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Protest caused by music influence
Comparative rhetorical analysis on protest songs
Protest caused by music influence
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Analysis and Interpretation: Based on my presented elements I would now like to identify the suggested elements from the music video. As previously stated before, one of the presented elements was the showing of real footage of real human rights issues. The suggested element is to bring awareness of the issues around the world. I believe in a saying that applies perfectly to this analysis: “seeing is believing,” the footage is bold and gives the audience no excuse but to see the human right issues right before their eyes. I feel the intent of the footage was to bring awareness to the truth. The second presented element is the prison scene of Jackson and inmates rioting with the lyrics, this suggests the element of frustration from the lack …show more content…
After analyzing the data discussed the major themes represent the ideology of protest music but more specifically protest of human right issues. The human right issue has been a circulating main idea throughout this analysis and I will now further explore this ideology and how it pertains to Jackson’s music video “They Don’t Care About …show more content…
There were two goals for the music video; the first was to bring awareness to the overall public. The second was to promote a change in the human right issues. The goal of bringing awareness was definitely met, however, the change was a little far fetching to change the whole world with one song. But I am almost certain that Jackson did change some hearts, minds, and perspectives through his music video. I believe that it only takes one person to start a change that will have a ripple effect and Jackson was that man who used his
The article “The Coddling Of The American Mind”, written by Greg Lukianoff and Jonathan Haidt, was written about how teachers are afraid of what they are allowed to say during in class because of the emotional effect on the students. While writing the article the authors have many examples of logos, ethos, and pathos. The logos of the article appeals to logic by presenting facts and statistics. The writers provide definitions of words such as microaggression and trigger warning. While explaining the definitions they go on to give real world examples to further the understanding of the words. Also statistics of the amount of mental health issues are provided to enhance the logos. Secondly to make the article more appealing is adding an emotional
...t of people around you. The images are really helped clarify what the singer really wants to talk about. Without the images in the video some many things could have been interpreted from the song itself. Before I watched the video I just thought the author was talking about war, and specially the wars America was fighting at the time of the song’s release. The music in combination with the instrumentals and video create a piece of art that enlightens the soul.
Throughout his preface of the book titled Why We Can’t Wait, which entails the unfair social conditions of faultless African Americans, Martin Luther King employs a sympathetic allegory, knowledge of the kids, and a change in tone to prevail the imposed injustice that is deeply rooted in the society—one founded on an “all men are created equal” basis—and to evoke America to take action.
The authors of “Coddling of the American Mind,” Greg Lukianoff and Jonathan Haidt, use ethos, logos, and pathos convey their negative stance regarding trigger warnings and the effect they on education. Lukianoff and Haidt’s use of rhetorical appeal throughout the article adds to the author’s credibility and the strength of the argument against increasing the use of trigger warnings in school material. The authors, Lukianoff and Haidt, rely heavily upon the use of logos, such as relations between conflicts surrounding trigger warnings and other historical conflicts impacting student ethics. Examples of the use of these logical appeals are the relation between the Columbine Massacre and the younger generations ideology. The author goes on to mention other societal turning points such
This part of the video persuades the audience to trust that the singer knows what it is like to be under stress from
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
There is one universal language: the language of music. Music has a special quality and ability to bridge both social and cultural divides. A proposed theory by Dr. Gray, Founder and Director of National Musical Arts’ BioMusic Program; describes music has been around longer than human-beings have. Music is the one thing human beings from various backgrounds can relate to. Every living creature would agree. Music is heard everywhere not just among humans, but in nature as well, through the twitting of birds, winds blowing, the soft sound of raindrops against a windowpane, the ocean waves moving back and forth and the hum of the ocean rushing in a sea shell. There is no escaping it; music lives in and surrounds us steadily. While there are countless songs which confer social or cultural consciousness, this paper will analyze and address the dynamics of M.I.A.’s “Paper Planes”, video. Stylistically, the paper will examine the artist point of view, the unique use of lyrical analysis and sound description in relation to its historical, social, political and/or cultural context. This essay will also trace the lyrical analysis and sound description of song and discuss how the elements (visually, sonically, and lyrically) interplay with the theme of immigration and/or violence.
