Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The war photographer essay
War photography essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The war photographer essay
After viewing An-My Lê’s work 29 Palms and Small Wars, I immediately became intrigued by how she goes about depicting war. She does not discourage it nor does she glorify it, she only seeks to make her audience think about war in a more complicated way. She mainly does this by capturing landscapes, and she typically zooms out as far as she possibly can without disturbing the action in the picture. I find Lê’s ideology behind war fascinating, and her personal connection to war, having to flee from Vietnam into the U.S. in 1975, gives her photography and videos a sense of legitimacy and emotional connectivity. Knowing what I know about her background, when I look at her work I begin to appreciate it more as if I was looking at it from her point
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
This art analysis will define the theme of the universality of 20th century modern warfare in the context of modern works of art by David Levinthal and Roger de la Fresnaye. David Levinthal’s “Untitled” (1972) is commentary on the mass killing of modern warfare in the 20th century, which killed many millions of men during Hitler’s invasion of Europe. Levinthal’s childhood imagery of tanks, soldiers, and homes visualize the mass killing of war as a “universal” concept in the depiction of the modern psyche. Roger de la Fresnaye’s “Artillery” (1911) is also a commentary on cubist imagery that projects a military
People come to being on the road for countless reasons and though there is no real certainty on the road, there are two things that are certain, the road stands in opposition to home and your race and ethnicity plays a major role on the trajectory and the way others treat you on the journey. African Americans have an especially strong connection to road narratives. This is because, from the beginning, the race’s presence in America was brought by forcing them on to the road against their will. It is for this reason that there are countless narratives, fictional and non-fictional, of black peoples on the road. For Birdie Lee, a literary character, the beginning of the road marks the end of her comfortable home life and the beginning of her racial
“Pass On” written by Michael Lee is a free verse poem informing readers on grief, which is one of the most difficult obstacles to overcome not only when losing a loved one, but also in life itself. “Pass On” successfully developed this topic through the setting of an unknown character who explains his or her experience of grief. Despite Lee never introducing this character, readers are given enough information to know how they are overcoming this difficult obstacle. In fact, this unknown character is most likely the writer himself, indirectly explaining his moments of grief. One important piece of information Lee provides is the fact that he has experienced loss twice, one with his grandfather and the other a friend who was murdered by the
George Gittoes (b.1949) creates works that that communicate the issue of the graphic horror of war. A social realist painter, photographer and filmmaker, his approach to art is that ‘he layers and accumulates material until, out of apparent chaos, there is a synthesis of idea, passion and image’ (Mendelssohn, 2014). As an eyewitness to the world's war zones, Gittoes clearly uses his work as a means of communication to society.
Hayslip, Le Ly, and Jay Wurts. When Heaven and Earth Changed Places: A Vietnamese Woman's Journey from War to Peace. New York: Plume, 1990. Print.
In his extraordinary book, Lee the Last Years, Charles Flood gives a rare blend of history and emotion. After Lee’s surrender at Appomattox courthouse, he only lived a total of five years before his death. Some people might think that he was just a general, but the best years of his life were after the war because he changed the minds of the south and he changed education. Even though Robert E. Lee is best remembered for his military campaigns, this is a part of history not told in many history books because he did more than any other American to heal the wounds of the south and he served as a president for Washington College, which was later renamed after his death to be Washington and Lee University.
Hicks, Patrick. "War, Literature and the Arts." War, Literature and the Arts. An International Journal of the Humanitie, n.d. Web. 6 Dec. 2013. .
Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.”
Le Ly Hayslip was born in Ky La Vietnam in December 1949. She was the sixth child of a farming family. Their village supported the Viet Cong and as she was growing up she was often required to help Viet Cong soldiers by stealing supplies. Hayslip's life was full of more hardship and difficulty than most American's can imagine. Until her early twenties Hayslip's life revolved around War, at first with the French and later with the Americans. The Vietnam War shaped her life and that of her family's very strongly. From her earliest remembrances war distinctly affected the way her family lived and the life altering choices she had to make.
Julianna Claire, an award winning poet once said, “War makes men act like fools, and makes fools pretend to be brave.” War is a very difficult and dangerous game. There must be a just cause to fight for, supporters on either side of the war, and clear plan on what the war ought to look like. Though, as much as countries plan their strategies and perfect their tactics, war never seems to go how people think it should. War creates heartache, makes countries question their governments, and changes the lives of the soldiers who fight in them. One such story that address the damages of war, is Ambush, by Tim O’Brien (1946). In this short story, Tim O’Brien tells a story of a young man fighting in Vietnam who kills a member of the Vietnam army. Robin Silbergleid, a neurosurgeon in Seattle, Washington, who minored in
...c, and Patty Campbell. War Is…Soldiers, Survivors, and Storytellers Talk About War. Cambridge: Candlewick, 2008. Print.
This photograph, taken in 1967 in the heart of the Vietnam War Protests, depicts different ideologies about how problems can be solved. In the picture, which narrowly missed winning the Pulitzer Prize, a teen is seen poking carnations into the barrels of guns held by members of the US National Guard. This moment, captured by photographer Bernie Boston symbolizes the flower power movement. Flower power is a phrase that referred to the hippie notion of “make love not war”, and the idea that love and nonviolence, such as the growing of flowers, was a better way to heal the world than continued focus on capitalism and wars. The photograph can be analyzed through the elements of image as defined by ‘The Little Brown Handbook’ on page 86. There are a total of nine elements that contribute to the communicative quality of an image. The message that this particular image tries to convey is the strong sense of way that conflict should be handled; by way of guns or by way of flowers. The ‘way of guns’ is violence and excessive force which heavily contradicts the ‘way of flowers’ which is a more peaceful and diplomatic way of handling conflict or disagreement. This photograph depicts these ideologies through its use of emphasis, narration,point of view, arrangement, color, characterization, context and tension.
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
War has always been inevitable throughout the history of the world. The outcomes can differ greatly; it’s usually either a win or a loss. Wins or losses are just definite statements, but photos can represent these statements. Alfred Eisenstaedt’s “V-J Day in Times Square” shows an American sailor kissing a young woman right in the middle of Times Square, despite their surroundings. This iconic photo was taken after the U.S. declared victory over Japan in World War II, and was published in Life magazine a week later. John Gap’s (III) photo shows a young girl being consoled at a soldier’s funeral in a local high school gymnasium, later to be buried at Arlington National Cemetery. This humble photo was taken during the war still raging in Afghanistan, showing that these types of losses happen quite often, as there are no iconic photos for Afghanistan compared to the photo shot after the win over World War II. Unlike its counterpart, this photo was published only at a local level on a website. Both these photos show a soldier being dismissed to go home from war. Although the two photos share that common factor, the scenario in which the soldier comes home differs greatly. Through these photos, Albert Eisenstaedt and John Gaps III help evoke pathos and give the observer a sense of the pride and the devastation felt of a home coming from war using photographic elements such as framing, focus, and angles.