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Assimilation of immigrants into American society
Acculturation and assimilation
Assimilation of immigrants into American society
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The American Revolution brought wind of immigration to America; these immigrants largely included citizens of Italy. Immigration involves a process of acculturation that occurs when there is a minority group that is a subunit of a larger group-or culture (Pozzetta). In any society, conformity and acceptance is necessary for a people to thrive as one nation. Acculturation involves a minority group still involved in traditions of their motherland while also accepting and practicing customs of the “new” nation as a whole. Italian immigrants stands to be perfect examples of Acculturation in the United States.
The influx of Italians into the United States resulted in aspects of Italian culture becoming a part of American tradition. Upon arrival to the United States, while most immigrants (non- Italian) used New York as a stop along the way until further migrating to other parts of the country, Italians made New York their home; one-third of Italian immigrants never moved past New York City. Though Italian immigrant clusters
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scattered around New York City boroughs, there was the highest concentration within Manhattan (Library of Congress). Hence the notorious section of the city, on Mulberry Street, also known as “Little Italy”. The village atmosphere was characteristic to immigrants, many italian immigrants spoke to each other using their native language and involved vast amount of Italian tradition, “...the population of a single Italian village ended up living on the same block...and preserved many of the social institutions, habits of worship, grudges, and hierarchies from the old country” (Library of Congress). As time went on Italians became more and more infiltrated into American culture.- regardless the family based values and community oriented structure became more and more resilient. Distinguishing characteristics that remained relevant after the immigration to the United States include- “Little Italy settlements”, blue-collar occupations for children of immigrants, along with in-group marriages. All of these aspects support the argument that Italians are an extremely family oriented group (Pozzetta). Further acculturation of the Italian American ethnicity emerged as a result of second and third generation children of immigrants joining forces with labor unions and lobbying for benefits and doing things that changed the attitude of the public toward their culture. Italian immigrants by the 1930’s also began to make more and more gains in politics and popular culture (Pozzetta). World War II was a benchmark for Italian American acceptance as much of the deployed military units were made up of Italian Americans. World War II also affected the acculturation of Italians in regards to many of the Italians leaving their ”little italy settlements” to fight the war (Cannato). Those who remained left their settlement to find opportunity in the suburbs, “further eroding the institutions and contadino culture that once thrived in ethnic settlements” (Pozzetta). Sociopolitical factors impacted the assimilation and acculturation of Italians into the United States. Negative attitudes toward the Italian ethnicity were reared when the United States found themselves in conflict with Italy during World War II. The reason for this being that prior to the war Italians had pushed off the process of becoming naturalized citizens therefore were seen as enemies during this war time.While this stands to be true the conflict with Italy during World War II pushed many Italians to become naturalized as a means to deflect being branded an enemy in addition to naturalization, much of the United States military was made up Italians. Therefore World War II was key to Italians gaining acceptance as an ethnicity in the United States (Cannato). Sociopolitical factors also involved popular figures such as actors, singer, and political figures. For example, soldiers such as Congressional Medal of Honor winner John Basilone, became a national hero and was celebrated regardless of his Italian background ( Library of Congress). Innately instances such as winning awards as Basilone did, gave Italians a better connotation as proof of loyalty to the nation was evident. Famous figures such as Frank Sinatra also gave Italian a better name- post war. The more people saw Italians succeeding in the United States the more they were accepted as an ethnicity and the negative attitudes towards the group further depleted. Popular figures such as Frank Sinatra, Joe DiMaggio, Frank Capra, and Don Ameche were among the heroes of Italian Americans (Library of Congress). These people helped the public view Italian Americans differently and change negative attitudes toward the group during transition into American culture. The rates of intermarriage for Italian Americans increased dramatically among later generations. The average intermarriage rate for other ethnic groups stood to be 26 percent while the marriage rate was 33 percent for italian americans. The increase in intermarriage between italian americans reveals the acceptance of the group into the large scale society of the United States, “the 1980 census recorded 12.1 million individuals who claimed Italian ancestry. By 1990 this figure has risen to 14.7 million indicating that ethnicity remains an important and acceptable component of self-identification for substantial number of Italian Americans” (Pozzetta). While acceptance was gained from public exposure through sociopolitical factors, stereotypes also began to form.
