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Legal drinking age
Media influence on juvenile behaviors and attitudes
Legal drinking age
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A minor or adolescent is required to meet a specific age qualification in order to reach or fulfill specific age limitations. Age restrictions range from age of consent, intoxication and movie permittance. The legal age to see specific restricted movies vary from each citizen. Films that are considered R-rated are assessable to seventeen year olds with adult supervision, and eighteen and older by oneself or accompanying a group. A common viewpoint is that young adolescents or teenagers under the age of seventeen should not be permitted to see content depicted in R-rated movies. Restricted movies contain graphic images that contain scenes such as intoxication of drugs or alcoholic beverages, sexual content, gore or violence, strong political …show more content…
Restricted or R-rated movies, are an omnipresent source of entertainment for adolescent and adults. Restricted movies are a source of entertainment and art as on par with Parental Guidance-13 (PG-13) and General (G-rated films). Teens exposed to content in R-rated movies create exposure to increase maturity. Young adolescents under the age of seventeen should be permitted to watch R-rated movies for the understanding that it is a form of entertainment and art. The legal age to be permitted to view Restricted films should be lowered to younger adolescents. Movies rated PG-13 are similar in context to a film that is Rated R. PG-13 movies often contain alcoholic content and or graphic scenes of violence. Films rated for teens thirteen and older [PG-13] are estimated to contain an equal amount of intoxicants as an R-rated film (Cin,Worth,Dalton, and Sargent 1931). Films meant for young adolescents contain a corresponding amount of alcoholic intoxicants in par with Restricted movies. Young adults are exposed to the same content produced in an R-rated film. This states that children thirteen and
A young mother has decided to take her children to see the latest blockbuster to grace the silver screen. Her two children, both boys, are aged 9 and 11. She is aware that the film they are going to see, the critically acclaimed Batman movie, The Dark Knight Rises, is rated PG-13 but sees no problem with her kids seeing it. The rating states that “some material may be inappropriate for children under 13” and that “parents [should be] strongly cautioned” (Ratings Posters). But what could be so inappropriate in a Batman film that would require her parental guidance? For the following two and a half hours, images of dead bodies, grisly gun violence, and murder as well as implied sex, numerous profanities ranging from damn to a partially enunciated use of fuck, themes of terrorism and a world absent of law and order are shown to the gleaming, action hungry eyes of pre-teens. The mother leaves in utter disbelief that she had just witnessed numerous neck-snappings, head shots, and brutal beatings alongside her children. Movies these days are not what they used to be. Even the modern superhero film can be filled with graphic violence, ear splitting profanity, an abundant amount of sexual material, increasingly dark themes, and still be given a PG-13 rating. As a result of the excessive tolerance exhibited by the Motion Picture Association of America (MPAA), films are being allowed to contain more explicit material than ever before and younger generations are being exposed to mature subject matter outside of their understanding.
Although Valenti and the Rating System's advocates claim that parents should have the final choice in what their children view, the system may, in practice, obstruct that purpose for parents who decide that their children should see some films. For films with the controversial NC-17 rating, the theatre is prevented from letting young John Small and his under-aged ilk from seeing a film despite his parents' permission. In fact, had John actually been accompanied by his parents, the theatre would have had every right -- some would even say responsibility -- to refuse his admission. The printing of the NC-17 rating often does not read -- as would be reasonable -- "Intended for Adults Only" but rather the more rigid "Not to be Attended by Children Under Seventeen.
The MPAA rating system is outdated. The recent advances in technology allow children to see movies regardless of the rating. The rating system worked well for the early years, but recently “kids slip into the movies they want to see. . . . They also see them at home on widely available DVDs, on cable, and via popular streaming services like Netflix and Amazon” (Ebert 2). Even when kids go to the theater to see movies they can “theater hop” or buy a ticket to a low rated movie and slip into the R rated film of their choice. DVDs and the Internet both provide ways for kids to watch movies that contain objectionable material. Websites that offer the o...
Despite the fact that the ACB admits adults should be able to watch, play and read what they want, the sole criterion provided for RC classification is “content that is very high in impact and falls outside generally accepted community standards.” (Australian Classification Board, 19/5/2013).... ... middle of paper ... ...
Many Americans love films, the meanings behind those films and the impact some films have on people’s lives. Ever since films were created there have been people and organizations that have tried to censor and block what the public can and cannot see. Even to this day there are certain things that if put on film because of censorship, would never make it to the public. This is very sad. Film is one of this country’s great expressive outlets. Many filmmakers and the people who enjoy what these filmmakers put out are effected by the horrible concept of censorship. When a film is put out to the public it is first reviewed by a movie rating board who then assigns the film a rating to tell people what age groups the film is suitable for and what the film contains. Movie selection for minors should solely be the responsibility of that child’s parent, not some critic that watches films and then makes decisions for other people about who can watch it and who can’t. People just need to start to understand the real meaning of free speech and expression in this country. Too many people are taking it for granted. People who are for the censorship of films may argue that it’s for the good of our children, shielding them from violence and sex, and not exposing them to something that they claim may be mentally harm...
