Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Why the yellow wallpaper jane had postpartum depression
Women in patriarchal
Women in patriarchal
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Throughout history, women have been considered inferior to men. In patriarchal societies, women were deemed to have no valuable opinions and were dependent on men for financial and emotional support from birth to death. Emily Brontë's Wuthering Heights and Charlotte Perkins Gillman's "The Yellow Wallpaper" both depict the repression of women, their inferior status, and the defiance of societal norms by feminist characters. For centuries, men have assumed that women are the weaker sex due to menstruation and childbirth. During these times, it was common for women to suffer from "hysteria." In "The Yellow Wallpaper," Charlotte suffers from what is assumed to be postpartum depression. Her husband, who is also a physician, pays little attention to her opinions and feelings, and minimizes her worries. Charlotte eventually deteriorates due to feeling repressed and trapped. She is dependent on her husband for emotional and financial support and does not outwardly disagree with his diagnosis. In Wuthering Heights, Cathy symbolically defies society by marrying Hareton for love, despite her lowered social status. Victorian literature reflects society's restrictions on women, but also shows their resistance to patriarchal norms.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
After one failed marriage with a child, Charlotte did not believe that there was much left for her. Charlotte took her emotions and construed them into a positive thing, her writing. Just like the woman in the story, “The Yellow Wall-paper”, Charlotte was sick. The doctors prescribed the “rest cure” for Charlotte. This prescription meant that she had to stay in bed for weeks on end, and had to limit her intellectual activities (Gilman 831). Charlotte was also instructed to live as much of a domestic life as she could. The doctors and her husband wanted her to stay home to cook, clean, and tend to their child. Staying in your own house, in your own bed for that long of a time would drive any person the slightest bit of crazy. During this time is when Charlotte Perkins Gilman wrote, “The Yellow Wall-paper”.
Men in the 19th century had the power to decide where the women could go and what they could think. Men always does what they want, but women cannot. Men in the 19th century make decisions based on what they think is best for women, and not based on what women really wants. The yellow wallpaper represent how women felt in the period of the time. The illness that Jane have explain imprisonment, captivity and the lack of freedom that the women were going through in the 19th century. The yellow wallpaper acts as a metaphor of how Jane and the women of the 19th century were treated and how they feel. If I were a woman of the 19th century locked in a room doing nothing, and following the instructions of a man, I think I would kill myself. What would you
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Charlotte Perkins Gilman, the author of the short story The Yellow Wall-Paper, wrote a story with a focus on mental illness; while doing so she began a feminist revolution in the late 19th century. The narrator, Jane, is attempting to break free from society’s patriarchal ideals and begins to carve a path for women of the future. While the narrator of the story may not have fully escaped, her efforts mark an act of martyrdom for women’s rights and freedom during this era.
She valued self-expression in which inspired her story, The Yellow Wallpaper, it is said to be a “…painful episode in Gilman’s own life,” (Spark Notes). It is important to take into account the background of the author. Gilman, was once a married woman with a newborn child. Gilman suffered from “…severe and continuous nervous breakdowns tending to melancholia—and beyond,” (258). In her, Why I Wrote “The Yellow Wallpaper”, Gilman, goes into depth about her experience with the rest cure invented by, Weir Mitchell. Gilman claims she, “…went home and obeyed [the treatment] for some three months, and [she] came so near the border line of utter mental ruin…” (258). With this being said Gilman, writes her short story to aid women in similar situations and even to prevent women from falling into the same demise. Our main character, Jane moves into an ancestral hall for the summer under the care of her physician who is also her husband. Jane is diagnosed with “…temporary nervous depression [and] a slight hysterical tendency…” (Gilman 648) although she realizes there is more to her illness than temporary nervous, her husband time after time ignores her wishes claiming to know best for her. Throughout the story despite her husband’s orders for limited mental activity, Jane writes in a journal and keeps written accounts of her time in the
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