For example the release of The Godfather, while considered by many to be one of the best movies of all time, also created a host of prejudice and negative stereotypes. Italian Americans gained a reputation for organized crime and were often associated by the public as mobsters. This paradox was greatly supported by the movie, The Godfather (Fordham). The success of this movie innately resulted in other films and shows that encouraged the negative stereotypes of Italian Americans in regards to the mafia and organized crime. Italian American fought these stereotypes back with media releases that romanticize Italian culture. For example, movies that involve large family dynamics that create, “deep-seated nostalgia for the ‘old neighborhood’” and enhance the appreciation for Italian culture and combat negative stereotypes
(Cannato). While first generation migrations of Italians to the United States involved immense negative reactions over time the process of acculturation depleted non-accepting attitudes and created a new ethnicity in itself widely accepted, widely respected, and proudly prideful amongst its people- Italian Americans.
The characters in these films were savvy, secretive and wealthy unlike the gangsters seen in Little Caesar and Scarface: The Shame of the Nation. Brian De Palma’s Scarface (1983) payed homage to the original, and although they follow roughly the same storyline, De Palma’s remake is more reminiscent of The Godfather films than its predecessor. Tony Montana (Al Pacino), the film’s main character, worked his way up from poverty by selling drugs and committing horrifying acts of violence in order to attain the power, wealth and woman he so desired. In his 1983 review of Scarface, Pulitzer prize winner, Roger Ebert states “Al Pacino does not make Montana into a sympathetic character, but he does make him into somebody we can identify with, in a horrified way, if only because of his perfectly understandable motivations” (RogerEbert.com). More than fifty years later, Ebert expresses similar thoughts to those of Robert Warshow, esteemed film critic and author of “The Gangster as a Tragic Hero.” “…We [the audience] gain the double satisfaction of participating vicariously in the gangster’s sadism and then seeing it turned against the gangster himself.” (Warshow) These sentiments are exactly what the censorship of the 1932 version intended to prevent, yet Scarface (1983) did not receive the same scrutiny. Despite the mixed reviews that Howard Hawk’s original Scarface: Shame of the Nation and Brian De Palma’s
Ellis island brought millions of immigrants to America between the years 1892 and 1954. It is said that 40% of our population today can trace their ancestors to Ellis Island. Many people of many nationalities came to The United States get a chance at having the “American Dream”. Whilst pursuing their dreams, they left their marks on American culture. No one has influenced us so much as the Italians and their way of life.
Immigration has existed around the world for centuries, decades, and included hundreds of cultures. Tired of poverty, a lack of opportunities, unequal treatment, political corruption, and lacking any choice, many decided to emigrate from their country of birth to seek new opportunities and a new and better life in another country, to settle a future for their families, to work hard and earn a place in life. As the nation of the opportunities, land of the dreams, and because of its foundation of a better, more equal world for all, the United States of America has been a point of hope for many of those people. A lot of nationals around the world have ended their research for a place to call home in the United States of America. By analyzing primary sources and the secondary sources to back up the information, one could find out about what Chinese, Italians, Swedish, and Vietnamese immigrants have experienced in the United States in different time periods from 1865 to 1990.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
Immigrants leave their countries in search for a better life and improvement of their situation. There is no singular reason for immigration; motivations range from better economic prospects to political safety. As of late, the number of immigrants living in the United States is an estimated 11 million. Those who immigrate are expected to contribute to the United States culturally, politically, and economically. Yet, full assimilation becomes difficult to achieve when the immigrant is made into “the other” by the country of reception.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Today, in most cases, people don’t spend very much time thinking about why the society we live in presently, is the way it is. Most people would actually be surprised about all that has happened throughout America’s history. Many factors have influenced America and it’s society today, but one of the most profound ways was the way the “Old Immigrants” and “New Immigrants” came to America in the early to mid 1800s. The “Old Immigrants were categorized as the ones who came before 1860 and the “New Immigrants” being the ones who came between 1865 and 1920. The immigrants came to the United States, not only seeking freedom, but also education. Many immigrants also wanted to practice their religion without hindrance. What happened after the immigrants
