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Leadership and public administration
Leadership and public administration
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Royalty in the Eyes of the People Throughout the self-absorbed actions of royalty, as fame towers over those deemed less, Anton Chekhov’s The Princess compares the attitudes of an entitled, narcissistic, and egotistical princess with the suppressed, less important average citizens showing how the basis of one’s self can be perceived through multiple points of view. The scenery and atmosphere of the short story takes place at one of the princess’s favorite place, a monastery. Within the first few lines, a hint of pompous behavior is exposed as the princess in the story exclaims, "Well, have you missed your princess?" to the unwavering monks at the monastery. Already, some of the monks are forced to abide by her majesty’s command and listen to …show more content…
Why do you come here? What do you want with the monks here, allow me to ask you?...You come with a God of your own into a monastery you have nothing to do with, and you imagine that the monks look upon it as a very great honour.” By asking her questions she has her own answer to, the doctor reveals the true reason for explaining all her faults. In fact, it wasn’t ever to burden or cause her grief, but to resemble all the people too afraid to stand up and speak their mind. The actions shown by the princess resembled something far greater than uncaring behavior, but revealed the disconnection between royalty and the common people. Much like the neglect the common people received from its leaders, those working for the princess in her castle didn’t receive an ounce of thought. The doctor, fired without forewarning, was left in shambles with the crippling pain of watching his dying wife fade away. Before ending his talk with the princess, the doctor states,” You come with a God of your own “pointing out the fact that the princess sees only what she chooses to see and that nothing, God nor man, has been able to pull her attention away from herself. The princess cares only for her own life, thinking of how her “Dubovki, Sofyino, and Kiryakovo have all been sold for [her] unhappy husband's debts” emboldening the fact that trivial matters to her are far different from somebody …show more content…
Instead, she imagined “her husband living in Petersburg, her stewards, doctors, neighbours, the officials of her acquaintance” and thought “if only these people could see into her heart and understand her, they would all be at her feet.” acting as if the problem wasn’t with her or how she is as a leader, but because others don’t “see into her heart”. Not only does this show how narcissistic the princess is, but how even after being faced with the issues of those she wronged, she still chooses to ignore them and believe that she is in the right and they are in the wrong. The doctor’s rampant rage of honesty and truthful statements fizzled, turning into fluttering butterflies and dainty rainbows inside the princess’s mind. She was, yet again, reborn into a self-entitled, detached leader without a care in the world about how others feel. With the thought of her being right and everyone now loving her,
Provenance: The Princess Bride was written in 1973 by William Goldman and later adapted into a film in 1987.
Dostoevsky first presents Smerdyakov, in The Brothers Karamazov, in Book 3 of Part 1. The author divulges details of the conception of the fourth son of Fyodor Pavovich Karamazov. Late on a September evening, a drunk Fyodor, by modern standards, "rapes" a homeless woman. Stinking Lizaveta, the victim of Fyodor's violence, was a legend in the town. Regardless of her unattractive and dirty appearance, her poverty, and homelessness, the townspeople regarded her with sympathy and compassion. Fyodor, on the other hand, treated Lizaveta as an insubordinate who was undeserving of even an ounce of respect. He and his friends mock her. He, then, rapes her. And, as if these actions are not cruel and offensive enough, he vehemently denies any of it happening. Later, when Lizaveta gives birth to Fyodor's illegitimate son, it is Grigory and Marfa who take the boy in, baptize him, and decide to raise the child. The townspeople mistakenly credit Fyodor for taking the dead woman's child into his house. All of these disturbing actions on the part of Fyodor are cause for his punishment.
Chekhov himself, a renowned actor, used the technique in blockbusters such as Alfred Hitchcock’s ‘Spellbound’. The ‘psyco-physical’ approach innovated by Chekhov has been used by many actors such as the Marilyn Monroe, Clint Eastwood, Anthony Hopkins, Helen Hunt, and Jack Nicholson (Backstage.com). Actors such as Jack Nicholson, while accepting his Golden Globe Award in 1999 and Anthony Hopkins, during an interview have both admired Chekhov’s psychological Gesture. Currently, the Chekhov technique has started gaining popularity as many actors seem to be interested in approaching Chekhov’s psycho-physical
Even though her husband treats her with what seem at first as love, it becomes clear she is nothing more to him than a piece of property. Every time he talks to her, he asks her to get better for his sake and the children's, and only after mentions hers interests. He doesn't think that she has any normal human feelings or worries and attributes her behavior to minor nervous depression. He doesn't see her true suffering since he believes "there is no reason to suffer" (574). He could never understand that a woman can be unsatisfied with the role imposed on her by society. Even though the heroine recognizes that her condition is caused by something other than John's theory, she is too scared to voice her opinion.
In The Princess and the Goblin, the author uses many literary devices to bring his writing to life and to illustrate specific moments in the story.
