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A Haunting Past In William Faulkner’s short story “A Rose for Emily” Miss Emily Grierson holds on to the past with a grip of death. Miss Emily seems to reside in her own world, untarnished by the present time around her, maintaining her homestead as it was when her father was alive. Miss Emily’s father, the manservant, the townspeople, and even the house she lives in, shows that she remains stuck in the past incapable and perhaps reluctant to face the present. At the beginning of the story, the reader learns that Miss Emily “is portrayed as ’a fallen monument,’… because she has shown herself susceptible to death (and decay) after all” (West 264). The house can also be perceived as a “fallen monument”(Faulkner 81) as the narrator proceeds to describe the house, magnificent as it once was, and how it has become dilapidated through the years. The same can be said about Miss Emily, as time passed she “looked bloated like a body long submerged in motionless water, and of that pallid hue”(Faulkner 82). In her younger days however, she was “a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her clutching a horsewhip”(Faulkner 83). One of the many indications that Miss Emily is stuck in the past is her refusal to accept that her father is dead after holding on to his body for three days. “She wants to keep him as she has known him instead of allowing him to return to dust”(Kurtz 40). Miss Emily’s father had such an impact on her life, that she was left powerless in every aspect, thus her decision to live in the past where she knew she could be in control. The reader also learns that Miss Emily continued to retain a manservant long after slavery had ended. This “old m... ... middle of paper ... ... Among them lay a collar and tie, as if they had just been removed, which, lifted, left upon the surface a pale crescent in the dust. Upon a chair hung the suit, carefully folded, beneath it the two mute shoes and the discarded socks. The man himself lay in the bed… Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint invisible dust dry and acrid in the nostrils, we saw a long strand of iron- gray hair.(Faulkner 86-87) Up to the very end of Miss Emily’s life, her father was in the foreground watching and controlling, and Miss Emily unrelentingly held on to the past. She went as far as keeping a loved one’s body locked upstairs in her home for years. While admiring her loved one’s body from up close and afar, she managed to maintain a death grip on the past.
Emily had a servant so that she did not have to leave the house, where she could remain in solitary. The front door was never opened to the house, and the servant came in through the side door. Even her servant would not talk to anyone or share information about Miss Emily. When visitors did come to Emily’s door, she became frantic and nervous as if she did not know what business was. The death of Emily’s father brought about no signs of grief, and she told the community that he was not dead. She would not accept the fact that she had been abandoned because of her overwhelming fear. Emily’s future husband deserted her shortly after her father’s death. These two tragic events propelled her fear of abandonment forward, as she hired her servant and did not leave the house again shortly after. She also worked from home so that she never had a reason to leave. Emily did not have any family in the area to console in because her father had run them off after a falling out previously. She also cut her hair short to remind her of a time when she was younger and had not been deserted. Even though people did not live for miles of Emily Grierson, citizens began
Woman from town came over to visit and give there condolansis to her but shockingly Emily only said he was not dead. (pg98). This was a major point of the story were change is seen as a real problem for Emily. She kept her dad’s dead body in her home for three days teeling herself and everyone else that he was still alive. Eventally force had to be taken by the police and the body was put in a grave. It is not normal for someone to act like this but also her dad was all she ever knew. He ran off men and his own family, so when he died she went into a deep state of denial and refused to accept the fact she had lost the only person she loved.
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
When her Father dies, Emily cannot bury him because she feels like she has finally tamed him. Emily's father can no longer controll her. With his demise, Emily is now in control of her life, and in control of her father. The day after Emily's father died, the local women pay a visit to Emily. "Miss Emily met them at the door, dressed as usual and with no trace of grief on her fac...
The present was expressed chiefly through the words of the unnamed narrator. The new Board of Aldermen, Homer Barron (the representative of Yankee attitudes toward the Griersons and thus toward the entire South), and in what is called "the next generation with its more modern ideas" all represented the present time period (Norton Anthology, 2044). Miss Emily was referred to as a "fallen monument" in the story (Norton Anthology, 2044). She was a "monument" of Southern gentility, an ideal of past values but fallen because she had shown herself susceptible to death (and decay). The description of her house "lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps--an eyesore among eyesores" represented a juxtaposition of the past and present and was an emblematic presentation of Emily herself (Norton Anthology, 2044).
As time went on pieces from Emily started to drift away and also the home that she confined herself to. The town grew a great deal of sympathy towards Emily, although she never hears it. She was slightly aware of the faint whispers that began when her presence was near. Gossip and whispers may have been the cause of her hideous behavior. The town couldn’t wait to pity Ms. Emily because of the way she looked down on people because she was born with a silver spoon in her mouth and she never thought she would be alone the way her father left her.
