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Alan Ayckbourn’s Concerns in Gosforth’s Fete and How He Achieves Them “Gosforth’s Fete” is the fourth play in a collection called “Confusions”. The collection consists of five plays which are loosely linked and bring out various issues and concerns. All five of the plays share a common concern: relationship breakdown. The plays were set and written in 1977 by Alan Ayckbourn, one of the most creative and productive writers in England at the time, having written on average, one full-length play or comedy since 1965 up until 1986 where he took a two year break to direct and run a company at the National Theatre in London, returning to work in 1988. Alan Ayckbourn’s technique is to usually take an ordinary situation and setting and play with it for entertainment, while drawing his attention to his serious concerns and heightening the awfulness of the concerns through comedy. I chose to write about “Gosforth’s Fete” because Alan Ayckbourn shows his technique well in this play. Anything that can go wrong in the preparations for the fete does so, the same occurs between the people who try to put on the fete. This method of writing is called parallel structure. The play, which takes place in a marquee, has five characters: Mrs Pearce, the councillor; who is doing a talk at the fete. Milly, who helps organize the fete; Gosforth, who is responsible for the whole fete; the vicar, who helps out, and finally Stewart, a scout, who is Milly’s fiancé and is in charge of his boy scouts, the wolf cubs who are meant to present a show at the fete. The play uses comedy as its medium through intelligently placed sentences, irony and actions. The play kicked off in comedy with the wolf cubs throwing stones at a caravan, and then it set off from there, getting more explicit, climaxing in them breaking a scaffolding a torturing a pig. The whole ‘concept’ of the play is ‘everything going wrong’; from the smallest things like it raining to councillor Pearce getting electrocuted. In this play many concerns are brought forward subtly, some serious,
The play is set around the late 1940s and throughout the 50s on the south side of Chicago
The play consisted of five characters: Marty, James, Schultz, Theresa, and Lauren. Marty and James are a couple; they knew each other through a wedding, Theresa is a former actress who ran away from the competitive New York, Schultz is an awkward carpenter who just got divorced, and Lauren is a sixteen year old girl who dreamed of becoming an actress. Marty who is the teacher started the class, but the students participated in the class’s activities
This paper is a critique of a production of The Last Night of Ballyhoo, a play written by Alfred Uhry, which was performed and produced by the Ball State University Theatre. Gilbert L. Bloom directed the production and was very successful with producing a truly entertaining, comedic play with an important message about the personal dilemmas that we as individuals with different beliefs and values must encounter in our daily lives.
'The Rez Sisters won the Dora Mavor Moore award for the best play in 1986-87 and later went on to earn extravagant praise at the Edinburgh Festival.'; (P. 172 Native Literature in Canada.) The play is full of comedy, trag...
Twelfth Night, written by Shakespeare between the years of 1599 and 1601 (“Shakespeare-Online”), is easily one of his most well-known plays. A year after the assumed date of publication, on February the 2nd of 1602, Twelfth Night was performed for the first time (“William-Shakespeare)”. The location of the production is thought to have taken place in the Middle Temple, which was one of four law schools within London that were known as the Inns of Court (“Shakespeare-Online”). Though some would classify Twelfth Night as generic, it is laced with a sharp sense of humor and controversial concerns that can easily be applied to the issues of present day. Many of these issues, such as marriage, gender identity, sex, homosexuality, and social ambition, are relevant in today’s society, making them easy to relate to. The central theme of the play is romance. The characters all experience love, in one way or another, whether it be unrequited or shared between more than one person. The plot is intricately woven, sometimes confusingly so, between twists and turns throughout the multiple acts, but it never strays too far from the subject of adoration. Despite the hardships, misperception and deceit the characters experience, six individuals are brought together in the name of holy matrimony in three distinct nuptials.
The language in this written is in the apropeiet of the year wher this story talk about, and is popular written. It is very easy to understend for all age who watch the play and is a stage as comedy should be. The language is funny, and it doesn't let you stop laughing. It is a wild and wacky farce and rolling audience with echoing. To many part of pras we can remember and use as a comic tops of our dicenery and in the recent memory.
Another symbolic part of the play is when the men overhear the women talking about Mrs. Wright’s quilt, wondering if she was going to quilt it or knot it, and they laugh at them. Mrs. Hale is immediately offended by the way they laughed at them where Mrs. Peters is apologizing for them because "they have a lot on their minds".
The play was written in the 1945 but is set in 1912. The 1910's was a
short summary of what the play is about. The chorus is in the form of
The play’s major conflict is the loneliness experienced by the two elderly sisters, after outliving most of their relatives. The minor conflict is the sisters setting up a tea party for the newspaper boy who is supposed to collect his pay, but instead skips over their house. The sisters also have another minor conflict about the name of a ship from their father’s voyage. Because both sisters are elderly, they cannot exactly remember the ships name or exact details, and both sisters believe their version of the story is the right one. Although it is a short drama narration, Betty Keller depicts the two sisters in great detail, introduces a few conflicts, and with the use of dialogue,
Now that the play, “Post-its (Notes on a Marriage),” could make the audience react to feel distanced and questionable of the actions of the characters, how can that relate to everyday life? traits of the play Post-its (Notes on a Marriage) through staging and conversation,
says, "Oh my God, I thought we'd never get rid of him" just before the
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
On stage, these points were, looking at the opinions of a majority of both the audiences and the critics, presented successfully by Brook and the cast he worked with. From the prison guards who loomed in the background, clothed in butcher aprons and armed with clubs, to the half-naked Marat, slouched in a tub and covered in wet rags, forever scratching and writing, to the small group of singers, dressed and painted up as clowns, to the narcoleptic but murderous Charlotte Corday, Weiss and Brook offered a stage production that both engaged and amazed the audience, while at the same time forced them to question their role as the audience; no better exemplified than at the very end of the play, where the inmates, standing menacingly at the edge of the stage, actually begin to applaud the very people who applaud their performance, aggravating and confusing some, but forcing most t...
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.