Evaluation Of Hamlet's To Be Or Not To Be
Every man has a way of speaking. This power to speak gives listeners different ideas and thoughts to interpret. Like that William Shakespeare’s book Hamlet demonstrates different versions of the speech “ To be or not to be ”. And over the years many actors have shown contrasting ways of how the speech could have many interpretations according to their emotion, deliver and tone. All those who have acted as Hamlet gave had something different and unique. Some were good and some were bad. The good ones had a sense emotions giving the speech mystery. Making the audience think of what type of emotion it carried. From this, it is believed that Mel Gibson’s delivery was an outstanding rendition of Hamlet’s “ To be or not to be ” speech in Franco Zeffirelli’s version of Hamlet.
In the speech, Young Hamlet speaks of pain and has a thoughtful meaning to his understanding of death and sleep. He asks himself the question of whether to do suicide to end the pain he is experiencing: “ To be or not to be; that is the question ” ( 3.1.58 ). He says that the terrible troubles of life are that no one would ready to bear them, including that they are afraid of “something after death
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Since he shows a perception of doing something awful. Either to take life or give life. Asking that is it better to be alive or to die when he says “ To be or not to be; that is the question ” ( 3.1.58 ) at the start of the speech. With a numb sense of mystery and fear on his face. That when he says “ Whether ’tis nobler in the mind to suffer; The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them? To die, to sleep ” ( 3.1.58-61 ). Saying that it is not easy to face troubles in life. But to put end to all troubles at once, simply by dying. Also saying that death and sleep is the same thing. Since in sleep we can’t move or express our
At one point in act three, scene one, Hamlet even considers suicide as an alternative to avenging father, saying that the "sleep of death," with its end to the "heartaches and the thousand natural shocks/ That flesh is heir to...
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
Hamlet questions if it is honorable, or “nobler”, to put up with the negative qualities of life or end the troubles of life for good. Hamlet argues the advantages of suicide by comparing dying to sleeping and, quoting, “To die, to sleep—no more; and by a sleep to say we end the heartache, and the thousand shocks that flesh is heir to.” Then, Hamlet realizes that there is a catch, that the dreams of death is something to think about, stating, “For in that sleep of death what dreams may come when we have shuffled off this moral coil must give us pause.” Hamlet also questions who would put up and go through “the whips and scorns of time.” Such examples of these “whips and scorns” are “the oppressor’s wrong,” “the proud man’s contumely,” and, “the pangs of despised love.” Also, Hamlet questions who would choose “to grunt and sweat” through a tiring and exhausting life. Hamlet also acknowledges the fear of death, particularly, after death, saying, “But that the dread of something after death, the undiscovered country, from whose bourn no traveler return.” Then Hamlet discusses how people wonder about after death but are too scared and stick with the “evils” people know rather than finding out what people do not know and how the fear of death makes everyone cowards and they’re boldness becoming weak without thinking, as Hamlet continues, “puzzles the will, and makes us rather bear
After all this contemplation of death and suicide, Hamlet finally arrives at his own conclusion on the matter. Before he goes to face Laertes in his final dual, he comes to terms with death. “If it be now, ‘tis not to come; if it be not to come, It will be now; if it be not now, yet it will come. The readiness is all. Since no man of aught he leaves knows, what is’t to leave betimes? Let be.” (5.2.206-209) Death is going to happen to everyone, all that can be done is to be ready for it when it does finally arrive
At the beginning of Hamlet's soliloquy, Hamlet is contemplating suicide rather than suffering through life on earth, "To be, or not to be?" One of the most famous lines written shows Hamlets struggle with the decision of life or death. Hamlet's depressing tone is carried through the whole essay but in certain parts he manages to maintain a bit of optimism, "To die, to sleep – No more – and by a sleep to say we end the heartache and the thousand natural shocks that flesh is to heir to -" Hamlet expresses that dying is just a sleep that ends all heartache that life on earth has to offer. If these assumptions were true then everybody should wish to achieve this, everybody should want to end their suffering by taking action and ending their own life. If dying
Hamlet enters, desperate enough by this time to be thinking of suicide. It seems to him that it would be such a sure way of escape from torment, just to cease existing, and he gives the famous speech on suicide that has never been worn thin by repetition. “To be, or not to be . . .” It would be easy to stop living.