The story follows the journal entries of a woman in the late 1800s for three summer months. Her husband placed her in a former nursery under strict orders not to leave after the birth of her first child. This is what was known as the ‘rest cure’, a medical treatment given to hysterical women in this particular time, especially after they had given birth. Her husband forbids her from seeing most friends unless she is supervised and restricts her from writing in her journals for the sake of her health. This narrator writes that she disagrees with her husband and his diagnosis, but she passes it off as something “one expects… in marriage” (Gilman 647) and says nothing. Her husband grows desperate to cure her, and in his anxiety, he threatens to “send [her] to Weir Mitchell in the fall” (Gilman 650), a mental health facility of ill repute. As the story progresses, her care is placed into the hands of the housemaid and sister-in-law, Jennie. Her relationship becomes more and more strained with her husband as she sees less of him
Throughout time and literature, the male supremacy and oppression of women have been the topic of many literary debates and creative writings. Feminist theorists are and have always been on a perpetual literary high; women writers such as Sandra Gilbert and Susan Gubar in 1979 and Charlotte Perkins Gilman in 1892 wrote about the oppression of women and the liberation that they were adamant about receiving. This spark for freedom in a patriarchal society drove Charlotte Perkins Gilman to write her infamous short story “The Yellow Wall-Paper.” In writing this story, Gilman depicts an oppressed woman taken from society and condemned to an oppressive treatment that paralyses her as a human; the distributer of this treatment is the capitalist patriarchy.
McLay '06, Molly (2003) "A Tale of Two Feminists: Reading Charlotte Perkins Giman's "The Yellow Wallpaper" as an Allusion to Jane Eyre," Undergraduate Review: Vol. 15: Iss. 1, Article 7.Available at: http://digitalcommons.iwu.edu/rev/vol15/iss1/7
During the Nineteenth Century, women were considered second-class citizens. The rigid distinction amid men and women made the married women subservient to their husbands. Men, with their superiority complex, dominated women. This domination is the main theme Charlotte Gilman illustrates within her story "The Yellow Wallpaper." In this fictional short story, the author attempts to bring attention to gender equality. Another theme she tries to portray in her story is the poor treatment of depressed patients. Charlotte Gilman, herself was depressed after she gave birth to a child. She did not agree with the treatment she received. The "rest cure" was an ineffective way to treat a patient. Too much ideal time makes a sane person go insane. This
The authoritative voices of her husband and other doctors urge her to be voiceless and passive. John’s assumption of his own superior knowledge and maturity leads him to misjudge and control his wife, all in the name of helping her. He did not realize the severity of her condition and instructed her to instead take a break with the country air and so he isolates her. She was given the “rest cure” women were frequently prescribed in the nineteenth century; a time of complete isolation with no forms of creative outlets for the mind. The connection between the compliance of the narrator under her role in the family and under a doctor is clear- where her silent compliance had led to bad consequences. She states, "If a physician of high standing, and one’s own husband, assures friends and relatives that there is really no...
American feminist Bell Hooks states “Being oppressed means the absence of choices” which was a representation of many women in the Victorian era. During the Victorian Era, Charlotte Perkins Gilman wrote one of the first feminist stories. The short story “The Yellow Wallpaper” is about a woman who suffered postpartum depression during a period of time when it was believed to be normal. Being isolated from everyone was one of the directions she had to follow according to the rest cure treatment she was prescribed after being diagnosed with hysteria. In the story, the narrator is taken to a colonial mansion, restricted only to a room on the third floor with a powerful yellow wallpaper which contained scratch marks that resembled prison bars, and
Feminist and socialist issues are imperative for progressive thinking and actions in today’s society. These issues were particularly new and diverse within the 19th and 20th century, when men were more in control of woman and women were required to fulfill specific roles. Most notably, writer, Charlotte Perkins Gilman became very active on these issues personally and incorporated them in her stories. One story in particular is The Yellow Wallpaper, where she brilliantly associates real life depictions alongside fiction to illustrate a misguided, repressed woman who has been overpowered physically and emotionally most notably with her medical diagnosis of the “rest cure” conferred by her husband.