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Essays on african american culture
African american culture analysis
African american culture analysis
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In Tennessee Williams’, A Streetcar Named Desire, Blanche represents the Old South while Stella and her husband Stanley represent the New South. Throughout the play, we see how Blanche of the rich plantation in Mississippi Belle Reve is the complete opposite of Stella’s husband Stanley. Blanche representing the Old South, is used to her lavished lifestyle of living with money, she is legitimate and is constantly asking about her appearance. She shows off her wealth and is very serious about her manners. While Stanley is vulgar and judges women based off of their looks, using his own perception to decide how he should smile at the woman. Blanche’s last name is Dubois, her name shows specifically why she is grouped under or represents the Old South. The Old South, which was racist, Blanche’s name and appearance segregates her faint idea that whites are greater than blacks. Stanley has an “animalistic” attitude and he is disturbing to Blanche. The Old South and New South are very similar but they also contrast each other in many ways.
Blanche sees Stanley as a terrible person and an animal, she speaks to Stanley’s spouse Stella about this and how different he is from the boys back in Belle Reve. Blanche explains Stanley, “He acts like an animal, has an animal’s habits! Eats like one, moves like one, talks like one! There’s even something – sub-human – something not quite to the stage of humanity yet!” (Mays 1807) Blanche says that Stanley belongs with apes and is not human like because of
DeFazio 2 his “animalistic” characteristics. Even though these traits of Stanley don’t apply to all men of the New South, Blanche’s description of Stanley shows how the New South and the Old South contrast each other. Her observation ...
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... New South are comparable but contrast each other in more ways, the lavished lifestyle, attitude, and people are all different from the Old to the New South. Stanley representing the New South, is seen as an animalistic man through Blanche’s eyes and he’s so different than the men back in Belle Reve. The wealth in the Old South differs from the wealth in the New South, Blanche is very wealthy and she loves to show it off. Lastly, the standards and people of both eras are different. The people of the Old South are appalled by the standards of those of the New South. The main difference is wealth, there has always been an uneven distribution of wealth in the U.S. but most of the people in the New South weren’t as fortunate of those in the Old South. Overall, the Old South is represented through Blanche and the New South is represented through Stella and Stanley.
[4] Description of Stanley from St.Car. [5] Harding's hands are said to be the colour of ivory "carved each other out of soap". [6] Blanche is related to pale colours consistently throughout. [7] Mitch says this to Blanche during her mental decline. [8] The house Blanche once lived in Southern America, part of the decline of slave labour and Southern way.
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
...ices, such an attempt to elicit sympathy for this monster falls short” (Bell 2). Stanley is looked at as the monster of the play which is how he should be viewed. Luck was not on Blanches side through her life which made her make the mistakes she made. Even though her past was not clean, Stanley did not purge her of this. He tried to show her the reality of the world, but through his brutal treatment, only made her sensibility worse. Stanley is a primitive ape-like man, driven only by instinct, who views women as objects and has no respect for others. He is a wife batter and a rapist who is responsible for the crumbling sanity of Blanche who is “the last victim of the Old South, one who inherits the trappings of that grand society but pays the final price for the inability to adapt to a modern world that seeks to wipe grace and gentility out of existence” (Bell 2).
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
In one conversation with Blanche, Blanche subtly insults him. He realizes this and thunders “Now let’s cut the re-bop!” (40) and scaring Blanche in the moment. With his loud, booming voice, Stanley is able to cause Blanche to cover her ears in pain and exhibit that he is powerful enough to be able to cause discomfort by merely raising his voice and putting her back in her place. Stanley obviously doesn’t do well with insults to his name because when Stella calls him a drunk animal, “Stanley charges after Stella… There is the sound of a blow… [and] the men rush forward and there is grappling and cursing” (63). It is obvious here that Stanley doesn’t like to be compared to an animal and began to take action to prove that that isn’t what you say to someone like him. However, it is ironic that his reaction is very animalistic in order to convey his strength and the magnitude of his masculinity towards his woman and towards the other men as he shakes them off. Another similar instance is when they were at the dinner table for Blanche’s birthday supper and he exclaims “Don’t you ever talk that way to me… I am the king around here, so don’t forget it” (131)!
