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Reflection on a slave narrative
Racism in modern day towards african americans
Racism and its effects on african americans
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People come to being on the road for countless reasons and though there is no real certainty on the road, there are two things that are certain, the road stands in opposition to home and your race and ethnicity plays a major role on the trajectory and the way others treat you on the journey. African Americans have an especially strong connection to road narratives. This is because, from the beginning, the race’s presence in America was brought by forcing them on to the road against their will. It is for this reason that there are countless narratives, fictional and non-fictional, of black peoples on the road. For Birdie Lee, a literary character, the beginning of the road marks the end of her comfortable home life and the beginning of her racial …show more content…
She described seeing herself as a reflection of her sister even before they had mirrors; she thought they were the same. As she began to experience outside socialization and public schooling she became more aware of the way people outside her family viewed her in respect to race, and began dressing and acting more “black” in order to be treated the way she felt she should be. From a young age she felt a special connection to her ethnicity, the culture and especially the music of her father’s ancestors. As their family began to fall apart, Birdie and her sister, Cole, would drown out the racial slurs their parents blurted at each other by playing in a made up …show more content…
Ultimately separating the sisters by race. Birdie’s mother Sandy becomes focused on her mysterious project in the basement, and her father begins dating another woman. Birdie begins to see the world as separately white and black. For this reason, Sandy, Biride’s mother and her family are the mold for whites and conversely, her father Deck Lee and his family is her mold for blacks. To Birdie, Sandy and the road are intertwined, it is because of her mother that she is separated from her sister and father. Leaving her with only a box of “negrobilia” to remember them by. This in turn causes Birdie to romanticize her father and her African ancestry, but as the years pass, her father, sister and ethnicity begin to fade from her memory and the box that her father gave her before they split up becomes more random and scattered as the years go on. In order to appease her mother and remain ‘safe’ from the feds, Birdie becomes Jesse, a fictitious identity she takes in New Hampshire. And despite the fact that she always remembered her father and sister fondly, she felt neglected by them and therefore she began to neglect part of her race. While in New Hampshire Birdie begins to fully emerge into her Jewish girl Jesse persona, and is preoccupied with impressing a popular white girl at school, and even goes as far as to mock a biracial girl who she attends school with. Yet, even under
6AM. A young man wakes up, showers, and eats breakfast. He then continues to his bedroom, embellishing himself in the simple yet characteristic mixture of white and khaki. He continues to his place of employment, breathing the soft scent of elm and grass. Within the caddie must lay the characteristics of a well-rounded, young adult, embodying the work ethic of those most inspiring before him. Charles “Chick” Evans, who once was a caddy and worldly renowned golfer, appreciates the fine young adults that have endured the morning wakeup call everyday in the summer. To whom that are applicable can ultimately be awarded the Chick Evans Caddie Scholarship. Named after Chick Evans himself because he dropped out of college in 1912 for lack of money, the scholarship is funded by donations from golfers and the proceeds of an annual professional tournament (Spears, 1995). Although Chick Evans has passed away many years ago, his legacy still lives on through the 825 scholars currently enrolled in 19 universities all across the United States. Chick Evans has made a profound have impact on the golf community and caddies looking for a way to pay for college.
Being chauffeured around in a white person’s car and being a Negro did not mix well. When the car took a bad turn and crashed, Ethel and one other girl were pinned inside the crashed car. Ethel had hoped that someone would stop, and she prayed and prayed, but deep down she knew what had happened to Negros, who was in a white man’s car – they wouldn’t make it. When two white folks walked past and saw Ethel, they laughed and called them “Nigger bitches”. Ethel defended herself, “I’m suffering”.
Harrison Scott Key, who was published in Best Travel Writing 2014, wrote about his travels on one of America’s infamous modes of transportation, the Greyhound Bus. In “Fifty Shades of Greyhound”, Key begins his memoir by recalling the first time he had ever ridden on a greyhound. He wanted to go see West Yellowstone, Montana and despite his friends questioning his sanity and his mother believing that he will die, he left. The narrator returned several days later, promising his mother he would never do anything like that again, eighteen years later he broke that promise. He begins his essay in a Greyhound station in Savannah.
Two-Lane Blacktop is a 1971 road movie with no beginning, no ending and no speed limit, is directed by Monte Hellman. Actors and actress are singer-songwriter James Taylor (the Driver), the Beach Boys drummer Dennis Wilson (the Mechanic), Warren Oates (GTO), and Laurie Bird (the Girl). “Blacktop” means an asphalt road. It is existential road movie, because, as the race grows increasingly, the road itself takes on a real identity as if it were a place to live and not just a place to pass by. This is a freedom according to Monte Hellman, the road goes forever but that doesn’t mean there is anywhere to go but it will forever stand… Two-Lane blacktop might not have a destination but has a direction. It has been associated with
In his extraordinary book, Lee the Last Years, Charles Flood gives a rare blend of history and emotion. After Lee’s surrender at Appomattox courthouse, he only lived a total of five years before his death. Some people might think that he was just a general, but the best years of his life were after the war because he changed the minds of the south and he changed education. Even though Robert E. Lee is best remembered for his military campaigns, this is a part of history not told in many history books because he did more than any other American to heal the wounds of the south and he served as a president for Washington College, which was later renamed after his death to be Washington and Lee University.
