America is known for its many great achievements. Among them are sending Neil Armstrong to the moon in 1969 and creating the economic engine that won World War II. But when you land a plane in the United States, you cannot see these accomplishments because they aren’t tangible. You cannot stand anywhere on American soil and say “this was the country that went to the moon.” G.K. Chesterton once said “Architecture is the alphabet of giants; it is the largest set of symbols ever made to meet the eyes of men. A tower stands up like a sort of simplified statue, of much more than heroic size.” The one thing that is evident of America is that we were the country that transformed the world architecturally. The skyscraper was born and raised in the United States of America. The American skyscraper can be seen anywhere, from San Diego, to Atlanta, to Minneapolis; you can see evidence everywhere that America engineered the high rise building. Stand in New York, and without looking up bank account or the economic state of America, you can see the economic prosperity of history. “Tall buildings have captured the imagination” , prosperity, and hard work of people during the course of history. Skyscrapers represent great power, hard work, and control in the United States, the skyscraper is the greatest symbol of American history. “In the 1870’s, buildings rarely exceeded four stories.” It wasn’t until the improvement of iron and steel as a structurally sound material that the taller buildings became the real world. These advancements in architecture allowed architects of that era to experiment. The bulk of skyscraper advancement can be linked to the shocking fire that cleared most of Chicago in 1871. City officials changed from wood to firepr... ... middle of paper ... ...ource guide to nineteenth-century U.S. history. Westport, Conn.: Greenwood Press, 2008. 338. Breslin, Cynthia L., “Empire State Building Opens.” Great Events from History: The Twentieth Century, 1901-1940. E Book Edition. Michael Tavel Clarke, “Chapter 4: The City of Dreadful Height: Skyscrapers and the Aesthetics of Growth,” in These Days of Large Thing, ed. (The University of Michigan Press, 2007). Montgomery Schuyler, “The Chicago Architects,” Annals of American History, 1. Schlager, Neil, and Josh Lauer. "The Empire State Building: Skyscraper Symbol of America's Power." In Science and its times: understanding the social significance of scientific discovery. Detroit: Gale Group, 2001. Skrabec, Quentin R.. "World's First Skyscraper." In The 100 most significant events in American business: an encyclopedia. Santa Barbara, Calif.: Greenwood, 2012.
In his opinionated book, From Bauhaus to Our House, Tom Wolfe describes his views on the way architecture has framed our modern world. He frames his book long essay with an excerpt from America the Beautiful, "O Beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today? . . . Every child goes to school in a building that looks like a duplicating-machine replacement-parts wholesale distribution warehouse . . . Every new $900,000 summer house in the north woods of Michigan or on the shore of Long Island has so many pipe railings, ramps, hob-tread metal spiral stairways, sheets of industrial plate glass, banks of tungsten-halogen lamps, and white cylindrical shapes, it looks like an insecticide refinery." (Wolfe 1) This quote, in short, is the premise of his critique. He does not like the way modern architecture
America: land of the free and home of the brave. Stretching from coast to coast, it’s a nation that claims liberty and justice for all – but what really makes America so great? Is it the astonishing skyline of New York City, a skyline that exemplifies all that we’ve accomplished? Is it the abundance of popular culture and fame produced in the shiny, dream-making city of Hollywood? Maybe it’s the way our ancestors victoriously conquered the fertile, prosperous land that once belonged to the now seemingly forgotten indigenous people.
The Brooklyn Bridge was a symbol of power, America did something no one else has done. America also built massive skyscrapers, like the Tribune Building to symbolize their progress. Americans felt a sense of pride and patriotism that was much needed after the Civil War. Another movement happening in big cities was the City Beautiful Movement. After the Industrial Revolution cities were nasty places. Mayors and other donors decided to make these cities more inviting. Cities like New York and Chicago are majorly inspired by this movement. When Chicago burned down in 1871, they rebuilt the city to be beautiful and white for purity. Cities felt the need to reinvent because people now had more leisure time and should be attracted to the events in the cities. Because of this movement, places that were once gross and industrial are inviting and lively, changing where many people who spend their free time throughout
Before the fire broke out on Sunday night, October 8, 1871 there had been a large drought causing everything to be dry and extremely flammable. Many fires had been breaking out in Chicago. Records show that in 1870 the fire fighters went to nearly 600 fires. On Saturday night there had been a large fire that destroyed about four blocks and lasted for 16 hours. Another reason why everything in Chicago was so flammable was because almost the entire city was made out of wood. It was a lot worse in the middle class and poor sections of the town (19). Just about every house was made out of wood. Even buildings that claimed to be fire proof had wood roofs covered with tar. The richer part of town had stone and brick homes, but wooden interiors, wooden stables, and wooden storage buildings (Cromie, 81). Chicago was built on marshland and every time it rained the city flooded, so to help this problem the roads were made out of wood and elevated above the waterline. The day the fire started there were over 55 miles of pine-block street and 600 miles of wooden sidewalks. “Chicago in 1871 was a city ready to burn,” according to Jim Murphy, author of The Great Fire (Murphy, 18).
