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Recommended: Early 20th Century Art
A Still Life Painting by Robert Spear Dunning (Slide #1)
Hello Everyone,
On the field trip to the Washington County Museum of Fine Arts in Hagerstown, Maryland I chose a painting of Still Life from the Smith’s gallery, painted by a nineteenth-century American artist, Robert Spear Dunning who lived from 1828 to 1905.
(Slide #2)
This painting is of oil on canvas entitled Still Life in a Dining Room Interior and painted around 1875 by Robert Dunning- an artist known for his association with numerous still life works. In this painting we can see the artist uses a normal view, balanced composition and a mix of vivid hues to convey a sense of prosperity and harmonious aesthetics, representative of the mood of people around the time of the painting
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In 1853, on his return home he worked in his own studio. It was, however, around 1865 that Dunning, inspired by his association with these artists and by the post-civil war boom in Fall River, started painting still life and soon concentrated mostly on fruits and flowers, for which he became best known. The influx of wealth in Fall River had its people indulging in extravagances. Art was in demand and its citizens found great comfort in still life paintings, to the extent that Dunning started an art school The Fall River Evening Drawing School which focused on still life art.
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Still life painting has been around since ancient times and portrays a unique quality of strangeness in that it mixes visual effects from different seasons in one presentation. Philadelphia is perhaps the birth place of the American still life paintings and home of renowned still life artists like Charles Willson Pearle, founder of the Pearle Museum. This influence rapidly spread to the neighboring regions including Fall River. In the mid nineteenth-century, in the post-civil war days, still life paintings of fruits were plentiful as they express optimism and comfort.
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Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
"John William Waterhouse Biography." Artble: The Home of Passionate Art Lovers. N.p., n.d. Web. 12 Feb. 2014.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
The Resurrection was made by Francesco Buoneri, known as Cecco del Caravaggio around 1619-20. The oil on canvas painting was commission by a Tuscan ambassador. Its new permeant home is in the Art Institute in Chicago. I chose to look at this painting for many different reason. The Resurrection is an amazing painting that through basic size, composition, and theme that captured my attention.
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
Thomas Cole was born on February 1, 1801 in Bolton, Lancashire, England. Due to financial problems his family endured, Cole, at the ripe old age of just fourteen, had to find work to assist with the family needs. He entered the work force as a textile printer and wood engraver in Philadelphia. In 1819, Cole returned to Ohio where his parents resided. Here, a portrait painter by the name of Stein, would become Cole’s primary teaching vehicle and inspiration for his oil techniques we’ve come to be familiar with. During this time, Cole was extremely impressed by what he saw in the landscapes of the New World and how different they were from the small town of England from whence he hailed. Self taught, art came naturally to Cole.
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Richard Estes’ Realism is an exhibit consisting of a variety of paintings of various places around the world. The exhibit could be seen at the Portland Museum of Art from May 22, 2014, through September 7, 2014, before it became an online exhibit on the Smithsonian American Art Museum website. The exhibit is made up of paintings solely created by Richard Estes. The exhibit features paintings of urban scenes from various cities and countries. Estes' 50 years of work as an artist is showcased in this exhibit.
“In still life, it’s the same; these things had a history, a set of personal meanings; they were someone’s. The paintings seem to refer to this life of ownership, and to suggest something of the feeling attached to these things, while withholding any narrative….Their associations are long since dead, though something of the personal seems to glow here still” (Doty, 2001, pg. 29). This quote by Mark Doty in his book, “Still life with Oysters and Lemons” helps me analyze the still painting, “Still life with a gilt cup” by Willem Claesz. The first thing that I noticed about the painting was that the colors are very subtle. The painter creates an almost calming, gloomy atmosphere with the colors he has chosen. The background even though very subtle, seems to
This assignment will provide an analysis of the Modernist artwork of Paul Cezanné's, Still-Life with Apples and Oranges (c.1899) within the art movement of Impressionism. The analysis will be based upon the aesthetic and ideological underpinnings of the avant-garde. This will be done with reference to the writings of Charles Harrison and Clement Greenberg. Firstly, Modernism and the avant-garde will be discussed as defined by Harrison and Greenberg as the introduction to the discussion of the chosen artwork of Cezanné, followed by the analysis of the artwork with reference to the writings and how Cezanné's artwork and artistic characteristics and personal views attribute to Still-Life with Apples and Oranges (c.1899) whilst being classified within the framework of Modernism.
Art provokes oneself to express a feeling that one has encountered in their lifetime and allows the artist to display their masterpiece for an observer to connect to. Artist Berthe Morisot once said, “It is important to express oneself… provided the feelings are real and are taken from your own experience”. With the usage of movements, hues, sounds, shapes, or methods articulated in words, an artist can communicate his or her beliefs by making emotional connections to their audience. Art allows individuals to express themselves in creative ways that can bring many individuals closer by having a connection. In Aldous Huxley’s novel, Brave New World, nearly everyone is conditioned in the modern world to show the impact of what art can influence
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...