...by a car. Another theme may be racism because the mother tells the story of her husband’s brother getting killed by a bunch of white man that were drunk and just wanted to have some fun. The fun ultimately led to the death of a human. The significance of suffering and racism in this story is that throughout Sonny’s life their family has had struggles which caused Sonny to choose wrong paths in life.
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
During the 1930’s at the time of desperation and hardship people were affected by economic conditions that were beyond their control. These conditions brought about hunger, loss of homes, and lack of jobs. At the height of The Great Depression there were more than 250, 000 teenagers living on the road in America (Uys.,Lovell., 2005). Riding the Rails vividly shares the lives and the experiences of then youths who rode the rails or trains, as teenagers. Some left home to escape poverty or troubled families and others left because it seemed like it would be a great adventure. Teenagers who were new to the rails had high hopes of where their journeys would take them.
At the beginning they Sandy & Danny start off with a great relationship. They meet at the beach during summer break. Thinking they would never see each other again they went their separate ways. But Sandy ends up moving and goes to the same high school as Danny. They don’t know that the other is at the same school until Rizzo, one of the “pink ladies” introduces them to on another at the football pep rally. This is when all the conflict starts. Danny and Sandy are so excited to see each other, but all of sudden Danny changes his tone of voice, as well as attitude toward Sandy. Sandy is taken back by the way Danny is acting. She asks him, “What is wrong with you?” Then he replies “What’s the matter with me, What’s the matter with you?” Going on she calls him a fake and a phony and says she wishes she never laid eyes on him. The T-Birds, Danny’s friends start giving Danny a hard time about Sandy. So in a nutshell he treats her like she is just an ordinary person and not a girl that he cares for. On one day Sandy is at the local restaurant with a guy that happens to run track and Danny keeps watching her. When Sandy goes to the juke box she walks by Danny and does not acknowledge his existence. Danny then approaches Sandy and begins to give her a hard time about the guy that she is with. Sandy is very short with Danny and does not let on that she is upset.
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
It’s fair to say that life on the road is something most people do not desire, as a way to live out their days; but a young man named Chris McCandless believed it was necessary to avoid the venomous grips of society. McCandless goes as far as to venture out to the rest of the United States and even crossing borders to achieve his true destination, Alaska. He shows us living such a life can hold many unique and wonderful experiences. Consequently, he also shows us the difficulties that most do not expect upon leaving for such a journey. Many speak about the advantages, like the freedom they enjoy, and the wondrous relationships formed along the way; but even so, some disadvantages outweigh the advantages, like the
The Civil War is said to be one of America’s bloodiest wars. Neighbors killed neighbors and brothers killed brothers; the entire nation was divided. Two opposing sides had formed, the North and the South, and each side was led into battle by a powerful general. The North was led by General Ulysses S. Grant and the South was led by General Robert E. Lee. These men were both alike and different. This is shown in Bruce Catton’s “Grant and Lee: a Study in Contrast”. Through Catton’s essay it is shown that during the Civil War America was divided and each side was living different lives with different perspectives, while at the same time both sides leaders, Grant and Lee, were equally matched and represented Americas division.
More specifically, Bob’s 1942 Buick Roadmaster is a metaphor for racial and class mobility. Given the benefits of his job in wartime Los Angeles, Bob uses this car to represent his economic status and show his superiority to the rich white folks who could not buy a new car (Himes 11). In this case, Bob wants to use this car to make a physical transgress. Then, Bob drives this car to cut off in front of some fasting-moving cars, challenge white drivers, and gives them stare for stare, hate from hate (Himes 12-3). This car, as a metaphor for his economic and physical mobility, expresses his anger for racism and hostility and his desire to move upward. Moreover, the car, as a sign of economic status, runs out of gas, meaning that Bob eventually fails to transgress and assimilate into middle-class. This metaphor implies Bob’s desire to break the structure of racial power to move upward. However, he has no chance to overcome this structural racism. Additionally, Himes uses first person narrative to tell a mysterious dream about a dog with “heavy stiff wire twisted about its neck” (1). It metaphorically foreshadows his fear of his own lynching caused by the whites’ oppression. Hence, by using metaphors, Himes firmly conveys that white power and racism are ingrained in American society; African Americans living in wartime Los Angeles are unable to get rid of
A main theme in this novel is the influence of family relationships in the quest for individual identity. Our family or lack thereof, as children, ultimately influences the way we feel as adults, about ourselves and about others. The effects on us mold our personalities and as a result influence our identities. This story shows us the efforts of struggling black families who transmit patterns and problems that have a negative impact on their family relationships. These patterns continue to go unresolved and are eventually inherited by their children who will also accept this way of life as this vicious circle continues.
Birdie’s father was black and they were white, and they treated him differently because of their views on white superiority. While Birdie and her father were relaxing in the Public Gardens, Birdie saw an older couple looking at them funnily. The story says, “When I was done with the funnies, I watched the sky--the shapes of animals made out of clouds. And when I tilted my head slightly to the side, I saw again that strange couple with their grey terrier, pointing at me… They were talking to two men in uniform, the police on their beat, and then the four of them were trudging across the grass in our direction.” Birdie and her father weren’t doing anything wrong. Her father was sleeping and she was reading the funnies and watching the clouds. The couple only went to the police because they saw a black man with a white girl and thought the worst. They didn’t consider that they were related, they just thought that he had kidnapped Birdie.