Shakespeare’s Much Ado about Nothing is, on the surface, a typical romantic comedy with a love-plot that ends in reconciliation and marriage. This surface level conformity to the conventions of the genre, however, conceals a deeper difference that sets Much Ado apart. Unlike Shakespeare’s other romantic comedies, Much Ado about Nothing does not mask class divisions by incorporating them into an idealized community. Instead of concealing or obscuring the problem of social status, the play brings it up explicitly through a minor but important character, Margaret, Hero’s “waiting gentlewoman.” Shakespeare suggests that Margaret is an embodiment of the realistic nature of social class. Despite her ambition, she is unable to move up in hierarchy due to her identity as a maid. Her status, foiling Hero’s rich, protected upbringing, reveals that characters in the play, as well as global citizens, are ultimately oppressed by social relations and social norms despite any ambition to get out.
Anton Chekhov’s short story “The Bishop” was written in 1902 and published in 1979 in “Anton Chekhov’s Short Stories” along with many of his other works, such as “The Betrothed” and “The Lady with the Dog”. While “The Bishop” is not a direct reflection of Chekhov’s life, the story does reflect elements of his life. His religious upbringing is most prevalent in this story, but being ill with Tuberculosis of the lungs during the time this story was written is shown as well through Bishop Pyotr’s sickness.
The memoir gives a unique perspective of the noblewoman in this period of Russian society. A male-centered society made it difficult for women to shape and control their lives, however it was possible through means of gaining respect. The society respected woman who had a virtuous demeanor. Especially, those who lived with an immoral spouse and still were able to show virtuous characteristics. Anna is able to gain the respect of people higher in authority than her husband receiving special treatment for various requests. Through her marriage, she recognizes that her husband has rights that she doesn’t have in shaping and controlling her life privately and especially publicly. This society causes for women to depend on men completely.
In every rags to riches story, the protagonist eventually must decide whether it is better to continue to associate with impoverished loved ones from the past, or whether he or she should instead abandon former relationships and enjoy all that the life of fame and fortune has to offer. Anton Chekhov gives his readers a snapshot of a young woman in such a scenario in his short story Anna Round the Neck. While this story certainly gives a glimpse of the social climate in Russia during the nineteenth century, its primary focus is the transformation of Anyuta (Anna) Leontyich from a meek, formerly impoverished newlywed into a free-spirited, self-confident noblewoman. Throughout the story, the reader is drawn to pity Anna’s situation, but at the
Tolstoy's Anna Karenina By examining the character list, one immediately notices the value Tolstoy places on character. With one hundred and forty named characters and several other unnamed characters, Tolstoy places his central focus in Anna Karenina on the characters. He uses their actions and behavior to develop the plot and exemplify the major themes of the novel. In contrast to Flaubert's Madame Bovary, Tolstoy wishes to examine life as it really is.
In a person’s lifetime, one is able to see the cause and effect the world around the individual has on one’s life. People are affected by the culture in which they live in and are affected by the history of their homeland. One can see these effects in the real world and in the fictional worlds of books, plays, and poetry. In the land of fiction, readers can find several examples of how a character’s psyche has been shaped by the culture and history that surrounds the character. One such example would be Madam Lubov Ranyevskaya from Chekhov’s famous play, The Cherry Orchard. One can see how her cultural and historical context has shaped her behavior, her relationships with those around her, and her family dynamics.
"The Bear," which is a classic one-act play written 1900, is one of the great works of Anton Chekhov, which is very much about a widowed woman. The Bear can be regarded as a comedy since it is to give the audience entertainment and amusement. This comedy reveals the fine line between anger and passion. The theme is about a strange beginning of love between Mrs. Popov and Smirnov. It demonstrated that love changes all things it touches. Dialogue of the characters, the action of the characters, and the characters themselves shape the theme. Unbelievable actions and change in mood on the part of the characters show that love can sometimes come from an odd turn of events.
When Anton Chekhov’s play The Seagull premiered at the Alexandrinsky Theatre in St. Petersburg on October 17, 1896, critics condemned it as disastrous. However, a production mounted by the Moscow Art Theatre two years later, led to the acclaimed revival of The Seagull as well as the establishment of Chekhov as an accomplished playwright (Bristow, 1977). It is the goal of this essay to discuss the different techniques that Chekhov used in The Seagull, in order to gain an in-depth understanding of the play; specifically focussing on the structure of the play and lastly, the representation of characters and their actions.
The story “The Darling” by Anton Chekhov, illustrates a woman that is lonely, insecure, and lacking wholeness of oneself without a man in her life. This woman, Olenka, nicknamed “Darling” is compassionate, gentle and sentimental. Olenka is portrayed for being conventional, a woman who is reliant, diligent, and idea less. Although, this story portrays that this woman, known as the Darling needs some sort of male to be emotionally dependant upon, it is as if she is a black widow, she is able to win affection, but without respect. Only able to find happiness through the refection of the beliefs of her lovers, she never evolves within the story.
The classic tale of Cinderella is well known for the fight of overcoming great obstacles despite great odds. However, there are always a few ill-hearted people who go out of their way to cease any competition that they might face, as seen with Cinderella’s step-sisters. Samuel Jackson says is his distinguished quote, “The hunger of imagination…lures us to…the phantoms of hope,” to help develop a more defined view of a fairytale. The story of Cinderella fully embodies the ideals of a true fairytale by encompassing magic, hope, and struggle between good and evil throughout the duration of the plot.