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Rape in literature
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Dostoevsky's The Brothers Karamazov Dostoevsky first presents Smerdyakov, in The Brothers Karamazov, in Book 3 of Part 1. The author divulges details of the conception of the fourth son of Fyodor Pavovich Karamazov. Late on a September evening, a drunk Fyodor, by modern standards, "rapes" a homeless woman. Stinking Lizaveta, the victim of Fyodor's violence, was a legend in the town. Regardless of her unattractive and dirty appearance, her poverty, and homelessness, the townspeople regarded her with sympathy and compassion. Fyodor, on the other hand, treated Lizaveta as an insubordinate who was undeserving of even an ounce of respect. He and his friends mock her. He, then, rapes her. And, as if these actions are not cruel and offensive enough, he vehemently denies any of it happening. Later, when Lizaveta gives birth to Fyodor's illegitimate son, it is Grigory and Marfa who take the boy in, baptize him, and decide to raise the child. The townspeople mistakenly credit Fyodor for taking the dead woman's child into his house. All of these disturbing actions on the part of Fyodor are cause for his punishment. While Fyodor neglected his fatherly duties to his other three sons, to this fourth, he rejects them completely. He finds the controversy around the mystery of the boy's conception amusing. He employs his own son as one of his servants, as his "lackey." Although incredible attention to detail is paid to the story of Lizaveta, Dostoevsky waits to speak of the boy himself. It is as if the author is all ready separating this last son. Dostoevsky claims to not want to go into detail about Smerdyakov so as not to distract the reader from the story. However, it is an intention set-up on the part of the author. When we finally learn more of this mysterious character, it is not until four chapters later. Dostoevsky is oddly able to summarize the character of Smerdyakov in only five pages, whereas, with the characters of his brothers, he needs many more pages. In this way, the author is showing the mistreatment of this innocent boy by all who know him. Grigory is ashamed of him. He spreads the story of Smerdyakov's birth and ruins his reputation indefinitely. All three of the brothers treat Smerdyakov not as an equal, but as a servant. Despite his displays of intelligence, Smerdyakov is labeled and mocked by everyone. He is called a lackey, an ass, a sco... ... middle of paper ... ...he destruction of his third brother a little differently. Alexei cares to an extreme extent about others. He is deeply affected by the suffering of Ilyusha and the other schoolboys. Smerdyakov knows that by simply affecting the two brothers whom Alexei loves, he is also affecting Alexei. Alexei, to no avail, attempts to save what remains of his brothers' dehumanized states. While Smerdyakov's actions are cunning and deceitful, he knows at every moment exactly what he is doing and why he is doing it. He is fully aware of his own predicament. He is born into misfortune, attempts to avenge his name, and wreaks havoc upon this small Russian town. While he carefully manipulates people and skillfully executes his plans, he is aware also of the immorality of murder. Like Zisoma's "mysterious visitor," Smerdyakov commits his crimes out of passion. He does not wait for the jury to consider his case. Like the "mysterious visitor," he has convicted himself of murder and sentences himself death. Smerdyakov's vicious crime and brutal punishment complete a full life of violence starting at his conception. His passionately violent nature erupts implosively beneath a mask of implacable calm.
The short story, “Ivan Fyodorovich Shponka and His Aunt”, explicates the life of a man named Ivan Fyodorovich Shponka. We see him briefly in his young years, followed by his life in the army, and his return to the farm where his strong characterized aunt resides. We can see immediately that this man lives in constant cleanliness and dutiful paranoia; these are some of his desires that he wishes to exhibit to others. We can also see his fears, which reside in the confiscation of his masculinity and independence. This short story has many elements that resemble others in the Nikolai Gogol collection.
Svidrigailov is one of the most unfathomable characters in Crime and Punishment. As the novel goes on, Svidrigailov’s pursuit of Dunya progresses into sheer harassment. After eavesdropping on Raskolnikov’s confession to Sonya, he uses his newly acquired information to lure Dunya into his room. Svidrigailov proceeds to promise help to Raskolnikov if she will give him her hand in marriage. He then threatens to rape her when she tries to run away. Right when Svidrigailov appears to be purely evil, he surprises us all when his rational side kicks in and allows Dunya to leave. Although he may seem to be the cold-hearted villain of the book, his good deeds cannot go unnoticed. It cannot be forgotten that he is willing to give Dunya the three thousand rubbles in his wife’s will and offers ten thousand rubbles to help Dunya because he thinks her marriage will be a disadvantage to her in the end. Once Katerina Ivanonva dies, Svidrigailov also promises to pay for the funeral arrangements and to provide for the children, who will be sent to an orphanage. Although...
“Nothing has ever been more insupportable for a man and a human society than freedom.” –The Grand Inquisitor” “Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.” - Father Zosima. These two quotes voice the polarized philosophies that impregnate the book, The Brothers Karamazov. Ivan, the second of the three sons, and Zosima, the old monk, are huge commentators on the question, “Is the burden of free will to much for a human to bear?”
A Study of the literary techniques used by Fyodor Dostoyevsky in Crime and Punishment to convey the downfall and subsequent rise of the main character. "Crime and Punishment" by Fyodor Dostoyevsky is the story of a young student Raskolnikov and his need to murder an old woman to prove one of his many philosophies. The book begins with the murder, but the primary focus is on his reasoning and reactions before and after the act. It is set in St Petersburg where the main character, Raskolnikov, appears to be an ex-student living, in poverty, a life of lethargy.
