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Essay on female authors
Character development introduction
Character development introduction
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When were little we start follow the idea of extraordinary stories. This could range from believing in a higher power, to the tooth fairy leaving a quarter under your pillow after you’ve lost a tooth. Once we grow up we need reasons for why certain things happen. These explanations help relief us and gives a sense of purpose to figure out how to live. Ana Castillo does an excellent job of incorporating ways to cope and perceive all of these “extraordinary” events in her book So Far From God. Castillo harped on the importance of women and using them to depict special events. The amount of fiction and reality that occurred when telling the different stories of saints, mystics, pilgrims, healers, mothers and activists allows us as the reader to …show more content…
interpret them however they would like. This novel makes it easy to decide whether or not you could believe something this bizarre.
There are many extraordinary differences between humans and there are many ways to interpret the reason for an illness. An example of this from Castillos book would be the death and rising of Sofia’s daughter La Loca. Dying then coming to life can be looked at many different ways. Especially the time frame in which this story took place. Religion was heavy in Sofias life and so from her eyes it would be easy to look at what happened to La Loca as a miracle. But from a science aspect it would be easy to say she was in a coma and came out of it at a remarkable time. Castillo brought the idea of evil through Father Jerome saying, “Is this an act of God or of Satan that brings you back to us” (17). Reading this made me think possibly the baby was possessed and brought back …show more content…
through evil. Learning more and more about La Loca throughout the book could make you think La Loca has some sort of evil in her or a spirit guiding her. But then again, looking at this from a realistic point of view it would be easy to say she has some from of autism. Assuming that La Loca has a form disability is not hard to prove. She struggles with human interactions, has special talents that are beyond ordinary, and can only focus on a few things. Its hards for La Loca to express herself and be whats considered “normal” in the novel. Looking at it from a religious aspect it would be easy to say that there is a spirit, saint or even a demon inside of her that guides La Loca’s every action. These explanations for coming back from the dead are all viable but can easily looked over. For that reason Castillo created a lot of conversation about whats actually to be depicted. The death of La Loca brings in many different ideas and topics to discuss.
For example, the idea Loca was special is easy to discuss and prove but also debunk. Castillo prods the idea of La Loca having something a little extra by saying, “Loca went to sleep in the Lady’s arms thinking for a person who had lived her whole life within a mile radius of her home and only traveled as far as Albuquerque twice, she certainly knew quite a bit about this world, not to mention beyond, too, and that made her smile as she closed her eyes” (299). When Castillo adds the part about knowing the beyond, it makes you immediately step back and think of when she died and came back to life. Even though we know she was diagnosed with epilepsy, it could mean that she was resurrected by a spirit of some sort. La Loca’s death harmonizes the with realism and religion because La Loca is never clear about what the beyond is. The beyond for all we know from reading this could be darkness or a heaven of some
sort. When talking about the different characters in this book La Loca had the most intense childhood and a lot of pressure. That pressure put on top of the conditions she had caused a lot of painful emotion for her. Trying to put the situation she was in to nowadays it would be easy to take care of her. I had the feeling of wanting to yell at Sofia to be more intellectual about the issues La Loca has. And I have to stop myself because we are only human and only know what we have learned and have been immersed in for our entire lives.
Doña Guadalupe is a woman of great strength and power, power and strength which she draws from her devout faith and her deep and loving compassion for her family, and power and strength which is passed down to her children. “‘Well, then, come in,’ she said, deciding that she could be handle this innocent-girl-stealing coyote inside. On going into the long tent, Salvador felt like he’d entered the web of a spider, the old woman was eyeing him so deliberately” (360). Doña Guadalupe is a very protective woman, which is extremely speculative when it comes to her children, this is especially true when it comes to boys, because she has not gone this far only for all of her hard work to be ruined by a no good boy. This shows how protective she is, she loves her family, and especially her kids so much that they themselves must pass her test before being able to pass on to her children. “The newborns were moving, squirming, reaching out for life. It was truly a sign from God” (58). Doña Guadalupe is also a very devout and faithful person. She sees God in everything and in everyone and by that fact, what she sees and who she sees is true, and she tries to be a model of clairvoyance for the family. “Doña Guadalupe put the baby’s little feet in a bowel of warm water, and the child clinging to his mother. He never cried, listening to her heartbeat, the same music that he’d heard from inside the womb” (57). Finally, Doña Guadalupe is very passionate which allows for a great model upon which her children follow. This further shows how she is clearly th...
Anne Bradstreet’s inability to perfect her work before it was released frustrated her to the point where she internalizes the book’s imperfections as a reflection of herself. Bradstreet uses an extended metaphor of a mother and a child to compare the relationship between herself as the author and her book. Rather than investing her spirit in God, she repeatedly focuses on trying to improve the quality of her writing with no success, “I washed thy face, but more defects I saw” (Bradstreet 13). Like a mother protecting her child, Bradstreet’s attempts to prevent critics from negatively analyzing her work of art (20). Her continuous obsession about people’s opinions consumed in the Earthly world and essentially distracted her from developing a spiritual relationship with God. Bradstreet was enveloped by her dissatisfaction with her to the point of ridiculing herself, “Thou ill-formed offspring of my feeble mind” (1). It was obvious that her mind and spiritual
Why I Left the Church” by Richard Garcia is a poem that explores the ongoing and conflicting relationship between a child’s fantasy and the Church. Although the majority of the text is told in present tense, readers are put through the lenses of a young boy who contemplates the legitimacy of the restricting and constricting nature of worship. It is a narrative that mixes a realist approach of storytelling with a fantasy twist that goes from literal metaphors to figurative metaphors in the description of why the narrator left the church. The poet presents the issue of childhood innocence and preset mindsets created by the Church using strong metaphors and imagery that appeal to all the senses.
