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During the Nineteenth Century, women were considered second-class citizens. The rigid distinction amid men and women made the married women subservient to their husbands. Men, with their superiority complex, dominated women. This domination is the main theme Charlotte Gilman illustrates within her story "The Yellow Wallpaper." In this fictional short story, the author attempts to bring attention to gender equality. Another theme she tries to portray in her story is the poor treatment of depressed patients. Charlotte Gilman, herself was depressed after she gave birth to a child. She did not agree with the treatment she received. The "rest cure" was an ineffective way to treat a patient. Too much ideal time makes a sane person go insane. This …show more content…
rest cure almost destroyed Charlotte Gilman when she was going through her depression. The story is told in the first person point of view. Everything the reader learns in the story is learned through the thoughts and emotions of the narrator. The protagonist in the story is the narrator. She is the subservient wife of John. The setting is in "a colonial mansion, a hereditary estate." The narrator marvels at the grandeur of the estate her husband rented. She is surprised that "mere ordinary people" can afford such a place. She wonders what is wrong with the house. Maybe the house is haunted? There has to be some reason the house has been empty for so long. This wonderment takes her thoughts to her illness. She begins to complain about her husband, who is also her doctor. His prescription of rest becomes the main conflict of the story. She feels she should keep working and not be idle. Her husband feels he knows what is best for her. He dismisses her own sense she has about her illness. He belittles her and does not believe she is sick. A good example of verbal irony is when the narrator writes in her journal her thoughts about her husband, the physician. "John is a physician, and perhaps---( I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)---perhaps that is one reason I do not get well faster." By stating, she would not say it to a living soul reflects the subornation she feels she has to follow in her society. The narrator secretly starts writing in a journal.
She begins by describing the house. Mostly her descriptions of the house are positive until she reaches the room with the yellow wallpaper. "It was a nursery first and then playroom and gymnasium, I should judge; for the windows are barred for the little children, and there are rings and things in the walls." The irony here, it is abundantly clear that the room was used before to house and insane person. Every thought she has comes back to the wallpaper. The "revolting" color, the strange pattern makes her feel irritated. She tries to convince her husband to sleep in another room, but he becomes a great source of frustration when he belittles her. She cannot say anything about her treatment or her illness without him reprimanding her like a child. An example of this is when husband and wife talk one …show more content…
night. "Then do let us go downstairs," I said, "there are such pretty rooms there." Then he took me in his arms and called me a blessed little goose, and said he Would go down the cellar, if I wished, and have it whitewashed into bargain. She does what she is told.
She secretly stays awake at night and goes to sleep during the day. Giving the image to John she is resting like he has ordered. This is also a great place of irony the author wrote. The more the narrator obsesses about the wallpaper, the deeper and deeper she falls into insanity. But her husband is happy she is getting plenty of rest during the day. He has no idea how insane his wife is becoming. The narrator has begun to see shadows of women in the pattern of the wallpaper. Women sneaking around trying to escape the wallpaper. The pattern resembles bars of a cage to the narrator. She begins to tear down the wallpaper. As she tears at the paper she see many heads. Heads of women being strangled as they try to escape the pattern. The wallpaper becomes a symbol of women trapped in domestic life, of family and tradition. In the end, the narrator reveals how much sacrifice women and herself have done breaking the chains man have placed on them. In her final speech to her husband, the readers get the sense of how much she has sacrificed. She says, "I've got out at last, in spite of you and Jane! And I've pulled off most of the paper, so you can't put me back!" She is free! Free from the constraints of marriage, of society and her own
mind. The author Charlotte Gilman should be applauded for her short story. The theme of the story, gender equality, was expressed loud and clear. Men have no right to think more highly of themselves. Women should be treated as equals in society and not as second class citizens. It is sad to realize that women went through that type of treatment in the past.
She begins to tear strips of the wallpaper and continues to do so all night until morning yards of the paper are stripped off. Her sister-in-law Jennie offers to help, but at this point the narrator is territorially protective of the wallpaper. She locks herself in the room and is determined to strip the wall bare. As she is tearing the wallpaper apart she sees strangled heads in the pattern shrieking as the wallpaper is being torn off. At this point, she is furious and even contemplates jumping out the window, yet even in her euphoric state, she realizes this gesture could be misinterpreted.
Throughout the late 1800s Americans were workaholics, constantly working in order to make a living for their families at home. Women stayed home and took care of the house as well as the children. The short story “The Yellow Wallpaper” takes place in the late 1800s.The author, Charlotte Perkins Gilman is no stranger to the hysteria that took over women in the 19th century. According to Mary Ellen Snodgrass, after her own postpartum emotional collapse and treatment in 1887, Gilman knew about the situation women were experiencing (“Gilman”). All the pressure of working and raising children affected all Americans, but society blamed the nervous depression mainly on women because they were women. Charlotte Perkins Gilman conveys her own life experience and illness that she went through and how women were treated during the 1800’s.
