150 million years ago, a brontosaurus roaming Pangaea somewhere died, decomposed, and was eventually buried. After the bones of the brontosaurus are isolated from the elements, the calcium leaches out and is replaced by sedimentary rock. Later on, when a paleontologist unearths the fossil, he or she discovers not a true bone, but a facsimile of a bone. In a way, it is a false approximation of the truth of that brontosaurus. Desire works in the same way as the process of fossilization. Desire also blinds people from reality and sequesters them from the elements around them. Similarly, desire replaces reality with a false approximation of it. In F. Scott Fitzgerald’s The Great Gatsby and Tennessee Williams’s “A Streetcar Named Desire”, the power of desire blinds them to their problems or to what they originally wanted and replaces them with a false representation of their dilemmas and goals.
In both works, the power of desire to blind and replace is present in relationships that are physical and carnal. In The Great Gatsby, Myrtle’s affair with Tom is full of lost and violence; In “A Streetcar Named Desire”, Stella’s marriage to Stanley is also passionate and chaotic. In both relationships, the men beat their women, but the women do not leave. Stella’s lust for Stanley blinds her to his barbarism. After Stanley punches Stella and bellows her name, Stella seems entranced by lust:
The low-tone clarinet moans.…Stella slips down the rickety stairs in her robe. Her eyes are glistening with tears and her hair loose around her throat and shoulders….Then they come together with low, animal moans….Her eyes go blind with tenderness as she catches his head and raises him level with her. (Williams 67)
Stella’s lust, symbolized by the clarine...
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...f one who is oblivious to the difference between right and wrong. If he was able to mitigate his desire for Daisy, he could have thrived, but since he was unable to, and, as a result, he died.
Desire shapes characters by blinding them to their real goals and the real truth and replacing them with false approximations of the truth and of their dreams. For Stella and Myrtle, desire blinds them to the violence of Stanley and Tom and replaces the truth with a false one of a perfect relationship. Desire causes Blanche to go insane by forcing her from one hopeless relationship to the next. In Gatsby, desire blinds him to his illegal actions and replaces his goal of a better life with Daisy. The Great Gatsby and “A Streetcar Named Desire” illustrate how desire can be ambiguous; desire can provide a dream that can bring great wealth, or it can blind, replace, and destroy.
“Sometimes we want what we want even if we know it’s going to kill us”, said Donna Tartt. People in life don’t work at all at their future, or want a certain life or certain reputation so badly that they will make themselves have it, even if it is all an illusion. It happens in real life, and it also happens in “A Streetcar Named Desire”, by Tennessee Williams. Blanches interaction with males makes her create a fake like per say and this all eventually leads to her self - destruction. Some of these males are Allen Grey, Shep Huntleigh and Stanley Kowalski. In “A Streetcar Named Desire”,
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
In the game of life man is given the options to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link of past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof."
There is a fine line between love and lust. If love is only a will to possess, it is not love. To love someone is to hold them dear to one's heart. In The Great Gatsby, the characters, Jay Gatsby and Daisy Buchanan are said to be in love, but in reality, this seems to be a misconception. In The Great Gatsby, Fitzgerald portrays the themes of love, lust and obsession, through the character of Jay Gatsby, who confuses lust and obsession with love.
In the novel The Great Gatsby and the play A Streetcar Named Desire the main characters James Gatsby and Blanche Dubois have a lengthy search for love. Both characters go about their search in similar and different ways. The characters choose illusion over reality, but the way in which they go about it differs. Also in an attempt to impress, both characters try and “buy” love by using material possessions to attract people to them. Although Gatsby and Blanche devote a lot of their lives to finding true love, their searching leaves them unsuccessful.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
In The Great Gatsby by F Scott Fitzgerald, dreams, goals, and ambitions have a way of enticing and enchanting the characters. A goal becomes more than a goal; it becomes something into which the characters submerge themselves and by which they define themselves. These dreams then set up impossible expectations which are detached from what can realistically be achieved. Gatsby dreams of love with Daisy, a dream which eventually consumes his life. It seduces him into giving himself up entirely for its attainment. Similarly, Tom's ambitions to control every aspect of his life end up consuming him. It might be considered this fundamental tendency of human dreams to seduce the dreamers into dedicating themselves completely to those dreams which constitute their dangerous nature.
The object of his greed shifts from the green light to Daisy, his other “enchanted object.” This phenomenon also occurs with Tom, who, in his greed for more life than he has already, carries out open relationships and alienates Daisy. In fact, almost every character in Gatsby portrays a form of greed, such as dishonesty in Jordan’s case so that she can possess more money, an insatiable desire for attention in Daisy’s case, and a desire to be rich in the case of Myrtle, and each of these characters suffer for it: Jordan loses her best friends, Daisy accidentally kills someone, losing her innocence forever, and Myrtle ends up torn in pieces from the front bumper of a green car, the car of greed.... ... middle of paper ...
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
Lying has deadly effects on both the individual who lies and those around them. This concept is demonstrated in The Great Gatsby. Although Gatsby, Tom and Myrtle have different motives for being deceitful, they all lie in order to fulfill their desires and personal needs. Myrtle’s desire to be wealthy is illustrated when she first meets Tom, dressed in his expensive clothing, as her attitude changes when she puts on the luxurious dress and when she encourages Tom to buy her a dog. Tom’s deception is clear when he hides his affair with Myrtle by placing Myrtle in a different train, withholding the truth from Mr. Wilson of the affair and convincing Myrtle and Catherine that he will one day marry Myrtle. Gatsby tries to convince himself and others that he is the son of wealthy people, he creates an appearance that he is a successful, educated man through the books in his library and assures himself that Daisy loves him. Tom’s dishonesty reveals that he is selfish, while Gatsby’s distortions expose his insecurities, and Myrtle’s misrepresentations show that her sole focus in life is to achieve materialistic success. Gatsby and Myrtle both lie in order to obtain the “American dream.” However, Tom, who appears to already have achieved the “American dream”, deceives others out of boredom and because he takes his wealthy lifestyle for granted. F. Scott Fitzgerald demonstrates the human flaw of dishonesty for personal gain and how lies have inevitably tragic consequences in his characterization of Gatsby, Myrtle and Tom.
Daisy's carelessness reveals her corruption as a human being. She uses her wealth and social status to escape whatever she chooses, like the death of Myrtle. Additionally, her actions demonstrate the dishonest exploitation of power for personal gain and attention. Daisy’s character, due to her money, inherently values her advantage over the lower class, revealing a nature of entitlement. Additionally, she gives no respect to anyone around her, sometimes n...
In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over man, man over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams Stanley is clearly the more dominant figure over Stella. Throughout the play there are numerous examples of the power he possesses of her. Williams portrays Stella as a little girl who lives around in Stanley’s world. She does what he wants, takes his abuse yet still loves him. Situations likes these may have occurred in the 1950’s and lasted, but in today’s time this would only end up in a quick divorce.
The characters in “A Streetcar Named Desire”, most notably Blanche, demonstrates the quality of “being misplaced” and “being torn away from out chosen image of what and who we are” throughout the entirety of the play.
As we have seen through my analysis of this novel, the ideals of Lacanian psychoanalysis can be applied to situations found throughout the novel in order to interpret the actions of the main character. We have seen that Goldmund has developed through the different phases of development set forth by Lacan in his work. We also have identified that the ‘desire’ of the main character is to meet his mother, while his ‘signifiers’ are the many women that he has brief relationships with. From this interpretation of Goldmund and his desire, you can see that Lacanian psychoanalysis is an effective and exceptionally useful way to approach critically examining literature.