Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Beowulf as an heroic poetry
Monsters and the other beowulf
Discuss beowulf as an epic poem
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Beowulf as an heroic poetry
The epic poem of Beowulf is full of ambiguity. Over the years it has become a subject over significant debate. Readers argue over the significance and the meaning of several of the events that happen throughout the poem. Such is the case for one of the readers, J.R.R Tolkien. Tolkien makes a clear argument over his beliefs over Beowulf in his article “Beowulf: The Monsters and the Critics”. Much like everybody else Tolkien has his beliefs and interpretation of the events that take place in Beowulf.
In his article Tolkien makes an argument over his beliefs of Beowulf. His main argument is that he believes that many critics make a crucial mistake by ignoring the monsters in the poem. He believes that these monsters are just as crucial as Beowulf himself is to the poem. In order to back up his claim he uses different examples of monsters Beowulf has to go up against. He discusses Grendel and the dragon. Both are monsters that Beowulf has to face and by defeating both foes it makes him look stronger and more heroic. Throughout the article Tolkien discusses several subjects of debate and his take on them. For one he believes Beowulf is more than just a historical piece but rather it is a piece of art. He believes it is serves a better purpose serving as a work of art rather than being a historical document. Afterwards
…show more content…
he begins to mention its historical significance of the poem and how the poem is structured. Tolkien provided many interesting and unique ideas in his criticism over Beowulf however one that significantly sticks out is his claim that Beowulf, “…is not an ’epic,’ not even a magnified ‘lay’"(Tolkien).
Tolkien makes this argument and even discusses how it is an elegy at best. This is unique as the poem is by many considered to be epic but here Tolkien is saying otherwise. Tolkien believes this poem does not quite match up with the true definition of an epic. He believes in an epic the hero is made to look strong and should not die which is not what happens in this poem. He believes an epic is special and Beowulf does not quite reach that
standard. Tolkien is wrong here because Beowulf can be best categorized as an epic poem. An epic poem is a poem that demonstrates the heroic deeds of an individual. Epic poems also tend to showcase the culture of the poet. Beowulf has all of these qualities and thus should be considered an epic poem. Beowulf’s heroics is clearly discussed within the poem when the narrator describes him as, “… a good man who had gone repeatedly into combat and danger and come through”(2543-2544). This is able to demonstrate that Beowulf had repeatedly gone to battle and fight to save his people. It shows that Beowulf not only had one heroic feat but rather it was a reoccurring thing. A specific example of a heroic deed Beowulf does is when he dies at the end while still managing to conquer his foe. Beowulf dying at the end does not necessarily have to make him look weak rather his demise serves as a warrior’s send off. He died while doing what he does best, conquering his foes and protecting others. That clearly demonstrates Beowulf’s heroic deed. Overall Tolkien makes many assertions over the poem of Beowulf. Although he does make many good points he is not always entirely right such as in his belief that Beowulf is not an epic poem but rather an elegy. He also makes some claims and is able to support them such as Beowulf not being a historical document and his main argument that the monsters are essential to the poem. Tolkien like most readers of Beowulf bring up excellent assertions and interesting talking points. “Beowulf: The Monsters and the Critics” analyzes Beowulf really in depth and brings up really interesting ideas.
Frank, Roberta. “The Beowulf Poet’s Sense of History.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Beowulf is steeped in a pagan tradition that depicts nature as hostile and forces of death as uncontrollable. Blind fate picks random victims; man is never reconciled with the world. Beowulf ends a failure. There is some truth in this conclusion, but for the most part, someone who didn’t have a well-lived life has most likely portrayed it.
In the length of the poem, Beowulf goes from abandoned child to gallant warrior to King. This transformation, expressed in the tone and content of the poem, shows the importance of the relationship between lord and thane and expresses the ultimate value of that connection. From the difference in battle scenes to Beowulf’s speeches, it is clear that he has gone from a somewhat self-loving hero to a selfless king. Within this change he also goes from serving a lord to becoming a lord, and in that way the poem shows us the importance of both sides of the relationship.
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
Early in the poem, Beowulf hears accounts of Grendel’s destruction of Herot, Hrothgar’s majestic mead hall. Knowing his strength and military prowess, Beowulf immediately devises a plan, recruits men, and orders boats, thrusting himself into a battle that was not necessarily his to fight. Beowulf felt obligated to end Grendel’s reign of terror. Though he knew the death of Grendel would bring him fame and honor, the idealized Beowulf was able to set aside personal ambition in order to end the suffering of the Danes. Shortly after slaying Grendel, Beowulf again displays an awareness of duty when Grendel’s mother extracts revenge upon Herot, killing one of Hrothgar’s best men, Aeshere. Instead of leaving Herot in a state of frenzy, Beowulf comes to King Hrothgar’s side, pledging allegiance and service. Bolstering the defeated king’s moral, Beowulf boldly addresses the older King Hrothgar saying, “So arise, my lord, and let us immediately set forth on the trail of this troll-dam. I guarantee you: she will not get away, not to dens under ground nor upland groves nor the ocean floor. She’ll have nowhere to fall to. Endure your troubles to-day. Bear up and be the man I expect you to be.” Beowulf could not set aside his duty and obligation, though he knew full well the suffering and pain that might result from his actions. Thus, Beowulf is a portrait of
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
Several differences exist in the Modern day movie Beowulf and Grendel (Gunnarsson) and the Old English Epic Beowulf (Heaney). These differences can largely be attributed to the discrepancies in cultural values that exist between the medieval mind and that of the modern man. One of the main differences between them involves the characters’ personalities and attitudes. We can see this characteristic, particularly in Beowulf himself, mainly because in the epic his perspective reflects his limited understanding regarding the relationship between evil and good. Likewise, in the movie Beowulf and Grendel, the viewer sees a Beowulf who learns to possess an outlook on life that suggests a more complex
Beowulf begins with a history of the Danish kings. Hrothgar is the present king of the Danes. He builds a hall, called Heorot, to house his army. The Danish soldiers gather under its roof to celebrate and have fellowship with each other. Grendel, who lives at the bottom of a nearby swamp, is awakened and disgusted by the singing of Hrothgar's men. He comes to the hall late one night and kills thirty of the warriors in their sleep. For the next twelve years Grendel stalks the mead hall known as Heorot.
In the novel, there is a whole different representation of the character Beowulf, he is viewed as a conniving snake that is feared by his fellows. People see him in an unsettling manner, with tense attitudes, and resented feelings. “The Danes sat sulking, watching the strangers eat, wishing some one of them would give them an excuse to use their daggers.
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
Beowulf is an interesting story in that it has a meaning that is firmly rooted in fantasy creatures based in mythical origins while providing insight into religious ideals and practices of the time. It also speaks of tradition and the struggle of man against things perceived as evil. In this tradition especially, Beowulf is an incredible allegory regarding the struggle of good and evil in the Christian tradition.
Symbolism is the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or ideas. Symbolism is one of the most common practices of writing, and has been used for centuries. Symbols can often tell a story better than a human can because of there deeper meaning. When epic poems became popular during the Anglo-Saxon period they were filled with harrowing tales of bravery, and courage. Epic poems are long narrative poems that often have characters facing impossible tasks and still finding courage to defeat them. While many marvel at the original Anglo-Saxon dialect of Beowulf, Seamus Heany's modern English translation allows all readers to enjoy this tale.