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Kendavid Stenhouse
Dr. Perkins
English 204 A
5 December 2017
Death Decay and Decomposition
The term gothic literature refers to, “a writing about the dark, irrational elements of experience and of the mind. It explores the extreme mental states characterized by guilt, panic, fear, anxiety, obsession, paranoia, and claustrophobia, while frequently also attempting to assuage [satisfy] them” (Otto). In “A Rose for Emily” by William Faulkner, there are many forms of gothic elements prevalent throughout the story.
Emily’s house; an ugly and desolated shack, was once seen as a beautiful estate compiling of existence and hue but, deteriorated after the death of Emily’s father leading to the death of Emily spiritually. In similarity, the gothic elements
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With the thought that no one else but the father was good enough; “Her passionate, almost sexual relationship with her dead father…[compels] her to distrust the living body of Homer and to kill him so that he will resemble the dead father she can never forget” (Towner). Emily’s father never thought any man was good enough for her and was never able to experience love besides the love her and her father rationed for each other. Meeting Homer was a way for Emily to replace the love she possessed for her father, but Miss Emily never thoroughly overcame his death. Emily became devoted with endearment and infatuation towards Homer as time persisted. “[In] death, he was unable to leave her” (Priddy), for her poisoning Homer was an endeavoring way to never be along. Emily was looking for a way to resemble her father’s dead body she had grown to endear and learned to live without; “We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and…knew that with nothing left, she would have to cling to that which had robbed her, as people will” …show more content…
Horror and death help to create interesting characteristics, motifs, and traits while the rose is another element that adds romance and love to the story. The gothic elements in the story help develop sanity, reconstruction, isolation and a feminist standpoint including the townspeople derogative outlook upon Miss Emily.
Works Cited
Otto, Peter. "Gothic Fiction." Encyclopedia of the Romantic Era, 1760-1850, edited by Christopher John Murray, Routledge, 1st edition, 2003. Credo Reference, https://search-credoreference.com.ezproxy.smcsc.edu/content/entry/routromanticera/gothic_fiction/0?institutionId=5472. Accessed 05 Dec 2017.
“‘A Rose for Emily’/ The Evolution of the Gothic Genre.” The Dark Side of Literature, 11 Oct.
2013, mankerhy.wordpress.com/a-rose-for-emily-the-evolution-of-the-gothic-genre/.
Priddy, Anna, and Harold Bloom. Bloom's How to Write about William Faulkner.
I offer by way of introduction to the Gothic literary world an extract taken from Ann. B Tracy’s book The Gothic Novel 1790-1830: Plot Summaries and Index Motifs:
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
Goth is a term that originally referred to a northern Germanic tribe who ransacked southern Europe in the fourth century A.D. Because the Goth was associated with the fall of Rome and its classical culture, the term Gothic was applied with a negative meaning of medieval or barbaric. In the eighteenth century, Gothic novels drew upon the conventions of the medieval romances which tell stories of knights battling with magic and monsters, and Gothic story often introduced existence of supernatural elements and a protagonist's immersion into a dark, horrific realm. The style of Gothic literature tends to be extreme, seemingly uncontrolled, and intended to invoke a strong emotional response which might be awe, pity, guilt, horror, or fear. In "The Yellow Wallpaper," the journals wrote by the narrator continuously conveys to readers that her emotion and mind is seriously influenced by the wallpaper which drives her insane in the end. On other hand, "A Rose for Emily" is a story that full of pity and fear; the town people pity Emily for loss of her father and for being a spinster; Emily herself fears the separation with her lover, Homer Barron, and ends up killing him in ord...
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Many authors use Gothic literature in their common works like “The Black Cat,” written by Edgar Allen Poe, “Prey,” by Richard Matheson, “The Devil and Tom Walker,” by Washington Irving, “The Feather Pillow,” by Horacio Quiroga, and “A Rose For Emily,” by William Faulkner. In effort to create a sense of mystery, suspense, and superstition, these authors use these Gothic Elements: Entrapment and Violence. By using these elements, authors illustrate their belief that one should express themselves through individualism.
Ringe, Donald A. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington KY: The University Press of Kentucky, 1982.
Up to the very end of Miss Emily’s life, her father was in the foreground watching and controlling, and Miss Emily unrelentingly held on to the past. She went as far as keeping a loved one’s body locked upstairs in her home for years. While admiring her loved one’s body from up close and afar, she managed to maintain a death grip on the past.
Throughout the years, Gothic literature has developed to be a mirror representation of what the beliefs and thoughts of the time were. The Gothic has a tendency to express beliefs towards the socioeconomic, political and religious situations and grievances of the time. Many texts express this, some including Edgar Allen Poe’s The House of Usher and Mary Shelley’s Frankenstein, to then allow for the general public – at least those who were literate – to, subconsciously, understand the environment around them without being too direct. This gave the writers of the time a new channel, through this ge...
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
William Faulkner takes us back in time with his Gothic short story known as, “A Rose for Emily.” Almost every sentence gives a new piece of evidence to lead the reader to the overall theme of death, isolation, and trying to maintain traditions. The reader can conclude the theme through William Faulkner’s use of literary devices such as his choice of characters, the setting, the diction, the tone, and the plot line.
William Faulkner’s “A Rose for Emily” has many gothic themes such as, when Emily buys the arsenic and the tomb that lay buried in her house. These themes show that gothic literature consists of cryptic and dark settings and tones. This mysterious story is filled with violent events and creates suspense and terror.
In “A Rose for Emily”, by William Faulkner, Emily Geierson is a woman that faces many difficulties throughout her lifetime. Emily Geierson was once a cheerful and bright lady who turned mysterious and dark through a serious of tragic events. The lost of the two men, whom she loved, left Emily devastated and in denial. Faulkner used these difficulties to define Emily’s fascinating character that is revealed throughout the short story. William Faulkner uses characterization in “A Rose for Emily”, to illustrate Miss Emily as a stubborn, overly attached, and introverted woman.
In "A Rose for Emily," William Faulkner's use of setting and characterization foreshadows and builds up to the climax of the story. His use of metaphors prepares the reader for the bittersweet ending. A theme of respectability and the loss of, is threaded throughout the story. Appropriately, the story begins with death, flashes back to the past and hints towards the demise of a woman and the traditions of the past she personifies. Faulkner has carefully crafted a multi-layered masterpiece, and he uses setting, characterization, and theme to move it along.