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More handpicked essays just for you.
The importance of identity in society
Effects of racial discrimination on society
How identities are influenced by society
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Recommended: The importance of identity in society
There have been some harsh times that people all over the world have been going through. There are many cases where things got out of hand and there was nothing anyone could do about it but watch and get upset because they do not want it happening to them. Janovy states that, “Today, hip-hop has taken the lead in protesting police brutality and the injustices suffered by the poor, but a new generation of folk artists is also creating music that might not always sound like the protest songs of yore.” Music today has changed drastically into the hardships of the world. They tell us the things we might not see going on or things that many not seem as bad but in reality they are. This shows how people see the harsh things that go on in the world …show more content…
Nigga is shows how people were being discriminated and how it needs to change. The song discusses how the people were treated and how they were looked upon just because of the way they looked. Def states, the po-po stop him and show no respect “Is there a problem officer?" Damn straight, it's called race/That motivate the jake (woo-woo) to give chase/Say they want you successful, but that ain't the case/You livin large, your skin is dark they flash a light in your face (lines 27-31). These lines show how a man is being discriminated for how he looks and how he does not think it is fair. It shows how people do not think it is right for a colored man to have nice things in life. Def states, you can laugh and criticize Michael Jackson if you wanna/Woody Allen, molested and married his step-daughter/Same press kickin dirt on Michael's name/Show Woody and Soon-Yi at the playoff game, holdin hands/Sit back and just bug, think about that/Would he get that type of dap if his name was Woody Black? (lines 88-92). This quote shows a comparison of how someone black is social discriminated and talked about something he did and how someone white does something and does not get the same effect or outcome as the black person did. Shows how biased and racist people were and how he thought it was a disgrace and unfair. Schopenhauer states, “Every miserable fool who has nothing at all of which he can be proud, adopts as a last resource pride in the nation to which he belongs; he is ready and happy to defend all its faults and follies tooth and nail, thus reimbursing himself for his own inferiority.” This quote indicates that people who do not value themselves or think that they are better than other because of authority or the way they look can look down on others. Schopenhauer says that every man is ready to point out someone else’s flaws and problems, but will rarely take the chance to look in the mirror and see that they are not perfect
The Black Power Mixtape 1967-1975 is a documentary film, directed by Goran Hugo Olsson with footage compiled by multiple Swedish filmmakers and journalists. The film provides an alternate and compelling view of America during the Black Power Movement—from 1967-1975. All the footage is from 1967-1975 and features iconic black figures, such as Stokely Carmichael, Angela Davis, Huey P. Newton, Eldridge Cleaver and other activists, artists, and leaders pivotal to the movement. Commentary is provided by black figures from the past and present. The film documents a plethora of issues associated with the Black Power Movement including the anti-Vietnam war efforts, the Black Panther Party, and the War or Drugs—and features the aforementioned black
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
Kid cudi trying to argue about how difficult things are growing up with being Oppressed and growing up being black. Songs are one way of expressing feelings and emotion, many artist do this constantly in their music. To some it is why they make music. There are endless signs and verses that hint at many things such as problems, politics, living in racist era’s also places. I chose to focus on one main rapper and his music only.
After analyzing the data discussed the major themes represent the ideology of protest music but more specifically protest of human right issues. The human right issue has been a circulating main idea throughout this analysis and I will now further explore this ideology and how it pertains to Jackson’s music video “They Don’t Care About
Artists write about what they know; they pull feelings from their heart and their songs relay what the artists’ emotions, whether it be of their hometown, their high school crush, or their experiences. Many artists that came to fame during the twentieth century have a fair share of experiences they share with us in the form of their songs. The twentieth century is comprised of the institution of slavery and its effects, war, gender norms, discrimination based on nationality, sex, race, etc., and countless events that sparked protests and uproars in the United States. Music at this time was a phenomenon, and artists could use it to their advantage. Artists used their music to spread awareness about their cause, influence their listeners, and
“The Hip Hop Wars What We Talk About - And Why It Matters” by Tricia Rose explores what hip hop has done to society in recent years and what people think it has caused. Though it has become one of the most commercially successful genres in mainstream music Tricia Rose explains that the topics in hip hop music have narrowed. Commercial hip hop mainly consist of black gangstas, thugs, pimps, and hoes. In the book she looks into the different points of views of people who think whether hip hop invokes violence or if it reflects life in a black ghetto and if it slows down advancement for African Americans in US. The author goes back and forth with the opinion of the mass on hip hop, she says people view hip hop as a music like heavy metal which people associate with violence but she refutes most of these points by showing the positives of hip hop.
