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20th century gender roles in literature
20th century gender roles in literature
20th century gender roles in literature
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Alexander Pope may have been the adversary of female behavior the extent of this has long been in question. The writer’s satirical style towards the women of his era is evidence of his opinions. However, there are noticeable facts that generate a swaying effect on Pope’s views and the meaning of The Rape of the Lock. These details consist of the author’s personal life and symbolism contained in his mock epic poem, including the voices of Bella and Clarissa, which is an indication that he may not have had the hardened heart towards women that everyone assumed he had. While any evaluation on Alexander Pope’s personal opinion will conclude with a questioning of who he truly was behind his literary persona, a thorough research provides solid evidence on his personal beliefs towards the women of the Eighteenth Century. Through a comprehensive study on the behavior of women in the Eighteenth Century, Pope’s characters in The Rape of the Lock, and his personal background, the writer’s ability to critically tear down a female’s role in society will be clarified and condoned, with the idea that his attitude was merely an expectancy he had of women that they never implemented.
In fulfilling this opinion of Alexander Pope, research is studied to define the women of his time. Women of the Eighteenth Century had standards to live by that developed an environment of constraint and manipulation. The severity of a woman’s behavior around the Eighteenth Century is expressed in many conduct manuals of this era; the purpose of a manual is to teach a woman how to follow methods in order to be the desire of a man (Jones 14). The frivolous qualities that females seemed to exude so easily were learned through lessons such as the conduct manuals but a...
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...Alexander Pope. Manchester, UK: Manchester UP, 1998. Print.
King, Elizabeth M. The Rape of the Lock and Other Poems: Notes. London: Macmillan, 1921. Print.
Pope, Alexander, and Howard Erskine-Hill. Alexander Pope: Selected Letters. Oxford [England: Oxford UP, 2000. Print.
Pope,Alexander.The Rape of the Lock. Norton Anathology of English Literature. Eighth ed. New York: W.W. Norton &, 2006. 1136-1154. Print.
Rumbold, Valerie. Women's Place in Pope's World. Cambridge: Cambridge UP, 1989. Print.
Thomas, Claudia N. Alexander Pope and His Eighteenth-century Women Readers. Carbondale: Southern Illinois UP, 1994. Print.
Vendler, Helen. Poets Thinking: Pope, Whitman, Dickinson, Yeats. Cambridge, MA: Harvard UP, 2004. Print.
Wall, Kathryn. "The Unveiling of the Dressing Table in Pope's Rape of the Lock, I. 121." Notes and Queries 2nd ser. 53.251 (2006): 196-97. Print.
During this time period women were not respected at all and were belittled by all med in their lives. Even though men don’t appreciate what women they still did as they were told. In particular, “Women have an astoundingly long list of responsibilities and duties – th...
Welter, Barbara. “The Cult of True Womanhood: 1820-1860.” Nineteenth Century Literature March 1966: 102-106. Jstor. On-line. 10 Nov. 2002.
Carleton- Munro, Dana. The Speech of Pope Urban II. At Clermont, 1095. The American Historical Review. 11. no. 2 (1906): 231.
In terms of gender ideals of medieval society, the main characters in the story are very conventional. To begin with the story meshed nicely with the social conventions that Gayle Rubin explains in Traffic of Women. Accor...
Alexander Pope was born May 21, 1688, in London. His father was a cloth merchant living in London, both his parents were Catholic. It was a period of intense anti-Catholic sentiment in England, and at some point Alexander's family was forced to relocate to be in compliance with a statute forbidding Catholics from living within ten miles of London or Westminster. They moved to Binfield Berkshire where Pope's early education was affected by his Catholicism. The Catholic schools were illegal but, they were allowed to survive in some places. Prior to his move to Binfield Pope spent a year at Twofold, where he wrote "a satire on some faults of his master," which led to him being whipped and beaten until he became ill. Then once again he was taken from his family.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
Goblin Market” was considered to be a fairy tale however the poem had various erotic exploration of sexual fantasy, commentary on capitalism and the Victorian market economy. It is also interpreted about temptation, yearnings and atonement. On the other hand, “The Rape of the Lock” commented on human vanity and the custom of romance as Pope inspected the abused position of women. He’d pointed out that society recognized the upper class in a serious manner however they are in a frivolous manner. He’d used the poem to mock the noble and their lifestyles. “Goblin Market” and “The Rape of the Lock” related to each other as both poems have a significance of victimhood and hair being cut off.
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon she calls antilove that I have found helpful in defining the social hierarchy of women and relationships between them in the novel. In addition, Cixous addresses the idea of woman as caregiver, which can be illustrated through the character of Janie in Their Eyes Were Watching God. On the other hand, Luce Irigaray discusses the different modes of sexual desire of men and women in her essay, “The Sex Which is Not One.” Many examples supporting and refuting her claims can be found in the novel. According to Cixous, the most heinous crime committed by men against women is the promotion of antilove. “Insidiously, violently, they have led [women] to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs” (1455). Their Eyes Were Watching God offers many examples of women in vicious contention with one another, usually involving or benefiting a man. Janie is confronted by the malice of her female neighbors in the very first chapter of the novel, as she arrives back in Eatonville after her adventure with Tea Cake. “The women took the faded shirt and muddy overalls and laid them away for remembrance. It was a weapon against her strength and if i...
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
Alexander Pope and Jonathan Swift in their respective poems, The Rape of the Lock and The Progress of Beauty, offer opposite representations of the nature and function of cosmetics in eighteenth century society. In The Rape of the Lock, Pope gives a positive representation of cosmetic’s nature and function in eighteenth century society. On the other hand, Swift’s representation takes a very negative tone. Both poets clearly appreciate and admire the natural beauty of a woman and their opposite opinions and therefore representation of the nature and function of cosmetics, springs from this admiration. Pope, whilst slightly ridiculing cosmetics through his use of satire, represents cosmetics in a positive light through portraying it as something which can enhance natural beauty. Swift vehemently opposes cosmetics in his poem and his representation of the nature and function of cosmetics in eighteenth century society is a direct contrast to Pope’s. He represents cosmetics as something not that enhances natural beauty but as something that destructs the natural beauty of a woman. Essentially in their poetry, Pope represents cosmetics as having a positive nature and function in eighteenth century society and Swift represents cosmetics as having a negative nature and function in eighteenth century society.
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?
J. C. Moore (ed.), Pope Innocent III and his World (Aldershot: Ashgate, 1999) C. Morris, The Papal Monarchy: The Western Church from 1050 to 1250
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
“The rape of the lock” is a satiric poem which treats a trivial subject, with the sophisticated language and heroic style of the classical epic. Pope addresses a variety of ideas ...
"The Rape of the Lock." The Norton Anthology of English Literature. Eds. Stephen Greenblatt et