Alan Ayckbourn’s Concerns in Gosforth’s Fete and How He Achieves Them

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Alan Ayckbourn’s Concerns in Gosforth’s Fete and How He Achieves Them “Gosforth’s Fete” is the fourth play in a collection called “Confusions”. The collection consists of five plays which are loosely linked and bring out various issues and concerns. All five of the plays share a common concern: relationship breakdown. The plays were set and written in 1977 by Alan Ayckbourn, one of the most creative and productive writers in England at the time, having written on average, one full-length play or comedy since 1965 up until 1986 where he took a two year break to direct and run a company at the National Theatre in London, returning to work in 1988. Alan Ayckbourn’s technique is to usually take an ordinary situation and setting and play with it for entertainment, while drawing his attention to his serious concerns and heightening the awfulness of the concerns through comedy. I chose to write about “Gosforth’s Fete” because Alan Ayckbourn shows his technique well in this play. Anything that can go wrong in the preparations for the fete does so, the same occurs between the people who try to put on the fete. This method of writing is called parallel structure. The play, which takes place in a marquee, has five characters: Mrs Pearce, the councillor; who is doing a talk at the fete. Milly, who helps organize the fete; Gosforth, who is responsible for the whole fete; the vicar, who helps out, and finally Stewart, a scout, who is Milly’s fiancé and is in charge of his boy scouts, the wolf cubs who are meant to present a show at the fete. The play uses comedy as its medium through intelligently placed sentences, irony and actions. The play kicked off in comedy with the wolf cubs throwing stones at a caravan, and then it set off from there, getting more explicit, climaxing in them breaking a scaffolding a torturing a pig. The whole ‘concept’ of the play is ‘everything going wrong’; from the smallest things like it raining to councillor Pearce getting electrocuted. In this play many concerns are brought forward subtly, some serious,

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