The end of the American Civil War also signified the end of the Old South's era of greatness. The south is depicted in many stories of Faulkner as a region where "the reality and myth are difficult to separate"(Unger 54). Many southern people refused to accept that their conditions had changed, even though they had bitterly realized that the old days were gone. They kept and cherished the precious memories, and in a fatal and pathetic attempt to maintain the glory of the South people tend to cling to old values, customs, and the faded, but glorified representatives of the past. Miss Emily was one of those selected representatives. The people in the southern small-town, where the story takes place, put her on a throne instead of throwing her in jail where she actually belonged. The folks in town, unconsciously manipulated by their strong nostalgia, became the accomplices of the obscene and insane Miss Emily.
Emily attempts to recapture her past by escaping from the present. She wants to leave the present and go back to a happier past. Miss Emily wants to find the love she once knew. “After her father’s death she went out very little; after her sweetheart went away, people hardly saw her at all” (243). Emily alienates herself from everyone when the two people she has loved most in her life go away. She becomes afraid to grow close to anyone in fear of losing them again.
William Faulkner takes us back in time with his Gothic short story known as, “A Rose for Emily.” Almost every sentence gives a new piece of evidence to lead the reader to the overall theme of death, isolation, and trying to maintain traditions. The reader can conclude the theme through William Faulkner’s use of literary devices such as his choice of characters, the setting, the diction, the tone, and the plot line.
who had lost the person she really knew. This repression of Emily’s father dying was
The ways of the world had changed around her and Miss Emily just had not accepted it. She had tried to stop time in her own twisted ways, and even more astonishingly, the townspeople had let her. To them, she was a symbol of the old South, even if they did suspect some mental illness. She was her father's daughter, and they were more than content to let her do things in her own way. They liked her as a symbol of the Old South so that they could cling to an idealized past as well. But as the reader knows time stops for no one. It can never stop and no matter how you try to trap it, it will find a way out eventually. Emily's way out was death. She leaves behind the townspeople who are left to figure out how they will move into this new world of change and growth, how they will reconcile the Old South with the new one.
William Faulkner’s “A Rose for Emily” is a short story told from the point of view of an unnamed narrator and opens with the death of Miss Emily Grierson, an elderly woman that the reader quickly learns that the town views more as a character than an actual human being. Through flashbacks, the mysterious and haunting tale of Emily is revealed. As a child, Emily was the member of an aristocratic family, but has now long been living in relative poverty in the former grand home of her family after her father left her with no money. The product of the Civil War South, Emily never moved past the social customs of her youth, and refused to live according to modern standards. This becomes evident when she accepts the mayor’s hidden charity under the guise of her never owing taxes due to a lie that her father had loaned the town money and this was how the town would re...
Emily was kept confined from all that surrounded her. Her father had given the town folks a large amount of money which caused Emily and her father to feel superior to others. “Grierson’s held themselves a little too high for what they really were” (Faulkner). Emily’s attitude had developed as a stuck-up and stubborn girl and her father was to blame for this attitude. Emily was a normal girl with aspirations of growing up and finding a mate that she could soon marry and start a family, but this was all impossible because of her father. The father believed that, “none of the younger man were quite good enough for Miss Emily,” because of this Miss Emily was alone. Emily was in her father’s shadow for a very long time. She lived her li...
As a child, Emily was unable make friends or even play outside because her father held his family to a much higher standard than other townspeople “The Griersons held themselves a little too high for what they really were” (Faulkner 36). Emily’s father, selfishly held Emily back from living, loving, and freedom. She was unable to find a soul mate because her father believed that “None of the young men were quite good enough for Miss Emily and such” (Faulkner 36). Because of this, Emily stuck close to the only man she’s ever known like a newborn to its mother. Emily and her father had such a close bond that when he died, for days she refused to believe he was dead, and she also refused to let the townspeople dispose of the body. For the townspeople, Emily’s reaction to her father’s death was quite normal, but for readers it was our first glimpse at her necrophilia.
One of the most prominent symbols in the story is Emily’s house. The house represents the destruction of the primitive Southern families and aristocracy that surrounded the neighborhood. The author describes the house as “a big, squarish frame…decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies” (Faulkner 668). Contrary to the time period the house was built, the setting of the story takes place much later than the 1870s when everything in the neighborhood has changed. The neighborhood which was once considered “[the] most select street” had “garages and cotton gins [encroach] and [obliterate] the neighborhood” (Faulkner 668). Nonetheless, the reader is able to conclude based on the house’s exterior appearance that it also represents mental illness and death. The house has been left untouched and as one of the very few visitors noted” [the house] smelled of dust and disuse—a close, dank smell” (Faulkner 669). By leaving the interior of the house unchanged for years, Emily had created a shrine of the past. Consequently, the author has instilled another chilling symbol in the story: a single strand of grey hair. The hair, which is found on a pillow next to the decaying body, represents the loss of love and the perverse actions committed by people in order to remain happy. The strand of hair also gives perspective to Emil...