The ESRB rating system was created in 1994 in response to violent video games like Doom, Mortal Kombat, and Night Trap. The ESRB rating system is meant to protect those under the ages of each rating, eC (Early Childhood) through A (Adult, 18+). While it is not illegal to sell Adult or even Mature games to minors, most retailers like Gamestop and Target refuse to sell them to those under 18. Also, console manufacturers will usually not allow a game to be produced if it is unrated, or if it refuses to be rated. The ESRB rating system is a system that rates games based on how ‘adult theme...
Youth have a certain quality and charisma that has made making films about them not only an interesting endeavor but also fundamental to cinema (Shary, 2002). Representative of hope and change, children are viewed as the future. Youth culture, with its ‘here today and gone tomorrow’ kind of dynamic, suggests that children are also the future of film. For decades the film industry has relied on young audiences for patronage and also looked to youth for inspiration and just the kind of material that makes a relevant and refreshing script (Shary, 2002). Youth-oriented film has subsequently become a genre all its own (Shary, 2002). A history of American youth cinema would indicate no different. It is thus interesting to explore youth-oriented films and how films across time, namely Lolita (1962), Marathon Man (1976), Rain Man (1988), Kids (1995), and The Perks of Being a Wallflower (2012), have depicted youth culture, specifically the theme of “Coming-Of-Age.”
There is no doubt that movies entertain a person. However, over sexualized movies have the capability of poisoning minds which are easily shapeable-for example Fifty shades of gray. Children are told not to view it, however that does nothing to stop the viewing of the movie. Not only does it corrupt young minds it hands them unlimited access to the findings of adult
Just like movies and TV shows, video games have the same rating system based on age.
There are a total of four ratings that they show at most cinemas: G, PG, PG-13, and R. One would think that with so many different types of movies, there would be more ratings. Movies today have a very complex storyline and don’t want to give away any of the movie in the commercial. If there were more ratings you can tell what kind of movie it is and what is shown in the movie. For Example, the movie A.I. (directed by Stephen Speilberg) would be D_L-SC. This is because the movie is a drama, has language and has sexual content. If you saw that in a commercial rather than PG-13, you would have a better idea on if you wanted to see this movie or not.
Wyatt, Justin. “The Stigma of X: Adult Cinema and the Institution of the MPAA Ratings System.” Controlling Hollywood: Censorship and Regulation in the Studio Era. Ed. Matthew Bernstein. New Jersey: Rutgers University Press, 1999. (238-264).
Video games are a rapidly growing industry. There are nearly two games sold for every household in America each year (Anders 271). The vast majority of these are sold to adults, but there is no national law that prohibits minors from buying violent video games. A few states have legislation pending that will prevent this, but the fact is that minors do have access to violent video games. There is a voluntary rating system implemented by the ESRB, where games are rated based on their content. The games that are rated Mature are not supposed to be sold to anyone under seventeen and Adults Only titles, but “some retailers do not impose such limitations” (Anders 271). The bottom line is that minors do have access to these violent games.
middle of paper ... ... Madigan also talks about how censorship limits our maturity and as a part of maturing different aspects such as sex, violence, etc. are things that individuals must be prepared for (2006). This summer I saw The Call and it very explicit content, but the things that happened in the movie are real life situations. While watching, I learned different techniques to escape if someone tries to kidnap me, such as knocking the tail lights out of the truck and throwing things out.
...nst TV violence; they only regulate language and sexual content (Brown,2). The American television industry and movie industry are very prude regarding sex and language, but very permissive on the topic of violence. Many movies that have brief glimpses of nudity, or more than one use of profane language get rated R, yet action flicks with thousands of killings in them are rated PG-13 (Horn and Zeitchik, 2). Some question if the ratings would be more appropriate if the government established the regulations rather then the voluntary industry. Movies are rated by the Motion Picture Association of America, know also by the acronym MPAA. Television shows are rated by the network or broadcaster, that the show plays on. The Entertainment Software Rating Board (ESRB) rates video games but there are no set laws that prohibits children from buying games rated for adults.
Since the mid-1900s Iranian filmmakers have been subjected to strict censoring regulations imposed by their federal government. Due to this, filmmakers have discovered that they could create movies revolving around children to avoid these restrictions. This paper will critically examine the role of children in Iranian cinema with reference to the prolific, Majid Majidi’s Children of Heaven (1997). I. History of Iranian Cinema Before 1979, Iranian cinema was ignored by the country’s leaders.