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Elements of drama IN HAMLET
Soliloquies in Hamlet
Elements of drama IN HAMLET
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Rhetorical Ideas
(An analysis of Hamlet's Soliloquies and the messages derived from them) “To be or not to be is probably the best-known line from all drama or literature.” (Martin). That soliloquy came from Act 3 Scene ! of Hamlet, and the topic revolved around the idea of life or death. The main character, Hamlet, is trying to decide whether or not life is truly better than death. The consequences of death inevitably crossed his mind as well, which led this scene into being tremendously relatable. The fact that these lines are so relatable and discuss the unknown, could be the very reason why they are so infamous. The soliloquies in the play Hamlet, provided the audience with a few take home messages. First of all, in the soliloquy “To be or not to be,” Hamlet provides the audience with the message that death can be something that is desirable. He is constantly debating over whether or not he should truly just end all of his misery, and simply commit suicide. “To die - to sleep, no more; and by sleep to say we end the heart-ache and the thousand natural shocks that flesh is heir too” (Act 3 Scene 1 Lines 67-70). It seems as if Hamlet believes death is a huge relief, and he is clearly trying to portray it in that manner. This is not always the case in Shakespeare’s eyes and he illustrates later in the soliloquy.
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Immediately after Hamlet stated that death can be desirable, he quickly realized that may not always be the best for everyone. This includes himself, because now he begins to think about how the afterlife might not be the best bet for him. “And make us rather bear those ills we have than fly to others that we not know of” (Act 3 Scene 1 Lines 88 and 89). Hamlet realized that if he were to kill himself that he could then possibly go to hell, which would make the afterlife actually worse than his previous
Hamlet views his existing life in a negative manner, and he sees that the only way to escape his misery is to take his own life. A thought of self-slaughter is enough to devalue one’s life, and throughout the entirety of the play it is the only way Hamlet values his own life. To live or not to live, that is Hamlet’s only question, while the value of his own life is not in
To begin with, Hamlet starts off his speech asking, “Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or to take arms against a sea of troubles/ And by opposing end them” (Shakespeare 3.1.57-60). He wonders if he would be more noble if he took his own life and end his sorrows than if he continued to endure him. This question shows the pain and grief that Hamlet has experienced since the death of his father. According to Ophelia, later in Act 3 Scene 1, she reveals that Hamlet was once the obvious successor to the throne since he was charismatic and admired by the people. Clearly, in this part of the play, he is suicidal, and he is uncertain about many of the big decisions in his life. This extreme change in Hamlet’s behaviors makes the audience worry about Hamlet’s mental health. Is his feigned madness transforming into true insanity? However, his comparison to death and sleep suggests that Hamlet is in a state of reflection and learning. Hamlet’s analogy between death and sleep is the musings of an ordinary man who wonders what happens to a soul once its body dies. Just as no one knows what dreams they will experience when they lay in bed, no knows what they will experience when their body is finally laid in a grave.
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences no matter how seemingly miniscule affect the way in which someone watching the play connects with the title character.
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
Hamlet gives us seven soliloquies, all centered on the most important existential themes: the emptiness of existence, suicide, death, suffering, action, a fear of death which puts off the most momentous decisions, the fear of the beyond, the degradation of the flesh, the triumph of vice over virtue, the pride and hypocrisy of human beings, and the difficulty of acting under the weight of a thought 'which makes cowards of us all'. He offers us also, in the last act, some remarks made in conversation with Horatio in the cemetery which it is suitable to place in the same context as the soliloquies because the themes of life and death in general and his attitude when confronted by his own death have been with him constantly. Four of his seven soliloquies deserve our special attention: 'O that this too sullied flesh would melt', 'O what a rogue and peasant slave am I!', 'To be, or not to be, that is the question', and 'How all occasions do inform against me'.
Hamlet’s “To be or not to be” soliloquy is conceivably the most prominent soliloquy in the archive of the theatre. Even now, more than 400 years after it was originally written there is still an air of familiarity that reaches others even if they do not know the play itself in detail. In act 3, scene 1, Hamlet’s “To be or not to be” Soliloquy is critical in developing the plot because this is when Hamlet discusses his most suicidal thoughts.