The "Mixed Metaphors in Chicago. " Architectural Review August, 1933. v. 74 pp. 47-49.
...struction. I really love the architecture of these buildings and wish that we had more resources to be able to preserve this piece of American history.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 295.
Rayfield, Jo Ann. "Tragedy in the Chicago Fire and Triumph in the Architectural Response." Tragedy in the Chicago Fire and Triumph in the Architectural Response. Illinois Periodicals Online, n.d. Web. 02 May 2014. .
“Most railroad tracks were not damaged. This allowed shipments of aid to come in from across the country and around the world.” (10) This would be a critical factor in accelerating efforts to rebuild the city. New construction of neighborhoods and businesses created thousands of jobs for unemployed workers. By October 1872, new buildings worth nearly $50 million had been erected. Between 1872 and 1879 more than ten thousand construction permits were issued. Between 1871 and 1891 amount $316,220,000 was poured into the construction of new buildings. (9) Architects began designing the world’s first skyscrapers. Construction codes and fire codes were no longer ignored. The destruction from the fire opened up a broad expanse of land to build on. “To a huge degree, the design and layout of the city of Chicago and the character of the buildings are a result of the Chicago Fire,” he says. “If the fire hadn’t happened, it would look a lot different.”(6) In less than 20 years after the fire, Chicago became a major economic and transportation hub. All of these factors attracted more and more people to the city of Chicago. Before the fire, approximately 324,000 people lived there. During the next ten years after the fire, 500,000 people lived there. By 1890, 19 years later, more than one million people lived in
Burnham is a well-known architect around the world who previously completed work in “Chicago, New York, Washington, San Francisco, Manila, and many other cities” (Pg. 3). He was offered the job to design and build the buildings that would be a part of the World’s Columbian Exposition (Chicago World’s Fair), after Chicago won the bid for the fair in 1890, and eventually took the offer with his assistant, John Root. The construction of the fair began in 1891 and did not completely finish until the fair was already halfway over in the summer of 1893. During those two and a half years, the success and reputatio...
The Chicago world’s fair’s official name was the World’s Columbian Exposition, and its original purpose was to commemorate the four hundredth anniversary of Christopher Columbus’s discovery of America, however Daniel Hudson Burnham, the foremost creator, wanted it to be something enchanting, a “white city .” While Burnham wanted the fair to be a “white city” the whole fair had to be greater in all aspects than the fair in Paris in 1889, because if the fair failed the honor of the United States would be stained, and the city of Chicago would be disgraced . Burnham wanted only the best American architects of the time and their plans for the buildings were fashioned after neoclassical ideas, they had a uniform height for the cornice, in hopes of creating harmony amongst the prominent buildings .
Today America is one of the wealthiest, strongest, and hardworking countries in the world. It has a population of over three hundred million and growth rate of 0.97% annually. America has made many great contributions to the world politically and scientifically by inventing the telephone, discovering electricity, inventing planes, putting a man on the moon, and much more. America has grown and multiplied over time and it is still increasing. Even though today America stands apart from other countries, it was built from nothing but scrap.
Approaching the end of the 19th century entered the development of economical and adaptable steel, which changed the rules surrounding weight limitation. At this time America was undergoing great economic and social development, which brought forth great potential for Architecture. As a demand for a more urbanized society was forming, taller and larger building were needed. The large-scale manufacture of steel was the primary main thrust behind the capacity to...
Built in 1889 to commemorate the hundred year anniversary of the French Revolution, the Eiffel Tower has been a topic of discussion for numerous years. Designed by Gustave Eiffel and Morris Koechlin, the Tower was built originally as a temporary structure. The pieces of this eye-catching building were to be disassembled and melted down after twenty years. This did not happen, however. The Eiffel Tower has become a colossal icon throughout the world; the Tower has brought in enormous revenue and has a scientific impact on French and all of Europe’s society.
Architecture, the practice of building design and its resulting products, customary usage refers only to those designs and structures that are culturally significant. Today the architecture must satisfy its intended uses, must be technically sound, and must convey beautiful meaning. But the best buildings are often so well constructed that they outlast their original use. They then survive not only as beautiful objects, but as documents of history of cultures, achievements in architecture that testify to the nature of the society that produced them. These achievements are never wholly the work of individuals. Architecture is a social art, yet Frank Lloyd Wright single handily changed the history of architecture. How did Frank Lloyd Wright change architecture?