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The Marxists ideology is reveals the ways in which issues of production, wealth and power structure the story. Throughout a fiction story “A white heron” by Jewett, Marxist analysis that a transformation of the living heron into a commodity and the conversion of the heron into a commodity conflict with the way Sylvia thinks about the heron. Furthermore, there is a connection link to Althusser’s terms as bad subject and good subject while Marxist analyzing. As we know that the white heron is rare animals which mean need to be protecting that ensures the extinction will never happened. However, from Marxist’s point of view that the heron seems to be a product which can exchange for the profits. Now, the white heron is no longer invaluable. …show more content…
Sylvia wants to gain his approval, and she and her grandmother need the money, but her conflict develops once she does find the heron's nest. “At last the sun came up bewilderingly bright. Sylvia could see the white sails of ships out at sea, and the clouds that were purple and rose-colored and yellow at first began to fade away. Where was the white heron's nest in the sea of green branches, and was this wonderful sight and pageant of the world the only reward for having climbed to such a giddy height? (page 5 of A White Heron)”. After climbing the tall pine and viewing the beautiful world in which the heron lives, Sylvia sees the heron itself. Its beauty and grace speak to her soul. For a little while, she lives in the heron's world and is changed forever. Thus, the thought of exchange the white heron as a commodity for such amount of money conflict with the way Sylvia thinks about or understands the heron. This conflict splits Sylvia in two parts which were good subject and bad subject in Althusser’s terms. Marxists states: “… the 'bad subjects' who on occasion provoke the intervention of one of the detachments of the (repressive) State apparatus. But the vast majority of (good) subjects work all right 'all by themselves', i.e. by ideology (whose concrete forms are realized in the Ideological State Apparatuses). (Literary Theory: An anthology, page
The Marxist perspective reveals Huxley’s underlying message that the drawbacks of a ubiquitous class structure outweigh its benefits. Despite the wary tone of the novel, Huxley ultimately acknowledges that the class system brings about
The short story, “The White Heron” and the poem, “A Caged Bird” are both alike and different in many ways. In the next couple of paragraphs I will explain these similarities and differences and what makes them unique to the stories.
Furthermore, they all have an outside threat. The ornithologist might shoot the heron and make it a specimen while the man is suffered from the severe cold weather. In the stories both characters have to deal with the danger from outside world. Sylvia has to climb upon the tree to see where the heron is, the man has to avoid the snow falls from the tree.
Through appeals to ethos and appeals to pathos, “A White Heron” by Sarah Orne Jewett and “The Happy Prince” by Oscar Wilde both accomplish to get across the importance of selflessness in humanity. During these two stories the protagonists of each sacrifice something that could have helped them or what they wanted to help others around them.
In Cold Mountain and "A Poem for the Blue Heron", tone is established in a multitude of ways. These two pieces of literature describe the characteristics and actions of a blue heron, both aiming for the same goal. However, Charles Frazier and Mary Oliver approach their slightly differing tones employing organization, metaphoric language, and diction.
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
Throughout the late 19th century following the Industrial Revolution, society became focused on urban life and began to neglect the importance of rural society and nature. In “A White Heron” Sarah Orne Jewett, through Sylvia’s decision to protect the heron, contemplates the importance of nature and rural society. In particular, Jewett employs the cow grazing scene to show the importance of and solitude that Sylvia finds in rural life. When the hunter appears and Sylvia accompanies him on his journey to find the bird, his actions and speech reveal the destructiveness of urban society on nature. The scene when Sylvia climbs the tree to find the heron, initially in order to please the hunter and satisfy her new love for him, shows her realization
Sarah Orne Jewett's "A White Heron" is a brilliant story of an inquisitive young girl named Sylvia. Jewett's narrative describes Sylvia's experiences within the mystical and inviting woods of New England. I think a central theme in "A White Heron" is the dramatization of the clash between two competing sets of values in late nineteenth-century America: industrial and rural. Sylvia is the main character of the story. We can follow her through the story to help us see many industrial and rural differences. Inevitably, I believe that we are encouraged to favor Sylvia's rural environment and values over the industrial ones.
With all this, the author has achieved the vivid implication that aggressive masculine modernization is a danger to the gentle feminine nature. At the end of the story, Sylvia decides to keep the secret of the heron and accepts to see her beloved hunter go away. This solution reflects Jewett?s hope that the innocent nature could stay unharmed from the urbanization. In conclusion, Sylvia and the hunter are two typical representatives of femininity and masculinity in the story?The white heron? by Sarah Orne Jewett, Ph.D.
Jain, Ajit, and Alexander Matejko, eds. A Critique of Marxist and Non-Marxist Thought. New York: Praeger, 1986.
Sarty is driven to betray his loyalty to his father when his father chooses to burn Major de Spain’s barn in revenge for demanding payment from him for damaging his rug. The breaking point comes when Sarty confronts his father about not sending warning like he did with Mr. Harris, crying out “ain’t you going to even send a nigger? . . . At least you sent a nigger before!” (Faulkner 322). Sarty runs off for the de Spain mansion, “burst[ing] in, sobbing for breath, incapable for the moment of speech” (Faulkner 324). Ultimately, the most he can get out is the word “Barn!” (Faulkner 324). Then, a short time later, “he heard [a] shot, and, an instant later, two shots” as de Spain presumably encountered his father attempting to burn the barn (Faulkner 324). Sarty grieves, stating that his father “was brave” and that “He was in the war!”, before ultimately abandoning the world and family he knew, walking “toward the dark woods within which the liquid silver voices of the birds called unceasing . . . He did not look back” (Faulkner 325). Conversely, the moment of epiphany for Sylvia is not shown in the story itself, but instead implied. She climbs down the tree fully intending to tell the young man of her discovery, “wondering … what the stranger would say to her … when she told him how to find … the heron’s nest” (Jewett 58). However, once she makes her way back home, she “does not speak after all”, feeling that “she must keep silence!” (Jewett 58). Ultimately, despite the promise of money (“He can make them rich with money, he has promised it”), despite her being enamored with the man, despite “the great world for the first time put[ting] out a hand to her”, she instead stays loyal to nature, “thrust[ing] it aside for a bird’s sake” (Jewett
Reese, Robert J. "Marxist Theory in The Metamorphosis." CaSaWoMo. N.p., 2004. Web. 01 Apr. 2014. .
He wants to hunt the rare and beautiful white Heron. He states, “I can’t think of anything I should like so much as to find that heron’s nest (Jewett)”. Young gray-eyed Sylvia had never felt love before this. She is young and rarely has connections with older men. She is happy to have interactions with another person, the fact he hunts birds seems to pass her mind.
But as a literary theory, Marxism needs no factories to act as means of production. All that is needed are words, specifically chosen to justify an Official View of a dominating class, in our case, in a society guided by capitalism. This Official View is sometimes disguised as what we might otherwise call culture. Marxist Theory can be applied to Chinua Achebe's Things Fall Apart in two ways, one from inside the story, and the other from outside. First, let's examine the story itself.
Karl Marx had very strong viewpoints in regards to capitalism, making him a great candidate for this assignment. People constantly debate over whether his ideologies held any grain of truth to them. I believe that although not everything Marx predicted in his writings has come true (yet), he was definitely right on about a lot of issues. As a matter of fact, his teachings can definitely be applied to today’s society. This paper will give a summary of Marx’s political philosophy. It will also discuss a contemporary issue: the current economic crisis— and how Marx believed racism played a crucial a role in it. Finally, through the lens he has developed, I will explain how Marx would analyze this issue and how one can argue that it spurred the current movement known as Occupy Wall Street.