On November 26th I went to the Stone Pony in New York to see another of my favorite bands, NOFX. NOFX is a punk-ska band. Punk meaning fast paced drumbeats and quick singing and ska meaning a song played with trumpets. The band members are Fat Mike (vocals, bass), El Hefe (guitar, trumpet, vocals), Eric Melvin (guitar, vocals), and Erik Sandin (drums).
The one thing I found out there was that El Hefe sings a lot. I thought he only sings in a few songs but when I heard them play, I noticed that he sang about half of the songs. NOFX music has considerable groove for a punk band and is sparked by the two lead guitarists, Eric Melvin and El Hefe. Tight play between the band's four members, and short, fast, punchy songs, with a laid back approach would even have non-punk fans entertained.Their songs talk about racism, politics, social problems, sex, drugs, lesbians, bums, alcohol, animal freedom... and many other strange subjects.
In their music you will find punk, of course, but also rock, hardcore, ska, even reggae and jazz. If you ask me they are a just a punk-ska band. Their songs are interesting and different from one another. Each song has it's own characteristics.
The lyrics are very interesting, sometimes strange, and sometimes incomprehensible. You basically just have to understand them in your own way.The club was packed, or more accurately, stuffed. After much anticipation the punk gods, NOFX hit the stage and the crowd surged with excitement even before they opened the set with one of my favorite songs, "Reagan Sucks." The next song they played was "Bob". They played songs from the album "Flossing a Dead Horse" - which is one massive trumpet solo presented by El Hefe. The next song they played was "Eat the Meek" with trumpet and lead vocals by El Hefe.
The mosh pit was monstrous and seemed to gain in size as it rotated in circles and swallowed innocent bystanders into the craziness. People were being knocked over everywhere and smashed by the surging waves of dancers. People were body surfing and there seemed to be chaos going on everywhere. After that, the seventh song they played was "Hobophobic" (Scared of bums not just because they stink bad. Not just because they're crackers.
From drinking too much lysol. Let them be.) Then they played "Six Pack Girls".
The band is composed of six musicians, and has been in the music industry for over twenty years. The main singer is the director and is the oldest member of the band, he has been there since
Peige, John D., editor, Fire in Beverly Hills Supper Club Kills 162, Fire Protection Publications, International Fire Service Training Association, Oklahoma State University, Stillwater, Oklahoma, Aug. 1977. Internet resource.
In West Warwick Rhode Island, on February 20th, 2003, during the performance of the band Great White, a fire broke out that eventually claimed the lives of 100 people and injured an additional 200. The band’s tour manager arranged for, and ignited pyrotechnic props, large fireworks designed to display a shower of sparks. The sparks ignited foam soundproofing near stage. The fire spread quickly. Most were killed either in the crush to exit the building or overcome by fumes while trying to find an exit. The immediate cause was well documented due to witness reports and a videotape that was taken during the concert. In the period that followed the tragedy there were many attempts to fix blame. Following a Grand Jury investigation, several of the parties involved plead guilty to violations of the law and served or are currently sentences in prison.
them. He talks about what it was like living with them and how the different bands interacted
Prior to carrying out the activity, I had already agreed with David and my supervisor that I was to personally support David throughout the basketball game. Therefore, I arrived at my placement 30 minutes before the start of my shift to assess the suitability of the gymnasium, and the condition of the basketball equipment. Studying ‘Protection of Individuals from Possible Harm and Abuse’ has allowed me to identify and reduce the factors that contribute to physical harm occurring, allowing me to meet The Scottish Government’s [TSG] National Care Standard 4.2, which states; ‘You have a named member of staff who is responsible for your care and support’.
Their work encompasses many genres into one. The band’s musical influences are comprised of jazz, rock, blues, bluegrass, folk, and country. Also, the band began to gain popularity during the movement of psychedelia. Psychedelic elements can be heard in almost all of their albums.
Lead singer/rhythm guitarist Sonny Remlinger makes the cool clubs warm with the lyrics he belts out one reverberation at a time. Joseph finds songwriting sessions useful to the process and is crafts distinctive songs people enjoy seeing play out in live forum. “As f...
