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Relationship between Adam and Eve in Paradise Lost
Relationship between Adam and Eve in Paradise Lost
Different gender roles between men and women
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Man above woman, or woman above man? For the entirety of human civilization, this question of gender hierarchy has been divisive issue. Regardless, Milton does not hesitate to join the heat of the battle, and project his thoughts to the world. Since the publication of Paradise Lost, many of Milton’s readers have detected in his illustration of the prelapsarian couple, particularly of Adam, a powerful patriarchal sentiment: “he for God only, and she for God in him” (Milton, IV.299). In essence, this idea declares that Adam and Eve possess unequal roles – Adam is better than Eve, as men are better than women, in accordance to the deeply conventional reading of the relations between the sexes. Eve’s purpose for Adam makes her less spiritually pure and thus farther removed from God’s grace.
Throughout literature, especially in Milton’s time, the gender disparity between men and women has been unfairly defined: men are reasonable and therefore should lead, while women are passionate and thus should be led. However, these roles have often been misinterpreted, and have resulted in the idea that only men are reason manifest, while only women are passion incarnate. For example, in The Life and Loves of a She-Devil, Bobbo is rational in his approach to solving problems – count everything in monetary value – while Ruth often cries and evokes great emotion when facing struggles (Weldon, 20-24). However, Milton does not support this conventional idea of gender roles, as oftentimes Eve takes on Adam’s role as the voice of reason in sustaining the Garden of Eden, and vice versa. In Paradise Lost, Milton refutes the hieratical construct of gender inequality, by reversing the roles of Adam and Eve in terms of reason and passion, and instead prop...
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... God’s creation in her eyes. Equally, by embodying reason, Eve is able to gain the benefits of knowledge through experience, thus bringing her closer to Adam and God. Finally, in my examination of the Paradise Lost, I could not perceive Milton’s patriarchal or misogynist sentiment, as do many of his readers. Eve’s virtues are not inferior to Adam’s, and Adam has to learn some of her virtues, as she has to learn his. In this way, Milton does not stratify the value between male and female; they are simply human. Although the question of gender hierarchy may never be aptly answered, Milton in Paradise Lost states his controversial estimation of the ideal gender relationship – equality.
Works Cited
Milton, John. Paradise Lost. Ed. Gordon Teskey. New York: Norton, W. W. &, 2005. Print.
Weldon, Fay. The Life and Loves of a She-Devil. New York: Ballantine, 1985. Print.
...to mankind in Paradise Lost - one of the fundamental concepts in Christianity and vital to Milton's objective to "justify the ways of God to men" (1, 26) - the gods in the Aeneid are continually reminding Aeneas that he cannot afford to be distractive by the temptresses that are women because the future of Rome lays in his hands. Milton's God, on the other hand, allows Eve to fall and her blatant transgression caused the loss of paradise and all of creation has to experience the consequences of original sin. In Paradise Lost Eve was expected to submit to her ultimate authority, Adam. Rather, it is Adam in Book IX who submits to Eve's unreasonable discourse on separation. Indeed, the implication of a man (as a superior being) succumbing to feminine wiles and passion is an intense concept which - for both Virgil and Milton - threatened the very basis of their society.
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
78, No. 1, pp. 21, No. 2 -. 1 (1959), 13-17. Milton, John, 'Paradise Lost', in Gordon Campbell (ed. ), Complete English Poems, of Education, Areopagitica, (Orion Publishing, London, 1998) Peter, John, A Critique of Paradise Lost, Columbia University Press: New York, 1960.
Babb, Lawrence. The Moral Cosmos of Paradise Lost. [East Lansing]: Michigan State UP, 1970. Print.
In Paradise Lost, Milton displays the Christian worldview by integrating truths and values of his faith in place of humanistic values. Key elements such as the nature of the protagonist, the setting in which the epic takes place, and rudiments of the plot convey the fundamental aspects of Christianity. Milton took his worldview and applied it to a worldly genre, revolutionizing the epic
After reading Milton’s Lost Paradise and The Book of Genesis, I noticed some similarities and many differences. Although many of the characters names and personalities were similar, the viewpoints in which these stories were written differed. For example, In Milton’s lost paradise the reader is able to actually see what the characters are thinking and their reasons for doing things, whereas in The Book of Genesis the characters actions are unpredictable. Another difference I noticed was in the Bible the source of sin begins straight from the birth of Eve and the reasons for the creation of man and woman. While in Milton’s Lost Paradise the author starts from the establishment of Satan “Who first seduc'd them to that foul revolt? Th' infernal Serpent; he it was, whose guile Stird up with Envy and Revenge, deceiv'd , The Mother of Mankind, what time his Pride Had cast him out from Heav'n, with all his Host Of Rebel Angels” (33-38). The author is referencing the source of sin to Satan, “Milton accepts, and insists on the challenge that the fall must be made believable—and acceptable—by a dramatic representation addressed to the human reasoning” (Bowers 264-273). These two stories illustrate humanity and God’s formation of earth but in contrastive ways.
In Book IX of Milton’s Paradise Lost, Eve makes a very important and revealing speech to the tree of knowledge. In it, she demonstrates the effect that the forbidden fruit has had on her. Eve’s language becomes as shameful as the nakedness that Adam and Eve would later try to cover up with fig leaves. After eating the forbidden apple, Eve’s speech is riddled with blasphemy, self-exaltation, and egocentrism.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
Milton, John. ‘Paradise Lost.’ 1674. Norton Anthology of English Literature. 7th ed. 2 vols. New York: Norton, 2000, 1: 1817-2044.
The. “Paradise Lost.” The Norton Anthology of English Literature. Ed. Stephen Greenblatt, M.H. Abrams.
All three authors agree that there are clear indicators of inequality that are not morally justified. One significant aspect of creation that promotes the gender inequality present today within religions, is the labeling of women. This point is countered based on the premise that one bad woman does not mean all women are bad. Thought patterns such as this in terms of a lesser than equal role for females regardless of their procreation function and physical attractiveness are based on archaic ideologies that diminish the value of women in relation to men. Finally, arguments from Genesis show that there is a system of subordination based on Eve being created from the rib of Adam. This originates all making from one source, but ultimately creates a system of inequality or hierarchical understanding. Perhaps if it was possible to create a basis for equal thought then it may be conceivable to have a hierarchy free society. Unfortunately, this fundamental understanding is not conceivable in terms of the relationship between the two forms of mankind. Ultimately there are a number of clear indicators that morally unclear implications for the relationship between men and women have been promoted through the creation story and prominent examples of its
Milton. New York: Norton, 1957. Elledge, Scott, ed., pp. 113-117. Paradise Lost: An Authoritative Text, Backgrounds and Sources.
In conclusion, Paradise Lost can be seen through a historically contextual lens that allows us to see the parallels between Milton’s life and experiences during the reign of Charles I, and the predominant themes in his epic poem. Many of the themes in Paradise Lost, from the broader situational occurrences to the behavior of individual character’s and their attitudes toward the situations in which they find themselves can be seen as directly influenced by Milton’s time as a Parliamentarian in 17th century England.
The theme of free will is highlighted at various points throughout Paradise Lost through different characters. Through each characters actions and the element of choice displayed, Milton conveys his view point that while God is omniscient and there is an eternal providence, free will his not hindered. Milton also conveys through Eve that she choose to disobey God, she does so knowing there will consequences, signifying that she does not have the full capacity to reason clearly. Despite his being aware of the paradox that free will and eternal providence present the reader, Milton did not believe that this constrained one’s understanding of Paradise Lost.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)