Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Narrative piece about being trapped
Narrative piece about being trapped
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Narrative piece about being trapped
I was stranded on the road and could be killed at any moment flat as a flapjack and then a strange shiny thing pulled up next to me it towered over me and tall man got out of it and put me in a box I woke up found out that I was trapped. I could find no way out I tried everything but could not get out of this huge white thing it was like a bowl that when I tried to climb out I would slide back to the bottom I found a hole that I tried escape but I could not get inside of it and it was damp dark and cold in the hole. After days of trying to escape I failed, but the day after I was placed in a pen I was thinking that I was free I ran into a wall then I turned right and it happened again and again. I was trapped again but this time I had grass to eat and bugs to eat I was at least eating well. Every few days someone would take me out of the box and I would get to roam around but someone would stay outside to watch me. …show more content…
The beasts would also come into my pen and use the restroom and just walked away. The smell would reek in my pen and there was a person would come and save me from the foul smell. One day the beasts had stopped bothering me, I was thinking that they were gone, but they were not the new thing was these bugs called Bees. They would fly down and I would eat them and they would taste a little bit weird but not bad but I found all the grubs and worms I could
There are different types of parent and child relationships. There are relationships based on structure, rules, and family hierarchy. While others are based on understanding, communication, trust, and support. Both may be full of love and good intentions but, it is unmistakable to see the impact each distinct relationship plays in the transformation of a person. In Chang’s story, “The Unforgetting”, and Lagerkvist’s story, “Father and I”, two different father and son relationships are portrayed. “The Unforgetting” interprets Ming and Charles Hwangs’ exchange as very apathetic, detached, and a disinterested. In contrast, the relationship illustrated in the “Father and I” is one of trust, guidance, and security. In comparing and contrasting the two stories, there are distinct differences as well as similarities of their portrayal of a father and son relationship in addition to a tie that influences a child’s rebellion or path in life.
These three pieces of literature were written around the time of the Civil war, which was a war fought between the Northern States and the Southern States in America. While the main topic of the Civil War was slavery, that was not the only reason for the hostility. These pieces were written about slavery, all with a completely different perspective. From My Bondage and My Freedom was written by Frederick Douglass. He was an actual slave who learned to read and write, and he wrote this book about his journey as a slave and the hardships he endured. Douglass says in his book that “One cannot easily forget to love freedom…” (345) which displays the feelings that he had toward his slavery. From Uncle Tom’s Cabin was written by Harriet Beecher Stowe,
Well, my escape plan failed. I was able to escape to the woods but later that evening I realized I could never make the long journey alone in the woods with no food or water.
This book is about a slave with a half-white mother and a white father. He was born in North Carolina and missed death in the first few days of his life. His mother’s mistress wanted to kill him because he was the son of his mother’s slave master. She went to his mother’s room at night with a knife but his Grandmother saved his life. Not to long after that he and his mother were sold.
Can a person get so subconsciously desperate that he/she, unknowingly, creates an imaginary figure to rescue them? While that may seem like an insane notion to ponder, it is all too real for Connie, a fifteen year old girl in “Where are you going, Where have you been?” by Joyce Oates. There are three separate writers whose interpretations of Oates’ story prove that the answer to that question, in Connie’s case is yes. Arnold Friend is a figment of Connie’s imagination created by her desperate need for a reality check.
Have you ever had trouble finding your identity? Has somebody ever wanted you to change? Or have you ever wanted to change? Always be yourself! In the short stories the characters are having trouble finding their identities. They are changing their ways so other people would like them better. In the short stories “Fish Cheeks” by Amy Tan, “Two Kinds” by Amy Tan, and “The Bass, The River, And Sheila Mant” by W.D. Wetherell, the characters learn about their identities through significant moments.
I didn't find another shack to sleep in, so I ended up sleeping on the ground under a fallen tree and some leaves. The dogs didn't find me but something else did. It was a hideous creature that was covered in burrs and blood. It came at me quick and clawed at me. I dodged it's paw and grabbed an axe that I found in the shack and swung fast and hard at the animal. The animal fell instantly. There was blood all over me and the ground. As soon as I figured out that it was dead, I dashed further into the woods. As I was running, I saw one of my cell mates stuck by a huge spike in his calf. His calf was gushing blood and he was screaming for me to help him. I decided to help him, so I pulled his leg off the spike, poured water on his calf, and quickly wrapped his leg with my shirt and using a thick, flat stick as a splint. Then, I spotted another shack about fifty feet away from the trap that my cell mate was caught in. I helped my cell mate to the shack and we stayed in it through the the
Fourteen thousand. That is the estimated number of Sudanese men, women and children that have been abducted and forced into slavery between 1986 and 2002. (Agnes Scott College, http://prww.agnesscott.edu/alumnae/p_maineventsarticle.asp?id=260) Mende Nazer is one of those 14,000. The thing that sets her apart is that she escaped and had the courage to tell her story to the world. Slave: My True Story, the Memoir of Mende Nazer, depicts how courage and the will to live can triumph over oppression and enslavement by showing the world that slavery did not end in 1865, but is still a worldwide problem.