The band consist of 8 members, Nathan East bassist/vocals, Andy Fairweather-Low, lead guitar/vocals, Steve Ferrone- drums, Chuck Leavell-key boardist, Ray Cooper- tambourines, Katie Kissoon and Tessa Niles- vocals, and Eric Clapton- composer, rock n roll guitarist, lead vocalist. The band members dressed in casual attire. The band members were professionals, they knew exactly how to orchestrate every chord, they collaborated with the lead singer and each other in ways that wasn’t so noticeable to the audience but they knew which chords to use for every song, the band was a top notch team. The tempo of the songs were a mixture of fast, slow, to a medium style beat. The texture of the songs was homophonic and well put together lyrics. The style of the music was from the 1960s-1970s which genres were rock, blues rock, psychedelic rock, hard rock, jazz and blues.
Rayfield, Jo Ann. "Tragedy in the Chicago Fire and Triumph in the Architectural Response." Tragedy in the Chicago Fire and Triumph in the Architectural Response. Illinois Periodicals Online, n.d. Web. 02 May 2014. .
Daft Punk have been very influential in the ways that they produce and perform., from revolutionising the Electronic music genre to changing the way artists perform and interact with their crowd.
When a person becomes a parent, their role in life undoubtedly changes. The person must become a teacher, a guide, and a helping hand in the life of the child. Research has shown that there is a distinct connection between how a child is raised and their overall developmental outcome. John Bowlby’s attachment theory emphasizes the importance of the regular and sustained contact between the parent-infant or parent-child relationship (Travis & Waul 2003). Yet, what happens when the only physical contact a child can share with their parent is a hand pressed on the shield of glass that separates the two? What happens when the last memory of their mother or father was from the corner of their own living room as they watched their parent become handcuffed? In 2007, there was an estimate of approximately 1.7 million children of incarcerated parents in the United States (Poehlmann, Dallaire, Loper & Shear 2010). Of those 1.7 million children, 58% of those children are under the age of 10, with the mean age being 8 (Travis & Waul 2003). The children of incarcerated parents are often moved from one family and one school to the next. The child must cope with this issue in home and in school, and may find it especially hard to cope with during school. Schools, however, can be a safe place for these children. This research explored the psychological effects of parent incarceration on the child, the school-based problems that occur as a result, and what educators can do to support children of incarcerated parents.
The challenges of children who grow up with parents whom were incarcerated at some point in their childhood can have a major effect on their life. The incarceration of parents can at times begin to affect the child even at birth. Now with prison nurseries the impregnated mother can keep her baby during her time in jail. With the loss of their parent the child can begin to develop behavioral problems with being obedient, temper tantrums, and the loss of simple social skills. Never learning to live in a society they are deprived of a normal social life. “The enormous increase incarceration led to a parallel, but far less documented, increase in the proportion of children who grew up with a parent incarcerated during their childhood” (Johnson 2007). This means the consequences of the children of the incarcerated parents receive no attention from the media, or academic research. The academic research done in this paper is to strengthen the research already worked by many other people. The impact of the parent’s incarceration on these children can at times be both positive and negative. The incarceration of a parent can be the upshot to the change of child’s everyday life, behavioral problems, and depriving them a normal social life.
The first person to play was supposed to be Sweetwater but they were stuck in traffic so Richie Havens had to open up the festival. Richie did not want to open the show and kept making up excuses but Michael Lang was not giving up he knew he could do it. At 5:07 pm he sucked it up and went out there and sang his spiritual heartwarming music. He was only suppose to do forty five minutes worth of songs but the crowd wanted more so he went back on stage and sang every song he knew. His last song was called “Freedom” everybody loved it so much that other bands had to do fantastic to compare. (Hilstrom)
Maternal incarceration makes up just ten percent of all parental incarceration in America (Wright and Seymour 9). Although they are smaller in number, studies have shown that children whose mothers are serving time in jail or prison are more severely affected than children whose fathers are incarcerated (Parke and Clarke-Stewart 2). Mothers were most likely their children’s primary guardian and caregiver before their sentence, while many fathers in prison were not present in their children’s lives even before they were arrested(Parke and Clarke-Stewart 2). The loss of a father that they never knew does not seem to disrupt a child’s life as much as the loss of a mother does.
After 15 minutes people were starting to get frustrated because nothing was happening. It is a good thing. Suddenly there was activity onstage and the lights dimmed. the first support band, Slam Cartel, came on. The mosh pit went wild.