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Media influence in society
Censorship in film and TV introduction
Censorship in film and TV introduction
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A young mother has decided to take her children to see the latest blockbuster to grace the silver screen. Her two children, both boys, are aged 9 and 11. She is aware that the film they are going to see, the critically acclaimed Batman movie, The Dark Knight Rises, is rated PG-13 but sees no problem with her kids seeing it. The rating states that “some material may be inappropriate for children under 13” and that “parents [should be] strongly cautioned” (Ratings Posters). But what could be so inappropriate in a Batman film that would require her parental guidance? For the following two and a half hours, images of dead bodies, grisly gun violence, and murder as well as implied sex, numerous profanities ranging from damn to a partially enunciated use of fuck, themes of terrorism and a world absent of law and order are shown to the gleaming, action hungry eyes of pre-teens. The mother leaves in utter disbelief that she had just witnessed numerous neck-snappings, head shots, and brutal beatings alongside her children. Movies these days are not what they used to be. Even the modern superhero film can be filled with graphic violence, ear splitting profanity, an abundant amount of sexual material, increasingly dark themes, and still be given a PG-13 rating. As a result of the excessive tolerance exhibited by the Motion Picture Association of America (MPAA), films are being allowed to contain more explicit material than ever before and younger generations are being exposed to mature subject matter outside of their understanding.
America needs the MPAA to censor itself, without it, the government can step in and excise whatever they deem inappropriate. At the start of the MPAA, 1922, United States Postmaster General Will H. Hays was appoin...
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...jective, then the parents also need to be subjective and judge whether or not their child should be able to see the film in question. However, with films, such as 2013’s raunchy The Wolf of Wall Street, containing record setting language, abundant amounts of nudity, and a gratuitous quantity of drug use, continuously pushing the limits and boundaries of what can be seen in a movie theatre, the MPAA has to not only classify what is in films, but make sure they are keeping kids safe and restricting the limits filmmakers can go to to make sure their motion picture can fit into the most financially suitable rating. The MPAA is not doing its job to keep the undeveloped minds of the youth of America from seeing the things that they are unable to handle and is creating a reality in which lives do not carry meaning, morals are not upheld, and life is just like the movies.
The author of “Hollywood, Stop Exposing Our Kids to Violence” claims that filmmakers need to stop producing violent movies. The article argues that many children pick up bad habits from watching violent
This brings about another issue: children’s protection from this kind of content. More needs to be done to protect children’s eyes from inappropriate things on the TV, billboards, music, and other forms of media. Unfortunately, because society has gone as far as it has today, it will be very difficult to take a step back and re examine the effects violent media will have on children. People seem to care less and less about what children see. The need for protection from this type of content relies solely on the parents. Parents must take it upon themselves to guard their children against things on the media that they should not be seeing. Parents should be given different options with technology to help monitor the content their kids are allowed to see and what they are
Nichols, John. ""Counbtering Censorship: Edgar Dale and the Film appreciation movement (critical essay)."." Cinema Jouranl. Fall 2006.
Although Valenti and the Rating System's advocates claim that parents should have the final choice in what their children view, the system may, in practice, obstruct that purpose for parents who decide that their children should see some films. For films with the controversial NC-17 rating, the theatre is prevented from letting young John Small and his under-aged ilk from seeing a film despite his parents' permission. In fact, had John actually been accompanied by his parents, the theatre would have had every right -- some would even say responsibility -- to refuse his admission. The printing of the NC-17 rating often does not read -- as would be reasonable -- "Intended for Adults Only" but rather the more rigid "Not to be Attended by Children Under Seventeen.
Is it moral that we let our government decide what we hear or say? We as God believing, naturally good, human beings should know the difference between what is good, and what is bad. I believe that's the greatest immoral act of all. Bibliography:.. TAKING CONTROL Adam Veness Essay College Prep English Bolton A 3 Americans hate the word censorship.
The MPAA rating system is outdated. The recent advances in technology allow children to see movies regardless of the rating. The rating system worked well for the early years, but recently “kids slip into the movies they want to see. . . . They also see them at home on widely available DVDs, on cable, and via popular streaming services like Netflix and Amazon” (Ebert 2). Even when kids go to the theater to see movies they can “theater hop” or buy a ticket to a low rated movie and slip into the R rated film of their choice. DVDs and the Internet both provide ways for kids to watch movies that contain objectionable material. Websites that offer the o...
It is the parents’ responsibility to guide their children in all of their activities. If parents fail to guide their children, or even go so far as to arm them, then parents are just as liable for the tragic end results as the video game developer who ‘taught’ the child to shoot a gun or a musician who told the child to “go kill yourself,” in a song lyric. Parents must realize that they are the most influential people in their child’s life from the day the child is born. It is up to the parents to try to teach their child the difference between fantasy and reality; how to interpret theatrics meant to sell tickets; how to interpret the true meaning behind seemingly violent content in their entertainment.