Celianne, a fifteen-year-old pregnant girl, was raped when a dozen men raided her home and forced her brother and mother to sleep together. She found out she was pregnant and boarded the boat as soon as she’d heard about it. The child represents the hope of a new life, away from the persecution awaiting back in Haiti. Celianne finally gives birth to a baby girl and the acting midwife prays for the baby to be guided by God, “Celianne had a girl baby. The woman acting as a midwife is holding the baby to the moon and whispering prayers . . .
whole life changes in one night though, when Elsa is raped by a GI soldier, and
Sor Juana de la Cruz is born into a wealthy family in 1648 that lived near Mexico City, Mexico. After being a part of the Viceregal court and a lady in waiting, Cruz begins her spiritual journey and joins the convent. Here, Cruz explores both secular and non-secular studies. She is an exceptionally talented writer with a passion for reading, learning, and writing. She is scolded for the information she writes and is told to focus exclusively on religious dogma. Soon after the Bishop of Pubela reads one of her letters, he publishes it (without her knowing), and she responds with a respectful yet sarcastic letter (Lawall and Chinua 155-156). Cruz’s “Reply to Sor Filotea de la Cruz” was written during the period of Enlightenment of Europe (1660- 1770). This era in Europe casted an opaque shadow over women’s rights to educate themselves and self-expression. Sor Juana’s piece however is both inspirational and empoweri...
Within the memoir The Distance Between Us the author, Reyna Grande provides details about her two grandmothers, Abuelita Chinta and Abuela Evila. They both reside in rundown houses in Mexico, while their children , Reyna’s parents try to start life in the United States. They have very little money and struggle to provide for the abundance of people living in their cramped houses. Despite the fact that their situation is similar Reyna prefers living with one over the other.
In both The Martyrdom of Saints Perpetua and Felicity and Appeal to the Christian Women of the South, the women in the stories are using scripture to explain and justify the claims they make about their faith and the faith of others. They do this by sharing stories about their life and events in their lives to show how the spirit has been moved into them. Both texts describe how these women see themselves as readers of the Bible, what religious authority each is claiming, and what new social reality each woman is arguing that is in keeping of God’s will for human beings.
Jonathan Kozol's book, Amazing Grace, analyzes the lives of the people living in the dilapidated district of South Bronx, New York. Kozol spends time touring the streets with children, talking to parents, and discussing the appalling living conditions and safety concerns that plague the residents in the inner cities of New York. In great detail, he describes the harsh lifestyles that the poverty stricken families are forced into; day in and day out. Disease, hunger, crime, and drugs are of the few everyday problems that the people in Kozol's book face; however, many of these people continue to maintain a very religious and positive outlook on life. Jonathan Kozol's investigation on the lifestyle of these people, shows the side to poverty that most of the privileged class in America does not get to see. Kozol wishes to persuade the readers to sympathize with his book and consider the condition in which these people live. The inequality issues mentioned are major factors in affecting the main concerns of Kozol: educational problems, healthcare obstacles, and the everyday struggles of a South Bronx child.
The Heath Anthology of American Literature. 3rd.ed., v.1. "The History of the Miraculous Apparition of the Virgin of Guadalupe in 1531.Ed. Paul Lauter. Boston: Houghton Mifflin, 1998.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
Ana Castillo’s So Far from God (1993), begins its tale by immediately immersing the reader in the full drama that is typical of a Spanish soap opera describing the lives of five Hispanic women. The oldest daughter, Esperanza, wants to make a name for herself and succeeds in doing so by leaving Tome. Fe wants a normal life that she will never be able to have in Sofia’s household. Caridad is a simple soul that would have been content with her high school sweetheart had he not cheated on her. The youngest daughter, La Loca Santa, dies at age three and is resurrected to pray for the people. Lastly, Sofia turns out to be the strongest of the women in the novel by taking a stand for what she believes is right. Castillo uses Sofia and her four daughters to express her negative and distrustful view of patriarchy and oppression of women through class, gender and sexuality.
In Ana Castillo’s, So Far From God, the novel focuses on the character Sofi and her four daughters. Castillo narrates the women’s life situations all whilst portraying the negative effects of a male dominant society and the manipulation of women. Sofi is an independent single mother who has completely devoted herself to her daughters. She taught her daughters how to survive without a dominant male in their life, although throughout the novel they come into contact with several men who lead them into severe situations. The unjust deaths of her daughters led her to becoming a leader of her community. The third eldest, Fe, was a victim of an unjust work environment. The youngest, La Loca, was a victim of AIDS.
There are varying degrees of the impact a lesson can have on a child. Some lessons are taught easily using a textbook in a classroom, while other lessons are taught utilizing real world examples. Rather than learning valuable life lessons in the classroom, the children in Toni Cade Bambara's "The Lesson" learn the harsh economic inequality of their society. Lead by Miss Moore, the children are shown how they are personally affected by the economic inequality. Using the "show don't tell" teaching method, the naivety the children had diminishes, and the narrator explains the progress by illustrating how the children are affcted by the lesson.
This is How You Lose Her is a book written by Junot Diaz consisting of short stories, told by the protagonist, Yunior. Yunior’s character is described as the Dominican guy who struggles with infidelity and unable to love others full-heartedly. Diaz also shows how in Dominican culture; men carry the reputation of being womanizers and usually is pass from one generation to the next. Throughout the book, he tells us stories pertaining to the relationships he had with the women he had in his life, and his family. From the stories one can assume that Yunior, caught up in a vicious cycle was destined to follow into patriarchy; a father who cheated on his mother, and an oldest brother who followed