Holding onto traditional Italian codes of behavior and attitudes toward the family as a means to mitigate the confusion associated with assimilating into American culture is a central idea that occurs in both The Fortunate Pilgrim and The Right Thing to Do. Due to the differences in Italian and American cultures, many Italian American immigrants struggled assimilating into American society while retaining their cultural identity. For first-generation Italian American immigrants, like Octavia and Gina, the action of assimilation included letting go of their traditional Italian heritage. For Italian immigrants, like Lucia Santa and Nino, who immigrated to America, however, instead of letting go their traditional beliefs and attitudes, they hold
“Statistics prove that the scum of Southern Europe is dumped at the nation's’ door in rapturous, conscienceless, law-breaking hordes” (Dickie 162). Escaping poverty and overpopulation in Italy, particularly Sicily, Italian immigrants flocked to America in hopes of reaping the benefits of a booming industrial revolution. With emphasis on family bonds and the prevalence of tradition, Italian Americans established communal centers, known as Little Italies, in several of the largest American cities, notably in New York and Chicago. With the initial distrust of Americans, it became customary to avoid integration, thus rendering Italians “repulsive to Americans” (Smith 337), who held individualism and American values highly. The roots of the Sicilian
“The Godfather II” is an American crime film that depicts the early life and criminal career of Vito Corleone in the 1920s, while in 1958, his son, Michael tries to expand the family crime syndicate while trying to protect the family business. The execution of the story of the “The Godfather II” stands out among many movies as retaining meritorious and lasting aesthetic values. The aesthetic merits that should be recognized in this film are the execution of the story in terms of its cinematography, the depiction of the relationship between power and corruption in human nature, and the film’s ability to convey the family values central to the Italian-American family. These aesthetic values help define the movie’s greatness of being superior to the rest of “The Godfather” movies.
“The Godfather epitomized Hollywood’s relentless iconization of film Italian-Americans not only as popular cultural embodiments of their ethnic group but also as symbols of the ethnic experience in general, particularly for the extra-legal quest for the American Dream” according to Carlos E. Cortes (108). In fact, Cortes continues to further explain and depict how the fame and success of the film, The Godfather “integrated the major threads of seventy years of U.S. screen treatment of Italian-Americans” (108). The Godfather was released in 1972 and even to this day is considered one of the greatest films made. It depicted the life of an Italian-American mob family of Don Corleone thus showing their lives, and specifically the transformation of Michaels (youngest son) ordinary life into him being heavily involved with the mob (Browne, Cortes).
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Cavaioli, Frank. "Patterns of Italian Immigration to the United States." The Catholic Social Science Review. (2008): 213-229.
For those who have never met one, they will base their knowledge off of these popular mob films subconsciously. So there is indeed a conflict: are these films giving minorities a voice or are they glorifying violence and perpetuating harmful stereotypes instead? It is a matter of opinion, but the positive aspect of Post-Godfather films is immensely impactful. Minorities, especially the people within those groups who relate to limited economic opportunity, were and continue to be inspired by Coppola’s film. Additionally, rappers and reality show actors have desperately tried to imitate the ethos and success of the suave, shrewd family man who cares deeply about the people that support him. Additionally, poor Cuban and Japanese communities inspired by The Godfather have voiced their stories in films like Scarface and Sonatine. Therefore, the depictions of mafia members, and in a larger sense Italian-Americans, in these films have evolved to give smaller social groups a chance to tell their story. The stereotypes, it seems, are an accepted side effect of
When Italian immigrants came to America, many were not welcomed in the communities of the Germans and Irish. The neighborhoods that the Itali...