Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
The theological aspects that arise in the excerpt are original sin, grace, atonement, and the resurrection of Christ. Lines 203 through 209 speak about man’s wrong doing to God. “But yet all is not done; Man disobeying, Disloyal breaks his fealty, and sins Against the high Supremacy of Heav’n,…” Milton puts emphasis on the fact that all men must die “He with his whole posterity must die.” These lines introduce the concept of original sin in the excerpt. The doctrine of original sin is that because of Adam’s fall in the garden and their disobedience to God in eating the forbidden fruit, men are held accountable for their sin because of Adam’s disobedience men take on a sin nature.
Milton does not hold the belief of most other reformed Christians at the time. Calvinism was one of the puritan movements that spread all across the European continent. Calvinism had many followers but Milton did not buy into the doctrine of Calvin’s theology. In this excerpt, Milton’s God’s speech shows that all men have free will. The context is that God can see Sata...
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...lton’s poem is a beautiful poem of theology and history of the founding of the world and Christianity. It is an extremely important piece of English literature. Not just for Christians but everyone.
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Hell is huge but it isn’t big enough. Within the text of Paradise Lost by John Milton, it is, A universe of death, which God by curse Created evil, for evil only good,Where all life dies, death lives, and nature breeds,Perverse, all monstrous, all prodigious things,Abominable, inutterable, and worse… (II.622-6)There is no satiety in Hell. Eden, by comparison, is a relatively small place in Milton’s epic poem, but it seems to be an environment replete with satisfaction. Or is it? We students of experiential literature owe Milton a debt of gratitude for helping us to experience our forebears’, that is Adam and Eve’s, lack of satiation within a paradisiacal environment. This paper will explore the topic of satiety within that environment; and, along the way, discuss the concept of singularity found in Cavendish’s Blazing World for comment upon that satiation.
...was influenced greatly by Milton’s work, evidence of which lies in the eerie similarities between the two. The allusions to Paradise Lost give the reader a story by which to subconsciously compare the characters of Frankenstein, thus also reiterating one of the main themes; the quest for knowledge and the resultant death. Following the death of Frankenstein, his monster utters his own last words. “‘But soon,’ he cried, […] ‘I shall die. […] I shall ascend my funeral pyre triumphantly, and exult in the agony of torturing flames’” (225).
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Throughout modern society nothing symbolizes the fall of humankind more than a woman with feminine flowing hair and luscious lips biting into a large apple. While the biblical account evoking such imagery remains the primary authority, John Milton in Paradise Lost enlightens beyond the allegorical, offering a complexity of character and purpose. In this epic, readers are guided along humanity’s fall from grace, contrasting the ideal union of man and wife alongside harsh consequences that emerge from dangerous engendered perspectives.
Milton’s theodicy is shown as a way to explain why if God is all loving, why he lets bad things happen to us. His basic concept is that because Eve partook of the forbidden fruit, many consequences came after. For example children dying of cancer. Many times in our lives things happen that we don’t think are good necessarily, but good things come from bad things. The choices we make have consequences and, but sometimes we are given trial for, what we believe, is no particular reason. This has been the question from the beginning. Milton decided to write this because it is on everyone 's mind, and he wanted to challenge Homer’s The Iliad and The Odyssey. Milton was successful, in that, his book is well known, but The Iliad and The Odyssey are still the basis of human thought. Everyone in their lifetimes wants to accomplish something that will help them to be more successful than they are now. This was Milton’s thought process. Who wouldn’t want to write a book and have it be considered the basis of human thought and maybe even the book people associate with our nation? Most people would, this is why Milton tried and somewhat had a success. The
In “ The Temptation of Eve “ , one of the many books of John Milton’s epic Paradise Lost, the author makes use of many literary techniques, such as, creative diction and irony which highlight the classic theme of deception.
John Milton was born on December 9th, 1608 in London, England. He began writing as early as 1629, but did not publish Paradise Lost until 1667. In 1642, he wrote about the corruption found within the church, and in 1649, Milton began his journey in politics. Both his religious and political views influence his description of the Fall with Paradise Lost. John Milton began Paradise Lost with one goal in mind: to “justify the ways of God to men” (Book I, line 26). In terms of the Fall, it is clear that God’s foreknowledge and Adam and Eve’s free-will both play a role in this event. However, in order to reach his goal, Milton must explain to his readers how big of a role God played in the actions of Adam and Eve. Milton’s Paradise Lost depicts
In "Paradise Lost", John Milton attacks the theme of free will versus predestination through the actions of Adam, the first man. Adam's actions are unclear -- thus he has free will to act on his own -- but at the same time he is governed by an overriding God who can see past, present, and future. Adam is both the subject and ruler of his fate, in a unique contradiction cleverly set up and expressed by Milton. The writing surrounding Adam evidence Milton's essential believe in free will, but also display his thoughtful treatment of the situation. In the epic poem "Paradise Lost", John Milton carefully weighs the two ideas of predestination and free will against each other, with profound and fascinating results.
The voice of passion and intelligent mystery is a natural mixture used when projecting an image of God by both Milton in When I consider how my light is spent and Donne in Holy Sonnet XIV. Religion plays a huge part in the sonnets and how they make the reader perceive God. The two authors’ religious practices are so important that their troubles all stem from what they believe is an inability to serve. This is why even when the writers’ immediate demands are not met they still continue to love God. The Christian image of God can be described as eminent and this may be a major reason as to why both Milton and Donne’s representations of God are so adorned. Even though God doesn’t give either author what they ask for, Donne and Milton’s dedication to serving and loving the Lord present a representation of something can only be desirable.
... Eve are able to feel penitent and pray for forgiveness” (Nutt 225). Milton is also very concerned with the correct process of how man is saved. “…how, through the divine gift of grace, mankind can seek salvation” (Nutt 66).
Sarkar, Malabika. Cosmos and Character in Paradise Lost. New York: Palgrave Macmillan, 2012. Web. 10 Dec 2013.
Throughout Paradise Lost, Milton uses various tools of the epic to convey a traditional and very popular Biblical story. He adds his own touches to make it more of an epic and to set forth new insights into God's ways and the temptations we all face. Through his uses of love, war, heroism, and allusion, Milton crafted an epic; through his references to the Bible and his selection of Christ as the hero, he set forth a beautifully religious Renaissance work. He masterfully combined these two techniques to create a beautiful story capable of withstanding the test of time and touching its readers for centuries.
Milton distinguishes between callous censorship and justified limitation. He opens his argument with the assertion that, "It is of greatest concernment in the Church a...
Fox, Robert C. "The Allegory of Sin and Death in Paradise Lost." Modern Language Quarterly 24 (1963): 354-64.
In conclusion, Paradise Lost can be seen through a historically contextual lens that allows us to see the parallels between Milton’s life and experiences during the reign of Charles I, and the predominant themes in his epic poem. Many of the themes in Paradise Lost, from the broader situational occurrences to the behavior of individual character’s and their attitudes toward the situations in which they find themselves can be seen as directly influenced by Milton’s time as a Parliamentarian in 17th century England.