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Characters metamorphosis in literature
The role of culture in personality development
The theme of identity in literature
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Recommended: Characters metamorphosis in literature
Have you ever had trouble finding your identity? Has somebody ever wanted you to change? Or have you ever wanted to change? Always be yourself! In the short stories the characters are having trouble finding their identities. They are changing their ways so other people would like them better. In the short stories “Fish Cheeks” by Amy Tan, “Two Kinds” by Amy Tan, and “The Bass, The River, And Sheila Mant” by W.D. Wetherell, the characters learn about their identities through significant moments. First, Amy Tan in “Fish Cheeks” has some trouble with things at a special holiday dinner. For example, when Amy fell in love with a boy named Robert, she wished she was more American. He was not Chinese but Amy was. He came over for Christmas Eve dinner where the food served was all raw Chinese food. Amy didn’t know what Robert would think. “What terrible disappointment …show more content…
would he feel upon seeing not a roasted turkey and sweet potatoes but Chinese food?” (1). Amy is learning about her identity through the significant moment where they are having Chinese food for Christmas Eve dinner, which shows that they are a Chinese family. For most people a traditional Christmas dinner does not involve Chinese food. For Jing-mei this must be a traditional holiday dinner. This sculpts her identity because she is realizing that even though she wants to look American on the outside, she will always been Chinese on the inside. She realizes later on that if she wants to change her appearance she can but she will has to always stay true to herself. In conclusion, Amy is embracing her culture and learning how to just be herself. Second, Jing-mei in “Two Kinds” has some trouble with her mother wanting her to be someone that she is not.
For instance, when Jing-mei and her mother first moved to America, Jing-mei’s mother wanted her to become a prodigy. “We didn’t immediately pick the right kind of prodigy. At first my mother thought I could be a Chinese Shirley Temple.” (1). “No! I won’t! I screamed. She snapped off the TV, yanked me by the arm and pulled me off the floor.” (5). Jing-mei is realizing she is not another Shirley Temple. She does not want to do what her mother is making her do. Her mother wants her to be a genius. Jing-mei also realizes that she is not going to be a prodigy anytime soon. In the second quote she is telling her mother that she does not want to play the piano because it is not something that she really enjoys to do. She does not want to do what her mother is forcing her to do. She wants to do what she chooses to do and nobody else! To conclude, Jing-mei finally knows that she will not be the kind of person her mother wants her to be. She will just be herself. Not a prodigy, not a genius. Just
Jing-mei. Lastly, the boy in “The Bass, The River, And Sheila Mant” thinks he made a good life choice but he later might regret it later on in the future. For example, When the boy finally goes on a date with a girl he has a huge crush on Sheila Mant he has to make a huge decision. He has to choose between Sheila Mant, his major crush or to catch a huge bass that he won’t be able to catch ever again. “I pulled a penknife from my pocket and cut the line in half.”(4). He ends up cutting the line to the fishing pole. He realizes that night that he should have gone with the bass. He later thinks about how he should not have gone with the girl because she ended up going home with a different boy. The boy understands now that he made a huge, huge mistake and he knows he will never make the same mistake ever again. Finally, the boy knows now that he should never choose some girl over a one and a lifetime thing that is very important to him. In conclusion, the short stories “Fish Cheeks” by Amy Tan, “Two Kinds” by Amy Tan, and “The Bass, The River, and Sheila Mant” by W.D. Wetherell, show characters that are having difficulty finding their own identity. To start, Amy Tan wishes she was an American girl, but later on decides she should be true to herself. Second, Jing-mei does not want to be a prodigy causing a rebel against her mother, but she later realizes that her mother only wanted the best for her. Lastly the boy/narrator realizes that the girl of his dreams wasn’t worth cutting the line to a huge accomplishment. When other people or their own selves want to change for someone, they are having trouble with finding out who they really are as a person. Don’t let people determine who you really are, you have to make that decision by youself. You may go through different stages in your life trying to find out things. But you can’t lose sight of who you really are. People have trouble finding their identities all the time just know if you are having that problem you are not alone. If you don’t end up finding your identity then you will never really be you.
