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Beowulf symbolism essay
What symbolism is used in beowulf
Themes and symbols of beowulf
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In “Beowulf”, the author employs the use of various, mystical beasts in order to heighten a connection with human emotion. The author crafts messages of bravery, loyalty, and strength in order to illustrate the ability that humans have to face adversity.
In “Beowulf”, the author is determined to make his protagonist appear as powerful as he is hardworking. Grendel, his mother, and the dragon stand to represent various challenges of physical, mental, and moral audacity. Grendel’s mother, known also as a “hell-dam” (1292), fights aggressively although not as much physically as she did mentally. In “Beowulf”, the reader is expected to accept the existence of monsters and demons, but the author did not decide this for mere entertainment value.
Grendel’s mother symbolizes a mental battle, and one that Beowulf must be wise in as to accomplish his ultimate goal: slaying the “hell-dam”,. While in the historical sense of this tale many would believe in monsters, the reality is that they were not a party of the common physical world, so suspension of disbelief results in more of the audience’s mind focusing on the characters and theirs traits which shape “Beowulf”. Further reasoning concludes that Beowulf’s heroic traits, such as his mental agility, are heightened by his unpleasant encounter with the drunk Unferth, who is overwhelmed by emotions of discontent and distrust. Beowulf, who is challenged by a thane of the name Unferty, informs him of his “cleverness and quick tongue” (588) and how it will guide him into “suffering damnation in the depths of hell” (589) should he proceed with his arrogance. Beowulf is disgraced by the thane’s retelling of the race with Breca, but the hero calmly asserts his strength as he continues his boast, expressing his pride in clearing the sea of monsters. In doing so, Beowulf displays his reverence for charitable actions over proclaiming victory, a characteristic seen as noble and well-intentioned. However, “Beowulf”, while the legend of a powerful leader overcoming intense situations is also tailored to an audience of much different opinions. The author of this piece remains a mystery to this day. However, many professors have made the inference that the author was a Christian monk from Northern Europe in the mid 700s. This detail would heighten the reason for the awkward inclusion of Christian values, such as when Beowulf completes his strife with Grendel’s mother victoriously, proclaiming the Lord “often helps the unbefriended” (1662). Rather than boasting his achievements as was expected of Anglo-Saxon warriors, Beowulf goes to thand his achievements to God. The historical pressure, such as the fact that Europe was undergoing a rapidly spreading conversion to Christianity, would have made a more accurate representation of Anglo-Saxons and Pagans complicated to complete. Also, Beowulf only mentions victories over the beast after this, making it apparent that the genuine characters could have been warped to conform to standards that exemplify heroic code, but not to a full extent. Nearing the story’s conclusion, Beowulf harks with his unknowing last boast that he will “pursue this fight for the glory of winning” (2513-14) and permitting the safety of his people.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
“Staring at his grotesquely muscled shoulders--stooped, naked despite the cold, sleek as the belly of a shark and as rippled with power as the shoulders of a horse--I found my mind wandering...He was dangerous” (155). Even from the first day Beowulf showed up at Hrothgar’s kingdom, Grendel knew he was dealing with something worse than a hero. Once they finally start to battle, the monster in Beowulf is fully revealed to Grendel and Grendel sees again the stupidity and meaninglessness in the human’s definition of a hero.“Grendel, Grendel! You make the world by whispers, second by second. Are you blind to that? Whether you make it a grave or a garden of roses is not the point. Feel the wall: is it not hard?...Hard, yes! Observe the hardness, write it down in careful runes. Now sing of walls! Sing!” (171). Beowulf forces Grendel to make a fool of himself and unlike Unferth who longs for a heroic death, Beowulf knows he is going to win and has no desire to die. His mindset of victory, groups him with monsters who have one goal, to kill and never be killed. This shatters the Anglo-Saxon ideals of heroism and in Grendel’s death, when he is surrounded by oblivious creatures who don’t have a purpose, the meaninglessness of it all, including the meaninglessness of heroic deeds becomes evident to the
Have you ever wanted to avenge a wrong doing done unto you? Well, the characters in Beowulf will stop at nothing to achieve vengeance. Revenge is so immensely practiced that it is a common act to pay of a deed done by an offender. However, a payment or truce does not satisfy the desire for revenge in the Poem. Every time a Character precedes to make peace, it eventually falls apart by a desire to avenge loved ones. This desire is usually upheld until someone is no longer left to be avenged or no one is left to avenge those whom they loved. This, although it may not seem so, happens commonly in this epic.
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
direction is like trying to hit a cloud with a bow and arrow. A hero is also
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
Have you ever been in a situation where you had to face many adversities that came your way? Or have you been put into a predicament where your loyalty was being put into question by the people who meant the most to you? Many people will end up in situations where they don’t know what the correct resolution will be; that will cause them to get out of character and do things that they normally wouldn’t do. This sometimes causes consequences to humans to have to betray their loyalty to someone who means a lot to them. However, how can one ultimately overcome the adversities that they are faced with? Beowulf translated by Burton Raffel is the first English Literature masterpiece that became well known. The
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
In the epic Beowulf, the reader can clearly find the very distinct conflicts, although some go unnoticed. This poem came to be around the birth of Christianity and the dying out of paganism. In Beowulf, the battles between the monsters and the warriors are interpreted as a battle between the old way of faith and the coming of Christianity. Beowulf himself comes across many conflicts of his own. A literary critic, Alfred Bammesberger, analyzed the person who gives Beowulf the idea to go to Herot and fight Grendel, “.... Beowulf wanting to fight single-handed and challenge Grendel based on the information he had given to his uncle, the Great King Hygelac” (Bammesberger). The Danish king asks not for help however, Beowulf goes anyways. While he has many physical battles with enemies, he also has internal conflicts that seem to hold heavy in his mind. These conflicts include but are not limited to, “Battle of Grendel”, “The Battle with Grendel’s Mother” and “The Last Battle.”
In contrast, Beowulf is seen as a hero, even when exemplifying the violent and dangerous qualities the dragon is feared for. Anglo-Saxon society prized loyalty, personal valor, and fame. In order to be a hero, one must recognize the need to act, and not shy away from it. The dragon, based on that definition, embodies the Anglo-Saxon idea of a hero: it is loyal to its cause, it is a good warrior, and it recognizes the need to act. It even has a sense of justice and a sense of wrong, shown by the way it reacted to the theft of the chalice. The dragon becomes vengeful and defensive, using cruelty as a means to correct the wrong. Described as “the guardian of the mound” (2302), the dragon’s intent is identical to Beowulf’s. Beowulf is seen as a hero not only because of his actions, but because he is human. The only thing that makes the dragon different is its inhuman qualities, and therefore it is a monster, a “ground-burner” (2713). Heroism in Anglo-Saxon society is a concept embodied by warriors and guardians, who would vie to be the most well-known. Heroism, to the Anglo-Saxons, is an excuse to use cruelty as a way to further one’s fame. It is a social crutch of sorts, leaned on for the vain chance to be immortal. When Beowulf agrees to fight the dragon, it is to have a heroic death, so he may be remembered. In the battle, just as with Grendel and Grendel’s mother,
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
In Beowulf’s younger years, he personified all of the best values of the heroic culture when saving another kingdom from their demons. Beowulf’s willingness to sacrifice his life in order to save strangers his father owed a debt to is quite selfless. His bravery comes into play when he remains unchanged in his resolve even after hearing of all the King’s men and subjects slain by the beast.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Living in old days is definitely challenging. Wars are just usual. The story of Beowulf show the way of life long time ago. In order to get power you must be courageous enough to handle your people.