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The effect of war on society
The effect of war on society
The effect of war on society
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Recommended: The effect of war on society
The Importance of a Lie
Three Important Messages Suggested in Tim O’Brien’s Ambush
Julianna Claire, an award winning poet once said, “War makes men act like fools, and makes fools pretend to be brave.” War is a very difficult and dangerous game. There must be a just cause to fight for, supporters on either side of the war, and clear plan on what the war ought to look like. Though, as much as countries plan their strategies and perfect their tactics, war never seems to go how people think it should. War creates heartache, makes countries question their governments, and changes the lives of the soldiers who fight in them. One such story that address the damages of war, is Ambush, by Tim O’Brien (1946). In this short story, Tim O’Brien tells a story of a young man fighting in Vietnam who kills a member of the Vietnam army. Robin Silbergleid, a neurosurgeon in Seattle, Washington, who minored in
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At a young age, all kids are told that it is never okay to tell a lie. Parents tell their children that honesty is the best policy, and teachers tell their students that it is better to hurt someone with the truth, than to protect them with a lie. However, is it okay to lie if your nine year old daughter is asking about death? Is there an exception to the rule if the lie you are telling is to protect more than one person? Tim O’Brien writes, “It was a difficult moment, but I did what seemed right, which was to say, ‘of course not...’” (811). Tim O’Brien includes this line because this nine year old girl was not old enough to handle the truth that her father was capable of killing another human being. He lied to keep this relationship with his daughter in tact; because if she would have known the truth, then she may not have thought of her father in the same way ever again. Though everyone is taught at a young age that it is not okay to lie, sometimes it is the only, and most logical option one
Richard Gunderman asks the question, "Isn 't there something inherently wrong with lying, and “in his article” Is Lying Bad for Us?" Similarly, Stephanie Ericsson states, "Sure I lie, but it doesn 't hurt anything. Or does it?" in her essay, "The Ways We Lie.” Both Gunderman and Ericsson hold strong opinions in regards to lying and they appeal to their audience by incorporating personal experiences as well as references to answer the questions that so many long to confirm.
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
In “Ambush,” Tim O’Brien conveys a sense of regret and uncertainty as he attempts to justify his actions of killing an enemy soldier in Vietnam. (MS 7) While serving in the Vietnam War, O’Brien sees an enemy soldier approaching. His military training prompts O’Brien to throw a grenade, killing the soldier instantly. The reoccurring memory of killing the soldier haunts O’Brien for years. Throughout his essay, O’Brien uses the literary elements imagery, tone, and irony to portray his sense of regret and uncertainty. (MS 2)
The Civil War, World War I, the Vietnam War, World War II, and the conflict in the Middle East are all wars that have been fought over the difference of opinions, yet come at the cost of the soldier 's fighting them; Humans killing other humans, and death is just one of the many emotional scars soldiers of war face. Why do we go to war when this is the cost? For many it is because they are unaware of the psychological cost of war, they are only aware of the monetary cost or the personal gains they get from war. Tim O 'Brien addresses the true cost of war in "The Things They Carried". O 'Brien suggests that psychological trauma caused by war warps the perception of life in young Americans drafted into the Vietnam War. He does this through Lieutenant
Is it okay to lie in order to protect oneself? What about if it puts someone else at risk? In “The Crucible” by Arthur Miller, a group of girls conjure spirits in the woods and then tell a series of lies in order to cover up their mistake. Many people die or get hurt because of their fibs and the truth is never revealed. Innocent lives are taken because these girls accuse them of witchcraft. Unresolved conflicts between people can have tragic results leading to unnecessary death, marriage conflicts, and town unraveling.