The main idea of this story Fish Cheeks was understanding and appreciation and having pride in one own unique culture. Tan mother invites the minsters family who happens to be her crush at the time who is Robert the minister’s son. Tan felt despaired during the entire evening, feeling ashamed of her family and non- American ways at dinner. At the end of the evening Tan’s mother tells her that she understands that she wants to like all the other American girls and handed a gift. Tan’s mother points out to her that she must not be ashamed of her difference, however, embrace these differences that she has found shame in. Overall the main idea was the differences that we are often ashamed of are the differences we should take pride in, because
She talks about how she felt ashamed about her culture and the food. In Amy Tan's essay, she had a crush on boy from the minister's family named Robert. They were invited to have Christmas Eve's dinner at Tan's place. Tan was curious about how the minister's family would react when they saw Chinese food instead of traditional turkey and mashed potatoes. She was thinking to herself that what Robert will think about the evening. The minister's family arrived and started digging in on the appetizers. Tan was embarrassed to sit with them at the table because the minister's family was surprised. But as the evening prolonged, Tan's father said “Tan, your favorite" as he served the fish cheeks to her (Tan
Throughout the story, “Fish Cheeks,” by Amy Tan, the author speaks of her “worst” Christmas dinner when her family invited Amy’s crush and his family for christmas dinner. Overall, the story was actually telling of her best Christmas dinner ever where her parents taught her to respect her culture and not be afraid to be who she was. The author and narrator, Amy Tan, used tone to convey this message to the audience in a few different ways in the story.
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
Since "You could be anything you wanted to be in America" (Tan 348) Jing-Meis' mother thought that meant that you had to be a prodigy. While that makes "Everything [sound] too simple and too easily achieved; [Jing-Mei] does not paint a picture of her mother as ignorant or silly" (Brent). In fact, in the beginning, Jing-Mei and her mother are both trying to "Pick the right kind of prodigy" (Tan 349). "In the beginning, [she] was just as excited as [her] mother,"(Tan 349) she wanted to be a prodigy, she wanted to "become perfect [she wanted her] mother and father to adore [her]"(Tan 349). As she strived to achieve perfection she and her mother would try many different things to try and find the "right kind of prodigy" (Tan 349).
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
Your identity is shaped by your desire to be who you want to be. You choose who you surround yourself with. You decide who you want to become, but in the novel the Joy Luck Club by Amy Tan, Jing-mei’s mother already had her identity planned out whether she likes it or not. According to her mother, “you could be anything you wanted to be in America.” Her standards for her daughter were nothing short of the American dream. She wanted her daughter to be a prodigy, to excel in anything, and at first Jing-mei was just as excited as her mother was. She wasn't sure where her daughter's talents rooted, but she was sure that she reeked of potential. Mrs. Woo tried to push her daughter to become an actress, but she soon found out that will get her nowhere. Then
Amy Tan’s “Fish Cheeks” describes Tan’s upbringing as a Chinese-American caught in between two cultures. In “Fish Cheeks” Tan’s crush Robert and his family were invited to Tan’s house for Christmas, Amy was embarrassed of Robert’s impression of her Chinese relatives, cuisine, and culture (Tan 110). Tan’s situation is not uncommon as millions of first generation Americans encounter similar situations while living within two cultures. Albeit the extreme embarrassment Tan endured throughout the encounter, she contends that her mother taught her a valuable lesson in appreciating her Chinese culture (111). Ultimately, Tan's purpose was to implore first generation Americans to embrace both of their cultures, in spite of its unique traditions (Tan
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
Jing-mei and her mother have conflicting values of how Jing-mei should live her life. She tries to see what becoming a prodigy would be like from her mother's point of view and the perks that it would bring her as she states in the story "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and f...
No matter how hard the Invisible Man tries, he can never break from the mold of black society. This mold is crafted and held together by white society during the novel. The stereotypes and expectations of a racist society compel blacks to behave only in certain ways, never allowing them to act according to their own will. Even the actions of black activists seeking equality are manipulated as if they are marionettes on strings. Throughout the novel the Invisible Man encounters this phenomenon and although he strives to achieve his own identity in society, his determination is that it is impossible.
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
In the story, "Fish Cheeks" it talks about how Amy Tan's Chinese family invites an American boy's family over for dinner. Amy Tan wants to impress him and thinks that he wont like the food her mother made even though it is her favorite food. She can tell that he doesn't like the food and she is embarased. So, Amy wants to fit in.
"My mother believed you could be anything you wanted to be in America" (491). This ideology inspired Jing-mei’s mother to work hard to create a better life for herself and her family in a new country. The search of the American dream exerts a powerful influence on new arrivals in the United States. However, realizing that they may not achieve the dream of material success and social acceptance, parents tend to transfer that burden to their children. It is a burden where dreams usually fall short of expectations.
At birth everyone is given a set of identities but as they grow up and find their place in the world with people they love those identities will change. I believe that changing identities throughout life will help a person develop into a better person. If a person has identified as multiple different things in his or her past then he or she will be more willing to accept and appreciate those who are different. I grew up being taught to always treat others the way I wanted to be treated and at times that can be hard, but I have always strived to be a kind and caring person.