A View From The Bridge Essay

588 Words2 Pages

How important are Miller's language choices and use of stage directions in aiming the audience to view Eddie as a tragic hero in the play ‘A View from the Bridge’? The play ‘A View from the Bridge’ is Arthur Miller’s modern-day revamp of a Greek tragedy. Alongside creating the character of Alfieri to abide with the traditional chorus role, he toys with fate, a feature steeped deeply in generic Greek tragedies. However, the aspect that is truly reminiscent of these dramas is the flawed protagonist of this particular play, Eddie Carbone. His bears the characteristics of many a tragic Greek hero, from his fatal flaw - his hamartia - to his demise brought about by a cruel twist of fate. Eddie’s status within the Red Hook community is the modern counterpart to the ranks of other Greek heroes - ???. In the first scene, Miller utilizes stage lighting to ‘highlight’ Eddie within his group of peers. Eddie adheres to traditional Italian values, which ??? respect and regard to his person. Louis: you got a lotta credit comin’ to you.’ The reverence for the character of Eddie extends into Eddie’...

Show More
Related

  • Oedipus Comparison Essay

    1105 Words  | 3 Pages

    Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation. With Willy Lowman, the audience goes for a bumpy ride until the eventual, but expected, crash. ** (NEEDS WORK)

    Read More

  • How Are Dominate Women Presented in A View from the Bridge by Arthur Miller and A Streetcar by Tennessee Williams

    562 Words  | 2 Pages

    The plays, A Streetcar Named Desire and A View from the Bridge, focus on the theme of domination of the female characters through the writer’s habit of literacy techniques such as imagery and realism to add the typical tragedy that follows in both plays – where the main character dies at the end and each playwright uses their own method to manipulate their point of view or opinion of the play’s plot to the audience members.

    Read More

  • How far do you agree with the view that the tragedies in ‘Ethan Frome’ and ‘A View from the Bridge’ are brought about by individual characters rather

    2096 Words  | 5 Pages

    ... lives incapacitated. Whereas it is Eddie's own chracter traits that are exposed by the characters and circumstances. His active role in his downfall caused "the situation slid inescapably toward disaster"₈ Both protagonists are victims of tragedy brought about by the individual characters themselves as well as external elements.

    Read More

  • Compare Oedipus And Willy Loman

    1607 Words  | 4 Pages

    The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.

    Read More

  • Understanding Arthur Miller's Play "A View From The Bridge"

    1331 Words  | 3 Pages

    In the play ‘A View from the Bridge’, an Italian-American family take in two illegal immigrants. The youngest of them, Rudolpho, falls in love with the niece of Beatrice, Catherine. Eddie Carbone, the main character, is driven by desire and lust, which eventually brings upon his own downfall. He calls the Immigration Bureau to arrest the two immigrants in an attempt to get his niece back, and so the scheme fails, and the play ends when Marco murders Eddie in a mere act of self-defence. Miller uses the character of Alfieri to increase dramatic tension throughout the play, doing so by introducing the idea of inevitability in the play. He establishes the character as a chorus, a component of early Greek theatre and tragedies. Alfieri basically expresses to the audience what the main character, Eddie Carbone, could not say, such as his fears or secrets. By knowing what will happen, and knowing how the play would end, whether a happy ending or sad, the principle of certainty and inevitability is revealed. Alfieri isn’t even capable of changing anything, altering the future, which also increases dramatic tension in the play. Throughout, Alfieri’s roles are obvious; he’s both the family lawyer and also the narrator of the play.

    Read More

  • The Tragic Figure of Dysart in Peter Shaffer’s Equus

    1622 Words  | 4 Pages

    Peter Shaffer’s play “Equus” reads like a true tragedy blending religion and adolescence while questioning society’s “civilized norms”. Although Alan Strang seemingly suffers the most throughout the story, the true tragic figure in the play is Dysart, Alan’s psychiatrist. Dysart is forced to question everything that he previously accepted and his whole life is thrown out the window upon meeting Alan. Both Arthur Miller’s definition of a tragic figure and the traditional definition provided by Aristotle apply to Dysart.

    Read More

  • a bridge to the 18th century

    723 Words  | 2 Pages

    Building a Bridge to the Eighteenth Neil Postman identifies himself as a “neo-Luddite”. What bothers Postman most is the fact that the great innovators of this time have no frame of reference other than their own experience, and that experience is only that of the 20th century. Advocates of trends such as information superhighways and economic globalization appear to know nothing of history, philosophy and culture; they live digitally in the hollow present. Postman assesses different ideas in each chapter: Chaper One: A Bridge to the Eighteenth Century

    Read More

  • Brutus the Tragic Hero

    1058 Words  | 3 Pages

    Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.