The Vietnam War was not a “pretty” war. Soldiers were forced to fight guerilla troops, were in combat during horrible weather, had to live in dangerous jungles, and, worst of all, lost sight of who they were. Many soldiers may have entered with a sense of pride, but returned home desensitized. The protagonist in Louise Erdrich’s “The Red Convertible,” is testament to this. In the story, the protagonist is a young man full of life prior to the war, and is a mere shell of his former self after the war. The protagonists in Tim O’Brien’s “If I Die in a Combat Zone,” and Irene Zabytko’s “Home Soil,” are also gravely affected by war. The three characters must undergo traumatic experiences. Only those who fought in the Vietnam War understand what these men, both fictional and in real life, were subjected to. After the war, the protagonists of these stories must learn to deal with a war that was not fought with to win, rather to ensure the United States remained politically correct in handling the conflict. This in turn caused much more anguish and turmoil for the soldiers. While these three stories may have fictionalized events, they connect with factual events, even more so with the ramifications of war, whether psychological, morally emotional, or cultural. “The Red Convertible,” and “Home Soil,” give readers a glimpse into the life of soldiers once home after the war, and how they never fully return, while “If I Die in a Combat Zone,” is a protest letter before joining the war. All three protagonists must live with the aftermath of the Vietnam War: the loss of their identity.
If, someday, I committed a horrible crime and was going to be punished for it I would definitely lie to save myself. I might tell the truth if I was being eaten by guilt and didn’t care about anything anymore, but definitely if I didn’t care very much. If anybody says they would tell the truth, I’m sure if something really happened they would lie too. It’s human nature to want to survive and thrive, and there’s nothing wrong with wanting to stay out of prison or not get the death penalty. In a real situation, where I would die if I were found guilty of your crime, I would definitely lie to save myself.
O’Brien, Tim. How to Tell a True War Story. Literature and Ourselves. Sixth Edition. Eds.
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
The difficult association between the occurrence of war and storytelling is told through the eyes of Tim O’Brien; he explains that a true war story has a supreme adherence to offensiveness that provides a sense of pride and courage commonly found in storytelling. “The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and im...
No because even if you might think it’s the slightest lies it can lead to something much worse like death. In the play “Hippolytus” Phaedra had lied about being raped by her own son because she didn’t want to ruin her reputation. “I only know one way, one cure for these my woes, and that is instant death.” (Phaedra, 12, Line 5) She confessed to her son that she was in love with him, felt too embarrassed and thought he was going to tell everyone, so she killed herself. Lies can make the innocent appear wicked. “Why say this, if, as thou pretendest, thy lips are free from blame?” (Hippolytus, 12, Line 12) Hippolytus did nothing wrong, and did not want to reclaim his innocence because he felt like he didn’t need to justify himself. If his friends and family were true to him, they would believe him. But ultimately, they did not. “Come, my comrades in this land, young like me, greet me kindly and escort me forth, for never will ye behold a purer soul, for all my father’s doubts.” (Hippolytus, 20, Line 14) Hippolytus is standing his ground and knows he has done nothing wrong, whereas his father believes he has done wrong to his wife, and later on kills him for it. The truth is bound to leak out somehow no matter how hard you try to cover up your tracks. “She meantime, fearful of being found out, wrote a lying letter, destroying by guile thy son, but yet persuading thee.” (Hippolytus, 23, Line 7) Artemis reveals the truth to Theseus, the
War is a very controversial dilemma, which could be solved in an orderly fashion rather then a callous disaster where young men and women die. This cataclysmic story takes place in a short story written by Liam O'Flaherty, the story takes place in Dublin, Ireland during the 1920's where a Republican sniper is involved with a terrible accident. He suffers dramatic injury to the soul and heart when someone that he loves dearly is shot. The story's theme is intensified through situational irony, which shows the pointlessness of armed conflict.
Secondly, it is okay to be untruthful if you are trying to protect people. In certain situations, it is safer, and more practical for you to tell a lie rather than putting a loved one in jeopardy. To illustrate you may be in a situation where you are in a serious or dangerous situation, and you do not what anyone else involved, to keep them safe. For example, if you are getting held up for ransom, would you tell the truth to a loved one and get them involved, or lie and keep them safe? The obvious answer is to keep them safe at all costs, even if it means lying. Also, you do not want to put someone in harm’s way, so it would be ...