt-dagblad.dk/artikel/474626:Kultur--En-vandring-gennem-Munchs-foelelsesliv
A story of love, romance films often have the themes of love at first sight, young (and older) love, unrequited love, tragic love, etc. Romantic comedies and chick flicks are the main genres these themes. Romance films were created as a fantasy for viewers to escape and experience a “happily ever after” (Romance films). The intended audience is generally women and teenager. This fantasy world that has been created had begun to create false expectation of what real love is. With the popularity of these films leads to the idea that, people’s perception of love is greatly influenced by films, and this leads to false expectations of how people perceive real relationships.
I had always dreamt and imagined of and things about my first kiss, what this short and small but entirely –maybe magical, or awkward moment would be like. Until it happened on my fourteenth birthday. But first, let me begin with the fact that I was moving away to California in a month and a half, an extremely dreaded time period and an entire state away sort of situation. I was born and raised in Phoenix, Arizona. Jordan and I, were great friends for a long time, teasing and poking fun at each other with no sign of infatuation toward each other whatsoever. He was my classmate, my confidant -my best friend. He was tall, had no money to his name but no one would have noticed, undoubtedly charismatic and mature for his age, and I was the complete
In another study on courtship behaviors conducted by Anthony Paik and Vernon Woodley certain an extended use of courtship behaviors is needed before sexual intercourse can occur. They found that courtship signals where most important when the two potential partners did not know one another. The use of courtship behaviors demonstrates an individual’s level of investment and capital. Courtship behaviors can be used as a measure for how much a potential partner is willing to commit to the potential relationship. Courtship signs can also demonstrate what a potential partner has to offer in a potential relationship. If a potential partner does not exhibit a high level of commitment or potential then the individual being courted may decided to not