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Essays over the joy luck club
Essays over the joy luck club
Essays over the joy luck club
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Heros in Sophocles' Oedipus the King, Homer's Odyssey, and Tan's Joy Luck Club
In world literature, there are two types of archetypal protagonists, the mythic hero and the tragic hero. Mythic heroes, like Homer's Odysseus, represent the combination of superhuman virtues and human imperfections. These traits create a supernatural adventure with a realistic character. The mythic hero is favored by divine powers and eventually achieves a certain goal or completes a certain journey. On the other hand, there is the tragic hero, like Sophocles' Oedipus. The unfortunate tragic hero has a penchant for attempting to escape a doomed fate. The tragic hero lives under the shadow that the gods place. Literature throughout the expanse of time has hovered around the lives of the mythic and tragic heroes. Contemporary novel The Joy Luck Club explores these themes as well. The two characters, Lindo Jong and Ying-ying St. Clair, exemplify the polar extremes of mythic vs. tragic.
Both mythic heroes and tragic heroes must pass through a series of set obstacles and wind their way toward a certain goal. The major difference between the two archetypes is how the protagonist reaches the end. Mythic heroes transgress through their journey with optimism and a building sense of accomplishment. Tragic heroes operate on the slant of pessimism and failing attempts to escape from a worse fate. To put it more clearly, the mythic hero tries to run toward success, while a tragic hero tries to run away from failure. In this sense, the story's attitude, the protagonists' control on fate, and the divinely ordained sequence of events work together to form the type of hero that takes the lead.
Odysseus, hero of...
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...ea House 1988
Graham, A. J. "History and Heros," Princeton 1999
Homer. The Odyssey. Trans. Robert Fagles. New York: 1996 Lucas, D. W., ed. Aristotle: Poetics. Oxford: Oxford U-Clarendon P, 1968.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
Tan, Amy. The Joy Luck Club. Vintage Contemporaries. New York: A Division of Random House, Inc., 1991.
Tracy, Stephen V., The story of the Hero. Princeton, N.J. : Princeton University Press, c1990. PA4167 .T7 1990
Homer, The Odyssey, The Norton Anthology of World Masterpieces, ed. Maynard Mack, Expanded Edition, (New York: W. W. Norton, 1995), pp. 219-503.
Homer. The Odyssey: Fitzgerald Translation. Trans. Robert Fitzgerald. New York: Farrar, Straus and Giroux, 1998. Print.
Homer. “The Odyssey”. The Norton Anthology of World Literature. Ed. Martin Puncher. New York: W. W. Norton & Company, 2012. 475. Print.
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
In conclusion, technology has evolved and influenced our society drastically when it comes to human interaction. William Gibson’s Burning Chrome is a postmodernism/cyberpunk story that blurs the boundaries between what is being human. The story also blurs the line between the physical and the virtual that a human being interacts. The advances we had made with our technology have gotten to the point where it has entwined with human anatomy. Gibson’s novel was partly based on how our civilization is more and more coming together with technology. Another thing Gibson portrayed was how a person’s mind is transferred into a whole new world with the use of our modern devices. In the end, our society’s interaction with both machines and humans is getting to the furuturistic virtural world that Burning Chrome depicts in its text.
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
Homer. ?The Odyssey,? World Masterpieces: Expanded Edition. Maynard Mack ed. Ed. Coptic St.: Prentice, 1995.
In Bruce Sterling's article, "Cyberpunk in the Nineties," he explained how public opinion had defined himself, Rucker, Shiner, Shirley, and Gibson as the cyberpunk "gurus" in the 1980's. Because of being labeled cyberpunk "gurus," the public had come to understand the definition of cyberpunk as "anything that cyberpunks write." To break this definition of cyberpunk established by popular public opinion, I will pursue giving cyberpunk a more definite definition. After reading numerous cyberpunk fiction stories, I noticed reoccurring themes in these stories. I believe these themes can form a criteria under which a story can be defined as cyberpunk. These criteria are total enhancement and integration of everyday life by technology, some degree of pleasure (by the author) in explaining this technology, cyber-lingo, and some degree of global connectiveness.
It is a genre created by authors that were looking to take their writing abilities to new levels and providing their readers with great stories to explore. Like any other writer the main intent to take your reader to places well beyond their normal imaginations. Science fiction is ever-changing and will continue to do so for many years to come. That is a great thing, as new ideas will continue to surface and us as readers will continue to search for new ways to be challenged than we were before. From the earlier writings of Shelly to Wells, new futuristic ideas will continue to appear. Who knows what the future will hold for science fiction, as it continues to shape its own course. But fear not the unknown as it gives you something to strive
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997.
A tragic heros is someone who faces adversity and has courage and they have similar characteristics throughout different literature. A hero often times experience a downfall, but confronts the situation in a way that causes them to be given the title of a tragic hero. Aristotle once stated about tragic heroes and recited “A man doesn’t become a hero until he can see the root of his own downfall.” Aristotle also came up with six characteristics that all tragic heroes have. Romeo is a prime example of a tragic hero by the quick judgements he makes due to his love for Juliet. He decides to attempt suicide when he sees Juliet faking her death, this shows his character falls in love too fast and too hard. The way he loves Juliet is Romeo’s downfall
A tragic hero can be described as a great or virtuous character in a dramatic tragedy who is
Sophocles. "Oedipus Rex." Rpt. in Ten Greek Plays. Ed. L.R. Lind, Boston: Houghton Mifflin, 1957.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed. Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
Works Cited:.. Sophocles. Oedipus Rex. New York: Dover Publications, Inc., 1991.