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular protest music, which has reached out to the youthful generations everywhere demanding for a revolutionary change. The protest music took the children of the 1960’s to a completely new different level. Musicians of this generation were not going to sit and do nothing while the government lied to the people about what was going on in Vietnam. Instead, they took their guitar-strumming troubadours from the coffee houses, plugged them in, and sent the music and the message into the college dorm rooms and the homes of the youth of America. However, as decades went by, protest music does not have much of an impact as it use to because of the way things have changed over the years. Through the analysis of the music during the 1960’s, there shall be an understanding on how the different genres of protest music has affected social protesters based on how musicians have become the collective conscience of that generation through their lyrics and music and the main factors that contributed to the lack of popula...
Musically hip-hop spawned the age of DJ’s. With strong influences from Reggae, hip-hop has developed into an empowering form for the expression of ideas, power, revolution and change. Power and empowerment have emerged from these musical styles that now have many commonalities. Hip-hop and Reggae are both forms of protest music. “Protest music is characterized by objections to injustices and oppressions inflicted on certain individual groups…. typically, the intent of protest musicians is to oppose the exploitation and oppression exercised by dominant elites and member of dominant groups”(Stapleton, 221). Hip-hop has developed as a new form of protest music void of the common acoustic guitar. The goal of protest music is to promote freedom through music.
Music has been around for thousands of years. Music has progressed since that time and has slowly become what it is today. Though music has been around for such a long time, protest music just started to develop in the Vietnam Era, the year 1954. The war started the era of protest which, in turn, created a new form of music which incorporated a specific type of lyric that was a way of expressing protest through the song. Since music in this era was already a big thing, artists thought it would be a good idea to get their political viewpoints out there. They did it through something that affected everybody in that time and space. The artists view spread quickly through the country because of the catchy tune and the viewpoints that are listed. In the United States of America, it is a very common thing to conform to others in a group (Conformity…). Since conformity is such a common occurrence in a large group, all the artist has to do is find a couple of people in the group, group being an audience, who agree with the artist and the rest will unfold on its own. The artist will keep on performing while the word of him and his music will spread from person to person. Conformity will ultimately bring people together on the same viewpoint until eventually, there are thousands of people there with the artist to protest. These artists have grown over time along with the style of music that they bring along with them. Protest music still exists today and is one of the most effective forms of protest that we have.
Jackson often released songs that had powerful messages behind them e.g. 'We Are the World' and “Black and White”. Michael Jackson’s “They Don’t Care About Us” released as part of the “HIStory: Past, Present and Future, Book I” album in 1996, was addressed to “the people” in an effort to promote equality, justice, and peace. However, it led to unexpected controversy
“Music is uniquely wonderful. It is incapable of being touched yet it touches everyone who is capable of hear sounds. It can seemingly evoke any emotion; we instinctively respond to happy tunes, mournful songs, beautiful melodies, inspiring anthems, stirring hymns, and majestic orchestrations.” (Doolan, Robert. 1985) There is no question that music is great part of society; it has been at civilization’s side whether it be the lyres and flutes of the ancient Greeks or how it calms or excites emotions and keeps armies in order during battle. Within society, there has also been social unrest and the desire for change. Protesting is the expression of a society’s concerns on current events of which they feel affected by whether it be through public rallies, picketing, riots or even bombings. Protest through music is one powerful medium for engaging people. Amidst what life throws at individuals, music has comforted the soul, provoked individualistic thought and opinion, and music draws people together through groups alike who have the same attachment or concerns with their surroundings. Whether it be rock, jazz, blues, rap, hip hop, dance, spiritual, or world, music has inspired artists to spill out their expression and views of society. Music is a universally effective tool of protest in generating social change and unrest as it continues to unite those with like ideas.
>. Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
To give just a preview of the topics that will be discussed, in this paper I will provide a short biography of Michael Jackson, the onset of his career, a brief description of Pop Music, and his impact and legacy on pop culture and other singers as well. Michael Jackson, the name that the majority of people, including those who do not listen to his music, have heard at least once in their lifetime. He began to love the excitement of being under the spotlight, entertaining the audience with all eyes fixed on him. And that is the core element of fame, especially in the pop music industry, which he later changed for good.
Every human possesses some guaranteed basic freedoms and rights, whether it is the freedom of speech, or the freedom to express themselves. However, the government seems to be increasingly determined to limit these freedoms, using censorship to confine these rights that we usually take for granted. The most important facet of media in general is that it allows people to express themselves freely. In fact, this freedom of expression that music allows us is one of the primary reasons why it exists. Sadly, many of the current artists have forgotten that, but nonetheless, censorship seems to always be there to limit the expression of those who choose to place deeper messages in their songs.