The character's speech or diction is far from Nabokov's native language yet not fully the adulterer but a strange fusion of the two, understandable to none other than the speaker. Such lack of understanding thus leading to the forgotten writer, who, "hopelessly fading into exile", strives on with wasted pages of prose. No one will attempt to understand the rogue émigré writer who is only partially Russian now. In a poetic work, the one being read now, the writer, who is suggestively one and the same with the created character, will contemplate such matters as being forgotten and yet that too, the poem, will also be forgotten and read by no one.
First, Dostoevsky gives the reader the character, Raskolnokov. He is the main character, whom Fyodor uses to show two sides of people their admirable side and their disgusting side. He loves Raskolnokov, which is why Fyodor uses Raskolnokov’s point of view throughout the whole novel. Personally, Fyodor dislikes some of his qualities but understands that all people are plagued with some bad traits, and that Raskolnokv is trying to make emends for some of his wrong doings, i.e. the murder of the pawnbroker and her sister. He knows that what he did was wrong and is willing to suffer for his crime, and he does throughout the whole book with his constant depression. Dostoesky believes in punishment for your crimes, this is why he shows Raskolnokov suffering through most of the novel, to show his great love for penance. Dostoevsky likes the kind giving nature of people; this is why he portrays the main character as a kind, gentle, and giving, person. Often, Raskolnokov thinks only of others benefits such as when he helped Katerina by giving her all his money for Marmelodov, as well as his caring about what happens to his sister with her marriage to Luzhin. Raskolnokov hates Luzhin’s arrogant and pompous attitude, which reflects Dostoevsky’s animosity of the same qualities in people in the real world.
identical. Both characters were in isolation prior to the initial plot of the books, but for
In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man. The man is peculiar because of his lack of self-respect, his sadistic and masochistic tendencies, and his horrible delight in inflicting emotional pain on himself and others. Almost instantly the reader is forced to hate this man. He has no redeeming values, all of his insights into human nature are ghastly, and once he begins the narrative of his life, the reader begins to actively hate and pity him.
...’s disbelief in God, indeed justifies Smerdyakov for murdering Fyodor, and when Ivan realizes it, he loses his mind. It is certain that Ivan’s philosophy may represent Dostoevsky’s thoughts and feelings at times but ultimately, his faith in God remains stronger than ever.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Because he has no respect for himself, he can have no respect for others, either.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
Dostoevsky’s crime and punishment, is set in Tsarist Russia in the 19th century. Rodya Raskolnikov, the main character, is a student at a University in St. Petersburg. By the early stages of the novel, he has dropped out of school and is left in his one room shanty, to ponder his own philosophical questions. He is poor, hungry and desperate for money. He begins to sell some of his possessions to a pawnbroker, Alyona Ivanovna, to gain money for his basic survival. He begins to see the poverty and desperation of St. Petersburg at this time. Rodya would begin to look at Alyona as a source of this problem. Alyona, in Rodya’s eyes, was profiting off of the poverty and misery of others by buying off their possession at unreasonably low prices. She would then horde the money for herself while the people outside of her own apartment starved to death. Raskolnikov decides to murder the pawnbroker for the sake of humanity. His plan is not deeply thought out in advance and i...
Anton Chekhov was a very skilled and sometimes very humourous writer. He wrote many different types of literature such as short stories, novels, and even plays. Anton Chekhov writings explore the entire range of human spirit. Chekhov, a Russian, is considered to some to be the “father of the modern short story.” Chekhov is the third child and was born on January 29, 1860, in Taganrog, Russia, which is near the Black Sea. His father, Pavel, was considered a tyrant who repeatedly terrorized him and his two older brothers, whose names were Alexander and Nicolai. Chekhov’s mother, Yevgeniya was a great storyteller and Chekhov credits her for his narritive and he also learned how to read and write from her. Chekhov was sent off to grammar school when he was eight where he proved to be an average pupil in the class, and was the class clown that plays pranks and makes up secret nicknames for the teachers. This could explain why he wrote very humourous writings. During this time in grammar school, he also wrote his first play titled “Fatherless”, which was a very long and serious play, but he destroyed it when he got older (Contemperary Authors).
Stavrogin who is introduced in the book is instantly understood as the main character because his name means “cross”. With the connotation of cross directly in his name the audience understands that he will be playing a very major role in the novel because of his connections to God. The moment that Stavrogin is introduced into the novel we are already presented with a hint at who he is as a character in relation to the others. He is, therefor, looked at as the holy figure in the book. As is normal in Dostoevsky novels Stavrogin will not play the simple role of a holy figure who makes no mistakes. One example of Stavrogin being the holy figure and main character of this book was when he first met Pytor Verkhovensky with an interacting that goes, “I (Pytor), I need precisely such a man as you. I know no one but you. You are a leader, you are a sun, and I am your worm... He suddenly kissed his hand. A chill ran down Stavrogin 's spine, and he jerked away his hand in fright” (Dostoevsky, p.419). The only reason that Stavrogin would react to Pytor like that is because Pytor is the devil. This is evident when Pytor is introduced with serpent descriptors,