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular protest music, which has reached out to the youthful generations everywhere demanding for a revolutionary change. The protest music took the children of the 1960’s to a completely new different level. Musicians of this generation were not going to sit and do nothing while the government lied to the people about what was going on in Vietnam. Instead, they took their guitar-strumming troubadours from the coffee houses, plugged them in, and sent the music and the message into the college dorm rooms and the homes of the youth of America. However, as decades went by, protest music does not have much of an impact as it use to because of the way things have changed over the years. Through the analysis of the music during the 1960’s, there shall be an understanding on how the different genres of protest music has affected social protesters based on how musicians have become the collective conscience of that generation through their lyrics and music and the main factors that contributed to the lack of popula...
While on a recent carefree jaunt throughout Harlem, I was introduced to the lyrical genius of one “Big L.” As is common of all true artists, Mr. L passed before his time, but not without a legacy. You see, it is the will of the Almighty Himself that I elucidate the meaning of Mr. L’s first major work, “Put it On,” in order for it to be made accessible to the common man and the upper crust alike, so that this truly majestic piece may live for eternity in the bosom of humankind. To this end, I have composed a line-for-line translation of the complex, sophisticated diction, which, I expect, will henceforth serve as the standard through which all scholars will study this master of the English language.
In conclusion, these theorists who explore hip hop all have generalized ideas of what hip hop represents. Johnson is more oriented towards the female side of hip hop, whereas Jeffries is focused on the unity side of what it offers and Smitherman thinks that it is a black CNN. Although each scholar focuses on different aspects of hip hop, it is evident to point out that all these aspects correlate with one another. Hip hop is a cultural tool formed out of a need to take a stance on the issues that relate to the black community. And that it’s a voice to relate and unite people who share the same struggles on which to advocate change.
Music has been around for thousands of years. Music has progressed since that time and has slowly become what it is today. Though music has been around for such a long time, protest music just started to develop in the Vietnam Era, the year 1954. The war started the era of protest which, in turn, created a new form of music which incorporated a specific type of lyric that was a way of expressing protest through the song. Since music in this era was already a big thing, artists thought it would be a good idea to get their political viewpoints out there. They did it through something that affected everybody in that time and space. The artists view spread quickly through the country because of the catchy tune and the viewpoints that are listed. In the United States of America, it is a very common thing to conform to others in a group (Conformity…). Since conformity is such a common occurrence in a large group, all the artist has to do is find a couple of people in the group, group being an audience, who agree with the artist and the rest will unfold on its own. The artist will keep on performing while the word of him and his music will spread from person to person. Conformity will ultimately bring people together on the same viewpoint until eventually, there are thousands of people there with the artist to protest. These artists have grown over time along with the style of music that they bring along with them. Protest music still exists today and is one of the most effective forms of protest that we have.
“Music is uniquely wonderful. It is incapable of being touched yet it touches everyone who is capable of hear sounds. It can seemingly evoke any emotion; we instinctively respond to happy tunes, mournful songs, beautiful melodies, inspiring anthems, stirring hymns, and majestic orchestrations.” (Doolan, Robert. 1985) There is no question that music is great part of society; it has been at civilization’s side whether it be the lyres and flutes of the ancient Greeks or how it calms or excites emotions and keeps armies in order during battle. Within society, there has also been social unrest and the desire for change. Protesting is the expression of a society’s concerns on current events of which they feel affected by whether it be through public rallies, picketing, riots or even bombings. Protest through music is one powerful medium for engaging people. Amidst what life throws at individuals, music has comforted the soul, provoked individualistic thought and opinion, and music draws people together through groups alike who have the same attachment or concerns with their surroundings. Whether it be rock, jazz, blues, rap, hip hop, dance, spiritual, or world, music has inspired artists to spill out their expression and views of society. Music is a universally effective tool of protest in generating social change and unrest as it continues to unite those with like ideas.
These are the opening lines to the famous NWA’s “Niggaz 4 Life”. The opening dialogue consists of people complaining of their use of the word nigga, asking why they have to use it. They give several reasons: because of how often police harass them, because it fits in with the rest of their language, because they will always be black, because “it’s just the way shit has to be”, and later in the same album, because of their pasts. My personal take on the n-word as a person of the African-American community is that it is overused and, quite frankly, normalizing it.
Music has been a tool for artists to communicate with the world of their values and views about their personal life and social problems. Hip hop in particular started out as a medium to convey the messages of the MC’s hardship in their personal lives. In the late 1980s, “protest music” started to boom with the emergence of Public Enemy, N.W.A., Rakim, KRS-one, Eric-B, and many more. Out of the many albums and music pieces dropped, Christopher R. Weingarten stated that Public Enemy’s It Takes Nation of Millions to Hold Us Back is “the greatest anti-government record made.
The six minute video is rich with symbolism, filled with question raising imagery that demands attention from its audience. Kendrick’s main focus throughout the video “Alright” is his experience growing up in America as a black man who has continuously been oppressed by the system. When analyzing his struggles it is important to put this in conversation with the concept of whiteness. Whiteness is not concerned primarily with race, whiteness is an idealism so to speak.