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Influence of Chinese Culture on American Culture
Amy tan literary works
Amy tan essays
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“At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs.”, said Amy Tan, an American writer of Chinese origin. She is a writer exposed to and grew up in American culture but was also influenced by her traditional Chinese culture. Amy is most famous for the novel ‘The Joy Luck Club’, which was a great success when it was first published. The three influential factors are the culture she lives in, her childhood and her career life.
Amy Tan was born in Oakland, California in 1952. As the second migrant generation in America, but her mother was strongly influenced by the Chinese traditional culture. Therefore she inherited the educational way of Chinese parents. In other words, she had a high expectation on her daughter and maintained discipline more strictly than the American parents. That means she was always under pressure from her mother. Amy Tan was expected by her mother to be a doctor or a pianist in the future. As time passed, she found out that she
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Later she decided to help the children with disabilities. A few years later, Amy Tan became a freelance writer in 1981. She also worked for several companies for writing stuff. All these experiences accumulated as precious knowledge for her later writing. Four years later,she started writing the novel in leisure time. Another 4 years later, her first novel ‘The Joy Luck Club’ was published and was so popular in that period. Undoubtedly, this is a great success. From the perspective of a young writer without too much experience, it was tough for her to made that achievement. So that is quite impressive. And this novel also won three awards, and these are Los Angeles Times Book Award, the Commonwealth Gold Award, and Bay Area Book Reviewers Award. To some degrees, all these awards also reflect her literary
The author demonstrates a personal example of how communication became a barrier because of the way Tan had to assist when her mother would speak. Tan would often have to relay the meaning of her mother’s message, because her mother’s “broken English” was difficult for others to comprehend. When Amy was younger, she remembers having to act as her mother on the phone, so that people on the other end would treat her mother with the respect she deserved. On one occasion, when her mother went to the doctor to get her CAT scan results on a benign brain tumor, her mother claimed that “the hospital did not apologize when they said they had lost the CAT scan and she had come for nothing” (Tan, 544 ). It was not until Tan had talked to the doctor that the medical staff seemed to care about any of her mother’s complications. Tan seems to come to the conclusion that a language barrier affects both sides. Not only does it affect Tan, but it also appears to affect the people around her. For instance, this happens when Tan changes her major from the stereotypical “Asian’s become doctors” to an English teacher. She eventually learns to write fiction and other writings that she was constantly told she would never be successful at.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Amy Tan, in ?Mother Tongue,? Does an excellent job at fully explaining her self through many different ways. It?s not hard to see the compassion and love she has for her mother and for her work. I do feel that her mother could have improved the situation of parents and children switching rolls, but she did the best she could, especially given the circumstances she was under. All in all, Amy just really wanted to be respected by her critics and given the chance to prove who she is. Her time came, and she successfully accomplished her goals. The only person who really means something to her is her mother, and her mother?s reaction to her first finished work will always stay with her, ?so easy to read? (39).
Tan, Amy. The Joy Luck Club. Vintage Contemporaries. New York: A Division of Random House, Inc., 1991.
In the essay, Tan demonstrates: “Lately, I’ve been giving more thought to the kind of English my mother speaks.” “When I was growing up, my mother’s limited English limited my perception of her. I was ashamed of her English.” “Fortunately, I later decided I should envision a reader for the stories I would write. And the reader I decided upon was my mother, because these were stories about mothers. So with this reader in mind, I began to write stories using all the Englishes I grew up with: the English I spoke to my mother, the English she used with me, my translation of her Chinese, and what I imagined to be her translation of her Chinese. I wanted to capture what language ability tests can never reveal: her intent, her passion, her imagery, the rhythms of her speech, and the nature of her thoughts.” So in this quote, it explains how she learned to accept her mother’s broken English and how they have benefited her. In this paragraph, we learned how Amy Tan conveys acceptance in her mother’s broken
Amy Tan, an accomplished Chinese-American author, is well-known for her incorporation of her Chinese heritage into her works of literature. Amy Ruth Tan was born to John and Daisy Tan on February 19, 1952 (“Amy Tan Biography”). Although Amy Tan’s parents were both born in China, she was American born. Daisy Tan was born to a wealthy family in Shanghai, China.
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
Amy Tan is a Chinese-American author. She had become Americanized, according to her mother, who still held traditional Chinese values. They fought sometimes, just as the women and daughters of The Joy Luck Club, over who was right and who was wrong regarding many problems they encountered. Tan most likely modeled The Joy Luck Club after her relationship with her mother. She even dedicated the novel “To my mother and the memory of her mother. You asked me once what I wo...
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
Amy Tan struggled with many issues caused by her dual cultures, which she expressed thoroughly in her works. Daisy and John Tan were post war immigrants and the parents of Amy Tan (Amy Tan). Tan was given the Chinese name An-Mei, which stands for blessings from America (McCarthy). To them she was the blessing that they had received after their own struggles. Tan’s father came to America after WWII to become a minister (Amy Tan). Even though it seemed like Tan’s life was running smoothly tragedy struck. Both Tan’s father and older brother died of a brain tumor when Tan was only fifteen years old (Wiener 27). In her works, Amy Tan focuses on the struggles that Chinese-American women face in mother-daughter relationships, their struggles to control their cultural identity and the tragedy that accelerates the broken relationship.
In The Joy Luck Club, by Amy Tan, one examines the story of four Chinese
Amy Tan starts The Joy Luck Club with the daughter, Jing-mei, and mother, Suyuan Woo. Suyuan lived through a hard life in Kweilin during the war and teaches her daughter to keep her head up and have faith, even though things may seem hard at the time. When Suyuan lived in Kweilin, she had many things that could depress her, "but to despair was to wish back for something already lost. Or to prolong what was already unbearable" (11). Suyuan's wishful thinking reveals that she did not want to think of all the bad things happening around her. Rather, she wanted to focus on the fact that she "had luxuries few people could afford" (10). The ability to find the good when others see only bad helped Suyuan center her attention on the superior things that she had, such as the Joy Luck Club and her friends. Later, when Jing-mei goes to meet her sisters in China, she becomes "so nervous [she] can't even feel [her] feet"(331). The uneasy emo...
Amy Tan's narratives serve as Asian American mythology because each story represents a typical conflict which many Asian Americans experience the conflict of living in one society and being influenced by it while the expectations of another society intrude with cultural demands and obligations. Also, these stories depict how Asian Americans daughters, can overcome this cultural conflict by accepting both their Asian and American heritage. Across cultures, human beings have always exhibited, and attempted to fulfill, a need for mythologies which reflect their ideologies and traditions. Moreover, mythology represents the need to establish identity through answering questions that have no obvious answers. The individuals who look into myths for
Amy Tan’s “Mother Tongue” conveys the idea of cultural tolerance and diversity. During a speech, Tan realizes the difference between how she would interact with the people outside her household compared to her mother and husband. At home, she uses “broken” English to better communicate with her mother while she uses proper grammatical sentences to communicate with others. Tan was “keenly aware of the different Englishes” she was using. Language is a critical point in communication despite whether if its “broken” or not. It is the message that is being convey that is more important.
Amy was born in Enfield, London, in England September 14, 1983. She was raised into a culturally jewish family, but they didn’t consider themselves religious. Amy’s mother was Janis Winehouse, she was a pharmacist. Her father was Mitchell Winehouse. He was a part-time taxi driver. Amy also had an older sibling, Alex. He helped his mother around the house with Amy, at the young age of only four. Growing up in Southgate was rough for Amy and Alex. Amy’s uncles who were professional jazz musicians, she wanted to follow in their footsteps.