In the articles, “Are These Stories True? (Nope.)” by Kristin Lewis and “The Story That Got Away” by Debby Waldman, the appeal of fake news and counterfeit stories is explained. One reason why people may find it interesting is because they are re-telling stories that they have heard before, but with a slight twist to make it seem worse than it was. For example, in the folktale “The Story That Got Away”, it gives an illustration of why it is appealing by saying, “At the schoolyard, Yankel told his friends his latest story. ‘Reb Wulff put salt in the rugelach. Not sugar! Salt! Imagine that!’ Yankel said. ‘Those rugelach tasted like stones!’” (Waldman, 14). The boy, Yankel, was recounting what he heard in his father’s shop, which may have seemed
Slavery was a very cruel and harsh way to live which can clearly be interpreted from the two passages. Slavery was full of unfair treatment, beatings, and unlimited amounts of discrimination. Once in awhile, a slave would come out on top and end up with a master with feelings, but more likely than not, they were not so lucky. Two accounts of stories show the harsh realities of being a slave. The first one, Wesley Harris: An Account of Escaping Slavery, describes the hardships of running and escaping slavery. The second story: An Account from the Slave Trade: Love Story of Jeffrey and Dorcas, a slave is being sold and is trying his best to persuade his new master to buy his love, Dorcas, as well. Both stories are have many similarities as well as plenty of differences that can be determined by reading the two passages.
Left alone, I laid on the freezing cold metal table. I could not feel anything. I slowly got off the table. Through a puddle, I saw my hideous reflection. Black lips and yellow skin, I saw the monster I was. I ran my fingers down my jagged, rough skin. Horrified of my own self, Iran out of the shack, and all the townsfolk screamed. They threw rocks at me as I tried to get away. They screamed," Get the guns," and I was frightened.
The effort to survive and to see another day has always been a problem since the first men walked the Earth. There are many obstacles that make living day-to-day a harsh struggle and many reasons why some fail to meet the expectations of this struggle. Some reasons of why people fail to thrive in life is captured vividly in the three short stories “The Waters of Babylon” by Stephen Vincent Benét, “How to Build a Fire,” by Jack London, and “The Lottery” by Shirley Jackson. The author of each story cunningly drops hints in the text as to why characters and civilizations lead themselves to doom. Their faults leading to their fate lies in their knowledge of hate, ignorance and tradition.
Disappointment, disbelief and fear filled my mind as I lye on my side, sandwiched between the cold, soft dirt and the hot, slick metal of the car. The weight of the car pressed down on the lower half of my body with monster force. It did not hurt, my body was numb. All I could feel was the car hood's mass stamping my body father and farther into the ground. My lungs felt pinched shut and air would neither enter nor escape them. My mind was buzzing. What had just happened? In the distance, on that cursed road, I saw cars driving by completely unaware of what happened, how I felt. I tried to yell but my voice was unheard. All I could do was wait. Wait for someone to help me or wait to die.
The lonely empty silence is overpowered by a wall of foam rushing towards me. Wheels of sand are churning beneath my feet. My golden locks are flattened and hunched over my head to form a thick curtain over my eyes. Light ripples are printed against my olive stomach as the sun beams through the oceans unsteadiness. I look below me and can’t see where the sand bank ends; I look above and realize it’s a long way to the top. Don’t panic Kate, you’ll get through this. I try to paddle to the top but am halted by something severely weighing me down- My board. That’s what got me in this mess in the first place. I can see the floral pattern peeping through the sand that is rapidly crawling over it. I quickly rip apart the Velcro of my foot strap and watch my board float to the surface effortlessly as I attempt climbing through the water to reach the surface. The fin of my board becomes more visible to me as I ascend. Finally, an alleviating sensation blasts through my mouth.
The light, so brilliant and beautiful, everywhere always everywhere, filling every corner and creves. Shining around me, through me, from me. I feel delishesly warm, the heat spreading though out my entire body. All my nerves and senses completely aware of all life, even the smallest miniscule particles. Then the voices, they are always next, as much as I relish hearing them, I also dread it because I know what is coming after. “You are complete” they whisper in a warm, kind tone, one that puts me right at ease. “You must do it, for all life to continue” the voices getting louder, clearer with each word spoken. By this time I can normally define certain voices from the rest. They starts out sounding as one, as if a million voices all speaking in unison, but as the conversation goes on I can start to tell them apart, today I’m looking for one in pictular. I never why I’m looking for the one voice slightly different or even who they are, I just know that I’m looking for them. A feeling that if I find them everything will be explained. But I never do, oh sometime I feel like I’m close, ...