As Stanley is first introduced in the play, he appears in blue denim work clothes. As part of the working class, Stanley’s financial and social statuses are not portrayed in a favorable light, which leads him to make the declaration that “I am not a Polack. People from Poland are Poles, not Polacks. But what I am is a one hundred percent American, born and raised in the greatest country on earth and proud as hell of it, so don’t ever call me a Polack” (Faulkner 132). As revealed in the play, Stanley is of polish origins and it can be inferred that Stanley comes from a generation of immigrants who migrated to the South post civil war. As an immigrant Stanley represents a new idea of successes. Unlike Blanche who inherited her wealth, Stanley represents the idea that with hard work and determination one can hopefully achieve the dream of success. In the presence of Stanley Blanche is reduced to being pre civil war relic. The idea of aristocratic success that she represented no longer has a place in the new southern era. As C. Vann Woodward says, “ In racial policy, political institutions and industrial philosophy, there was a break with the founding fathers of the New South” (Wright
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
In A Streetcar Named Desire, Tennessee Williams uses Blanche and Stanley to point out the different features of both periods, old and new. At the end of the play when Stella chooses to be believe Stanley over her sister Blanche. It basically means that New South wins in the end. Blanche who represents the Old South’s rich, beautiful, southern belle is sort of cast out of society. Stella on the other hand was able to adapt to the social evolution of the south and mix with Stanley to create a new life.
[More laughter and shouts of parting come from the men. Stanley throws the screen door of the kitchen open and comes in. He is of medium height, about five feet eight or nine, and strongly, compactly built. Animal joy in his being is implicit in all his movements and attitudes. Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence, dependency, but with the power and pride of a richly feathered male bird among hens. Branching out from this complete and satisfying center are all the auxiliary channels of his life, such as his heartiness with men, his appreciation of rough humor, his love of good drink and food and games, his car, his radio, everything that is his, that bears his emblem of the gaudy seed-bearer. He sizes women up at a glance, with sexual classifications, crude images flashing into his mind and determining the way he smiles at them.] Blanche is uncomfortable and draws involuntarily back from his stare. She is keenly aware of his dominant position and reacts as women of the day did. Through all of this he is the leader of his group and in full control of his household. Any opposition to his leadership is quickly put down by physical force. He beats his wife, fights his friends and eventually humiliates Blanche by raping her.
Stanley rape Blanche, so she can not reclaim her purity anymore. Her only solution is by living in her imaginary world which she can create free of adversity. She no longer survive in the harsh world of reality . Stanley decided to send her away to a mental institution. When Blanche is told that she will be leaving. Blanche further expand her imagination to Shep Huntleigh. She believed that Shep Huntleigh will take her away. The only thing that she can conquer her adversity is by using her imagination ,which result her a complete loss of identity. She is send away to her last exile and entrapment. Having proven unable to adapt her identity in order to overcome
Yes, something - ape-like about him there he is - Stanley Kowalski - Bearing the raw meat home from the kill in the jungle! Furthermore, when the play begins, Stanley enters the ground-floor apartm... ... middle of paper ... ... of the play, Williams may be hinting that Blanche is gradually being ruined.
From the moment Stanley and Blanche met the contrast between the two characters was apparent, Stanley even points out ‘The Kowalskis and the DuBois have different notions’ (S2:pg.135*). Williams uses the dramatic device of colors to symbolize a distinction between Stanley and Blanche; Stanley wears vivid colors ‘roughly dressed in blue denim’(S1:pg.116*) representing his masculinity and authority he possesses in the Kowalski household, before Blanche arrived, in contrast to Blanche who ‘is daintily dressed in a white suit’ (S1:pg.117*) representing purity and femininity. Blanche wears white at the beginning of the play thinking she will be able to hide her impure behaviour but Stanley saw right her act and knew she would be a threat to his marriage with Stella. The reason being is that Blanche constantly criticizes Stanley making derogatory comments about him calling him a ‘common’ and ‘bestial’(S4:pg.163*) along with conde...
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.