This sadness plays a huge part in Hamlet's overall mindset, his sorrow over his father's death has left him empty and without the will to live and prosper in this world. "O, that this too, too sullied flesh would melt, Thaw, and resolve itself into a dew! Or that the Everlasting had not fixed His cannon `gainst self- slaughter!" Hamlet is contemplating suicide here, but understands that he has no chances for a peaceful after life if he takes his own life. He needs to find peace in the afterlife because his thoughts about this world are this: "How weary stale, flat and unprofitable Seem to me all the uses of this world! `Tis an unweeded garden that grows to seed." Hamlet finds n...
This quote from the play accurately portrays Hamlet 's view on death. “ To die, to sleep-No more-and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to- ’tis a consummation Devoutly to be wished” (3.1.68-2). This is the “Not to be”, it is his Hamlet’s contemplation of death which he likens to sleep. Hamlet sees sleep as a pleasant and desired experience especially in comparison to life 's miseries. Hamlet also sees death as the only control that one truly has in life. “ Death is therefore empowering: killing oneself is a way of taking action, taking up arms, opposing and defeating the slings and arrows of outrageous
Hamlet is a pious character who thinks that suicide is a sin. Since his mother married his uncle after the death of his father, he is angry with her and he feels like committing suicide as he says, “Ah, I wish my dirty flesh could melt away into a vapor, or that God had not made a law against suicide.” (I, ii, 129-132). However, his religious beliefs stop him from doing so. Hamlet believed that suicide was ethically wrong. He is contemplating the thought of suicide and wishing that God had not made suicide a sin. He believes in god and thinks about the consequences of the actions as he says “To be, or not to be? That is the question—Whether ’tis nobler in the mind to suffer. The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles," (III, i, 58-61). While he hates the conditions of his life and wishes he could end it, he concludes that he would rather continue living in “an unweeded garden” than live in hell as a consequence of suicide (I, ii, 135). By making the decision to stay alive and fight Claudius' corruption, Hamlet demonstrates existential qualities.
In light of the biographical information that was recently presented in class, The Tragedy of Hamlet, Prince of Denmark has the potential to take on new meaning. Instead of just being a play that takes a closer look at honor, revenge and suicide, Hamlet turns into a canvas that gave Edward DeVere the opportunity to express himself without exposing himself at the same time.
In this soliloquy, Shakespeare strikes a chord with a fundamental human concern: the validity and worthiness of life. Would it not be easier for us to simply enter a never-ending sleep when we find ourselves facing the daunting problems of life than to "suffer the slings and arrows of outrageous fortune"? However, it is perhaps because we do not know what this endless sleep entails that humans usually opt against suicide. "For in that sleep of death what dreams may come / When we have shuffled off this mortal coil / Must give us pause. " Shakespeare seems to understand this dilemma through his character Hamlet, and thus the phrase "To be, or not to be" has been immortalized; indeed, it has pervaded our culture to such a remarkable extent that it has been referenced countless times in movies, television, and the media.
To live or to die, this is the question Hamlet has been wondering. Before Hamlet answers this, he needs to ask more questions of himself. “To die: to sleep; Nor more; and by sleep to say we end”.
In Hamlet's soliloquy to be or not to be, he says, “To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer the slings and arrow of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die: to sleep” (Act 3. SC. 1) He is comparing death to sleep, a way to rid himself of the stress and suffering he has recently had to deal with. This train of thought will change later change.
Keys to Interpretation of Hamlet & nbsp; William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions.
Hamlet’s initial translation for death is the romanticized rendition. The one where passing away will cure all hardships. Written in his first soliloquy, Hamlet wishes to depart in order to escape the world he lives in. Longing for it even. “O that this too too solid flesh would melt…” (I, ii, 125-130). Making the audience identify this young man as being depressed to the point where he associates with the romantic novelists in death being peaceful. Moreover, in his second monologue Hamlet refers to dying as sleeping. Saying “To die, to sleep - no more: and by a sleep to say we end the