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Depiction of women in literature
Depiction of women in literature
Depiction of women in literature
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Many people strive to live a perfect life. They try balancing the unexpected obstacles and the unwanted problems it gives. Although perfection clearly cannot be achieved, hopeful people constantly thrive to live without pain, worry, and discontent. In Ann Beattie's short story “Janus,” the main character, Andrea, reflects on the time spent with her past lover‒ time where she achieves her idea of a perfect, stable life. Now that he is gone, she is left with her husband who fulfills Andrea’s financial needs but not her emotional needs. Andrea keeps a bowl with her to remind herself of her greatest moments with both her lover and her husband. In “Janus,” the bowl symbolizes Andrea’s longing for an unattainable perfect life.
The short story abruptly begins with the succinct sentence “[t]he bowl was perfect” (595). Beattie claims the inanimate object’s perfection with no character or description to expose Andrea’s extreme attachment to a simple home commodity. Following this claim, she develops Andrea’s life as a real estate agent “tak[ing] the bowl from house to house” like a safety blanket (596). Even at home she keeps it in her view because “she like[s] to see it” (596). Andrea also keeps the “perfect” bowl close to her in an attempt to relive
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Although Andrea’s circumstances change, the bowl is still depicted the same way: “near the rim, even in dim light, the eye moved toward one small flash of blue” (599). The “small flash of blue” represents the glimpse of what Andrea thought was her perfect life. She had both her lover and husband in her life for a “small flash.” Even though this was a minimal time, she still longs to have both men in her life. The blue light being at the rim of the bowl shows that Andrea’s happiness stems from such an unusual time in her life. Yet, her eyes still seem to find their way to the blue light and remind her of the “flash” of a perfect life she
She tried to do many things to be “better” than she had been. Showering everyday to be the cleanest version herself made her feel that it enhanced her quality of life. She was doing this day in day out and even sometimes twice a day as part of her “cleanliness”. While she did not have much money, she spent her extra cash on what she felt was its place to be spent in. Herself. Her appearance. Edith had bought the nicest and most soothing scent of perfume along with a flashy wristwatch and admirable dresses in an attempt to boost her self-esteem and self-image. Amidst the scent of roses and nice clothes Edith tried to change her attitude. She refused to gossip anytime Mrs.Henderson would endeavour at gossip. Edith read beauty magazines and books about proper etiquette one of many customs she had adopted. She did this daily and accustomed to it believing that she needed to it to be the more proper version of herself as the way she wanted to execute her plan of a changed woman. Edith altered herself and the way she did many things. Although she still knew who she really was and where she came from, she refused to accept it. Along with many things were done Edith’s decisions were overthrown by her self-image on her role of a daughter
Ethan went into town to search for glue to repair the plate, just as he sought out Mattie as a temporary fix to his broken marriage. Mattie’s desire to decorate the table for a beautiful dinner frustrates Zeena because of the meaning behind the plate - it was a wedding gift that is now being used in an adulterous relationship. Ethan is quick to defend Mattie for being blamed for breaking the plate, yet feels no sympathy for Zeena. The memories that are recalled from the shattered plate evoke tears and pain, but Mattie and Ethan disregard Zeena’s suffering. While the fragments of the glass pickle dish resemble pure carelessness, they also resemble a relationship so broken that even glue cannot mend the fragments of their
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
...izes the chance for happiness. Janie is comfortable knowing that she can live for herself, for she has become the subject of her own life. Janie is a complete woman because her inner and outer self unites; she transforms her social role into an organic role. Being comfortable in one's own skin and self, because of and not in spite of, is the true source of joy.
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages.
When Janie is growing up, she is eager to become a woman and is ready to dive into the strain, maturity, and exhilaration of adulthood. In the beginning of Janie’s life story, Hurston introduces the metaphor of the pear tree, a symbol of Janie’s blossoming, and describes how “she had glossy leaves and bursting buds and she wanted to struggle with life but it seemed to elude her,” which successfully captures her excitement and perplexity of entering the adult world (11). Janie’s anxiety of growing up is also articulated with the image of her “looking, waiting, breathing short with impatience. Waiting for the world to be made” (Hurston 11). In her teenage years, it seems as if her life revolves around the anticipation of womanhood. Even as Janie grows older, she continues to hold on to her aspiration of living an adventurous, invigorating, and passionate life. In criti...
The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage. Possibly the lady isn’t writing a
Catherine is a mother in the 1850’s living on the border of Kansas as a free-stater. Everyday she devotes her time to making sure the house is ship-shape. She works on sewing clothes for her fast growing children, and then spends hours making food so she can keep her family’s bellies full and their faces smiling. Today as she finished her long list of daily chores and began to make dinner, she remembered that her husband said he will be coming home a little late. So she decided to sit down with her three rambunctious, hungry children (all under the age of ten) and eat without him. Just as she got the children to settle down and started to say the blessing on the food-Bam! Bam! Bam! What happened? Without hesitation she grabbed
Base needs met, Chef moves to fulfill sexual needs without love; just an opportunity to pontificate to “get the girl”. A painting of an apple causes Chef to dwell on times past; a time before war. A time of friendship; not love. We do not need details. The apple peeling away is enough. It is a comfort to him. A simpler less complicated time where his life was his own. Art stimulates the mind.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Charlotte will never be anything but a wife and mother with no room to become a writer. Dependent on her husband for emotional support as well as financial support, Charlotte did not outwardly disagree with John's diagnosis. Without much protest, Charlotte stays in one room for fear of being sent to Dr. Mitchell's for the Rest Cure. (4) Trapped in a room with no aesthetic pleasure, she was left to her own thoughts. Societal norms said th...
While other writers use their poetry to decipher the meaning of life, Anne Finch, Countess of Winchilsea was busy writing about how to live it. Five of her poems, “Jupiter and the Farmer,” “The Tree,” “The Shepherd Piping to the Fishes,” “Love, Death, and Reputation,” and “There’s No To-Morrow,” convey strong messages to the reader about how to live their lives. In her poetry, Anne Finch uses anecdotes to help illustrate the validity of her statements, thereby providing the reader with a strong, meaningful, and important message about how life should be lived.
In the short story “Where Are You Going, Where Have You Been?” the author Joyce Carol Oates, tells a breathtaking story about a teenage girl named Connie. Connie is faced with an earth-shattering situation with a stranger who is known as Arnold Friend throughout the story. To the reader of the story, Connie could be seen as hopeless and self-absorbed, who is looking for someone to accept her. She uses her beauty to make herself feel mature and get the boys attention. However, when Connie ran into Arnold, her beauty only made her look like an easy target. Throughout the story, the character’s reactions made it clear to the reader Connie’s earth-shattering experience was only part of a dream.
... transforms into a way to improve the community in worship and in life. For Martina and Philippa, food offers a spark they can use to save the church and keep their father’s dream alive, while also improving on what he built. For the Chu family, the ritual of Sunday dinner allows them to learn to accept each other while accomplishing and discovering their individual passions. This experience provides the characters with an opportunity to communicate. The meals they share together open their minds to new ideas concerning religion, family, and culture, and the transformation of food from stale and flavorless to tasty and wholesome symbolizes this change.