Many Americans love films, the meanings behind those films and the impact some films have on people’s lives. Ever since films were created there have been people and organizations that have tried to censor and block what the public can and cannot see. Even to this day there are certain things that if put on film because of censorship, would never make it to the public. This is very sad. Film is one of this country’s great expressive outlets. Many filmmakers and the people who enjoy what these filmmakers put out are effected by the horrible concept of censorship. When a film is put out to the public it is first reviewed by a movie rating board who then assigns the film a rating to tell people what age groups the film is suitable for and what the film contains. Movie selection for minors should solely be the responsibility of that child’s parent, not some critic that watches films and then makes decisions for other people about who can watch it and who can’t. People just need to start to understand the real meaning of free speech and expression in this country. Too many people are taking it for granted. People who are for the censorship of films may argue that it’s for the good of our children, shielding them from violence and sex, and not exposing them to something that they claim may be mentally harm...
Hollywood’s Blacklist developed out of complex social, political, and economical conditions. The Hollywood’s blacklist was a method utilized by the federal government to deny employment to many professionals in the entertainment industry, including but not limit to screenwriter, actor, producer, director, musicians, and animators. These professionals were “blacklisted” as a result of suspected political association with the Communist party. The manufacturing of the blacklist sprung out of panic and fear of communist reconnaissance as a result of many events that were taking place around the world such as the Soviet Eastern Europe, Berlin blockade, Chinese Civil War, confessions of high-ranking government officials of espionage for the Soviet Union, Korean War and , Atomic bomb,. The Hollywood’s blacklist was also a manifest of extreme paranoia related to the Cold War. Americans indentified a threat to their freedoms of society and democracy which facilitated a climax of intense anti-communist sentiment during the 1940’2 and 1950’s. This study will examine the creation and influence of the Hollywood’s blacklist on a political platform, and economical consequence, and a social exile of civil liberties.
That attitude Americans used to embrace was one that promoted strong morals. Racy material was a rarity, but more importantly, an attitude of acceptance of this material was even more scarce. Comedians on television did not rely on obscene language and movies did not rely on graphic sexual content for an audience. The media has become “the monster from which the decadence, violence, and rampant sexuality emerged”(Bouza 6).... ...
Today, our society likes to take time off to relax and watch a movie. Do you think it’s relaxing to watch people die and constantly be injured? Well most of the movies out today are violent. Even thought here are strict rating rules put on these movies, children are still seeing them. For example, The Power Rangers Movie. In this movie, five teenagers take on the roles of fighters. When kids view this PG rated movie they see how cool it is to kill other creatures and human beings. About three weeks after this movie was released in Chicago, two kids were playing power rangers; they decided to take the game a step further by involving pencils used as swords. This game ended with one of the two kids with serious incisions from the pencil. This situation could have easily been avoided if some of these movies were not so violently oriented.
Young children are exposed to violence every day. In TV shows, books, games, cartoons, movies, and the internet, violence is a part of everyone’s lives, but especially those of young kids. For example, recently Paramount Pictures released Hansel and Gretel: Witch Hunters, a weapon slinging twist on a classic fairy tale (McKay). In the movie they have people blow their own heads off with a shotgun. In retrospect this movie isn’t meant for children 13 and below, although kids would want to see a “fairy tale” like this. Young 10 year olds, today even ...
There is no doubt that movies entertain a person. However, over sexualized movies have the capability of poisoning minds which are easily shapeable-for example Fifty shades of gray. Children are told not to view it, however that does nothing to stop the viewing of the movie. Not only does it corrupt young minds it hands them unlimited access to the findings of adult
Today’s kids are growing up faster and maturing at a faster rate than ever before. Twenty years ago it would be impossible to show breasts in a PG-13 movie. Today, kids are being taught the fasts of life younger than anyone could of imagined. This is all due to older brothers, the Internet and schools teaching kids about sex at the age of twelve. If everything else is changing except the rating’s no one is going to obey the law.
Video games are a rapidly growing industry. There are nearly two games sold for every household in America each year (Anders 271). The vast majority of these are sold to adults, but there is no national law that prohibits minors from buying violent video games. A few states have legislation pending that will prevent this, but the fact is that minors do have access to violent video games. There is a voluntary rating system implemented by the ESRB, where games are rated based on their content. The games that are rated Mature are not supposed to be sold to anyone under seventeen and Adults Only titles, but “some retailers do not impose such limitations” (Anders 271). The bottom line is that minors do have access to these violent games.