    Read More

  • Free Essays - Comparing Time in Macbeth and As You Like It

    528 Words  | 2 Pages

    In Shakespearean drama, a dynamic and explosive fusion of jealousy, pride, anger and ambition is characteristic for heroes’ behaviour. The tragedy was caused by the excessive flaw in character - self-respect and dignity combined with the feelings of hate and revenge. A disaster usually occurred to lead to destruction of the protagonist. Due to divine justice, punishment is inevitable and therefore no happy ending is possible. Therefore, time is the hero’s main enemy, mercilessly working against him. The mystery of tragedy is that once the protagonist has learnt a lesson of how to renew the order in himself, death is the only outcome /no memento mori, however/.

    Read More

  • Analysis Of The Witch Trials In The Crucible

    875 Words  | 2 Pages

    “Miller tries both to offer a disclaimer about the imaginative aspects of his work, and to claim a higher level of veracity for the play’s authority.” (133)

    Read More

  • Eddie Carbone in A View From the Bridge

    959 Words  | 2 Pages

    Eddie Carbone in A View From the Bridge During the final scene preceding the end of act 1, Arthur Miller

    Read More

  • The Structure in Hamlet

    2949 Words  | 6 Pages

    As a Shakespearean tragedy represents a conflict which terminates in a catastrophe, any such tragedy may roughly be divided into three parts. The first of these sets forth or expounds the situation, or state of affairs, out of which the conflict arises; and it may, therefore, be called the Exposition. The second deals with the definite beginning, the growth and the vicissitudes of the conflict. It forms accordingly the bulk of the play, comprising the Second, Third and Fourth Acts, and usually a part of the First and a part of the Fifth. The final section of the tragedy shows the issue of the conflict in a catastrophe. (52)

    Read More

  • Tragedy In Drama

    1707 Words  | 4 Pages

    From Agamemnon to Hamlet, we have discovered the progression of the form of dramatic tragedy. We can see the evolution from the earlier Greek tragedies, that focus on divine intervention and vindication for acts that displeased the gods, to the very humanly emotional Hamlet, whose eventual realization of his own responsibilities introduce an entirely new concept to the tragic form. This dramatic range demonstrates the differences between the concepts of tragedy as defined by Aristotle, who believed all tragedy stemmed from some fatal flaw in the character of the hero and that of Nietzsche, who believed the concept of tragedy focused more on the community than on the character of the hero alone. These dramas also represent the evolution of the art of dramatic writing from the earliest Greek authors through Shakespeare, who virtually reinvented tragedy and elevated the art of dramatic writing to the form we know it as today.

    Read More

  • Brooklyn Bridge Essay

    831 Words  | 2 Pages

    Over the East River in New York City stands the Brooklyn Bridge, connecting the Brooklyn and Manhattan boroughs. From end to end, the bridge spans 6,016 feet and weighs a heavy 14,680 tons. Ever since construction on the Brooklyn Bridge was completed in 1883, the bridge has offered a safe route with scenic views to tens of thousands of tourists and commuters who have traveled it via train, car, pushcart, and bicycle. The history behind the Brooklyn Bridge is definitely intriguing as well as important because many fatalities occurred in the construction process, including one which occurred before construction on the bridge even started. Also, a lot of workers, time and money were used in building the bridge. In addition,

    Read More

  • Fate and The Circunstancial Downfall of Character in Oedipus Rex

    626 Words  | 2 Pages

    Fate and the circumstantial downfall of characters (usually surrounding the protagonist) is a reoccurring theme seen throughout the Eras of theatre (specifically between the plays Oedipus Rex [Greek Theatre] and King Lear [Elizabethan Thatre.]) Fate and falling victim to circumstance is one of the same; fate is just a predetermination made by a higher being (gods,) while circumstance is almost always the result of causation; contrary to the psychological phrase correlation does not imply causation which means that a relation between two variables does not imply that one is the cause of the other. For those who lived during the Greek Theatre Era (600-200 BC,) the explanation of “fate” was considered an acceptable means to justify the unknown, and/or to gain information/knowledge. Audiences eventually became more literate and the reliance on the gods to help make sense of why something has happened slowly diminished; this cultural reformation demanded the same change to occurr within the theatre, which correlated fate with falling victim to circumstance. In th...

    Read More

More about A View From The Bridge Essay

Open Document