And by opposing end them? To die: to sleep” ( ). These famous lines are the most important lines in the entire play because there is much debate on Hamlet’s sanity during his confession. In these lines, Hamlet contemplates suicide. One could argue that he is insane for wanting to kill himself, however understanding his past helps show he is sane.
In Hamlet, Hamlet wants to avenge his father’s death, but wonders whether the struggle of living and carrying through with his plans is worth the hardships, or if death is a better option. Shakespeare writes a soliloquy where Hamlet discusses with himself whether he should live or die. Shakespeare discusses the idea of suicide through metaphors, rhetorical questions, and repetition until Hamlet decides that he is too afraid of death to commit suicide.
Shakespeare begins to emphasize mortality throughout the play even more in Act 3, Scene 1 when Hamlet is now discussing to himself whether he should kill himself. In the last soliloquy he was understanding how its a crime and a sin to commit suicide but in act 3 scene 1 his mindset changes dramatically. He states “ To be or not to be—that is the question: Whether it is nobler in the mind to suffer”(3.1.64-65). Hamlet is now asking himself if he should die, should he commit suicide. Would it be worth living in?
In this soliloquy Hamlet once again talks about suicide. He says he would like to get rid of his endless troubles by killing himself, because in death he can sleep and have no worries.
The way we see ourselves is often reflected in the way we act. Hamlet views himself as different to those young nobles around him such as Fortinbras and Laertes. This reality leads us to believe that over time he has become even more motivated to revenge his father's death, and find out who his true friends are. How can you be honest in a world full of deceit and hate? His seven soliloquies tell us that while the days go by he grows more cunning as he falls deeper into his madness. This fact might have lead Hamlet to believe that suicide is what he really wants for his life's course.
Hamlet's Soliloquy - To be, or not to be. Hamlet's "To be, or not to be" soliloquy is arguably the most famous soliloquy in the history of the theatre. Even today, 400 years after it was written, most people are vaguely familiar with the soliloquy, even though they may not know the play. What gives these 34 lines such universal appeal and recognition? What about Hamlet's introspection that has prompted scholars and theatregoers alike to ask questions about their own existence over the centuries?
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
He is always worrying that he will be sent to hell for committing a sin. He believes in God and he believes in a heaven. Since Hamlet believes in both heaven and our God, he is not able to commit suicide and depart from this world. He wishes that he could die, but at the same time he knows that he must live. God decides where and when people die and his judgment is supposed to be final. Humans just think that they can end their lives and they 'll be alright with that. But it is God who determines when life is brought in and out of the world. Therefore, this is partly why Hamlet didn’t commit suicide.
In his most famous soliloquy, Hamlet ponders whether he should take action against his "sea of troubles" and seek revenge for his father's death or live with the pain of his father's murder. Hamlet's weakness is later illustrated when he passes up the opportunity to kill Claudius by rationalizing that he has made peace with God, therefore sending him to Heaven if he were to be slain. In addition to his proposal of vengeance, he also contemplates whether it is better to stay alive or commit suicide. "To die, to sleep--/No more--and by a sleep to say we end/The heartache and the thousand natural shocks/That flash is heir to--'tis a consummation/Devoutly to be wished" (III,i,68-71). If he were to sleep, he feels that all his troubles would vanish, and this would not be such a bad thing. However, he says that if he were to sleep, he might have disturbing dreams while in slumber which would be wholly undesirable. Hamlet knows that what he wishes to do to his uncle is sinful and wrong, but it is this train of thought that leaves him in a state of anxiety. This soliloquy portrays Hamlet as a sort of coward because he can not act upon his own emotions and desires. In order to escape his heartache, he cowardly thinks about killing himself. Nevertheless, Hamlet's resolve makes a dramatic turn by the time he recites his soliloquy of Act IV, Scene iv.