The Yellow Wallpaper is a story, by Charlotte Perkins Gilman. Although the work is short, it is one of the most interesting works in existence. Gilman uses literary techniques very well. The symbolism of The Yellow Wallpaper, can be seen and employed after some thought and make sense immediately. The views and ideals of society are often found in literary works. Whether the author is trying to show the ills of society of merely telling a story, culture is woven onto the words. The relationship between the narrator and her husband would be disagreeable to a modern woman's relationship. Today, most women crave equality with their partner. The reader never learns the name of the narrator, perhaps to give the illusion that she could be any woman. On the very fist page of The Yellow Wall-Paper, Gilman illustrates the male dominated society and relationship. It was customary for men to assume that their gender knew what, when, how, and why to do things. John, the narrator's husband, is a prominent doctor and both his and his wife's words and actions reflect the aforementioned stereotype: "John laughs at me, of course, but one expects that in marriage," (9). This statement illustrates the blatant sexism of society at the time. John does not believe that his wife is sick, while she is really suffering from post-partum depression. He neglects to listen to his wife in regard to her thoughts, feelings, and health through this thought pattern. According to him, there is not anything wrong with his wife except for temporary nerve issues, which should not be serious.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In addition, she always talks about the moonlight during these times of night. When the moonlight is not present, the narrator is not active. Her husband comes to visit and she does not do much. But at night, when her husband is sleeping, the narrator wakes up and starts walking around the room. The protagonist believes that there is a woman trapped by the wall, and that this woman only moves at night with the night light. The allusion to this light is not in the beginning of the story, but in the end. “She begins to strip of the wallpaper at every opportunity in order to free the woman she perceives is trapped inside. Paranoid by now, the narrator attempts to disguise her obsession with the wallpaper.” (Knight, p.81) In the description of the yellow wallpaper and what is seen behind it there are sinister implications that symbolize the closure of the woman. It implies that any intellectual activity is a deviation from their duties as a housewife. Her marriage seems to be claustrophobic as her won life, a stifling confinement for a woman's creativity. As imaginable, such treatment and "solitary confinement"(Knight, p.86) will do nothing but worsen her condition, affecting
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
They both feel trapped within their own lives, emotionally and physically. She saw the woman in the wallpaper as a companion in her days of isolation and self-meditation, and she realized that she needed to break free of her husband’s expectations and live her life her desired way. This gave readers insight to the emotional tendencies of the main character and motivations from discovering the meaning of the intricate wallpaper design. This is achieved when she states, “I’ve got out at last in spite of you and Jane. I’ve pulled off most of the paper, so you can’t put me back!”
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
The story “The Yellow Wallpaper”, written by Charlotte Gilman, is a story of a woman overcome by depression after giving birth to her first child. Her husband John, a physician, diagnoses the condition as womanly hysteria. John, being “practical in the extreme” (284), takes charge of the means to her recovery through his knowledge and power over his wife. Due to the way he exercises his high status as a man, John is consequently more of a factor in his wife’s mental decline than the condition itself.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
Charlotte Perkins Gilman in “The Yellow Wallpaper” develops the themes of Insanity through the use of a woman character who forcefully struggle during the late 1800’s. Insanity plays a significant role in this short story where Gilman tries to portray the women’s situation at that time. This story is based on a women’s life and she believes she is sick. She expects better mediation and treatment from her doctor husband. Dr. S. Weir Mitchell recommends her to choose a silent place to take complete bed rest that helps her to get well soon from her illness. But at the same time she wants proper treatment from her husband because she believe if her husband pay attention, she can get well soon. Gilman had own experienced with the same illness.
The narrator identifies her frustration; nonetheless, attributes her frustrations but succumbs to her “nervous condition.” It gives the impression however, that recognizing this course of treatment would cause her to remain in an incipient state of insanity. But realizes that “it does weigh on one so not to do no duty in any way.” However, she cannot come to bring herself to argument and submits to her husband’s demands. During her time in solitude she passes her time in her room observing the hideous wallpaper; although, she would have preferred to be in a much colorful room with beautiful foliage just out the window rather a tedium room that offered only further anguish. Both her motivation and rebellious actions turn to her imagination onto seemingly disinterested objects of the home and the wallpaper in an attempt to ignore her rising hindrance; as well as, documents her thoughts in a secret diary kept from her
The Yellow Paper is a short story published in 1892, and written by Charlotte Perkins Gilman. Charlotte tells of a disheartening tale of a woman who struggles to free herself from postpartum depression. The Yellow Paper gives an account of an emotionally and intellectual deteriorated woman struggles to break free from a mental prison her husband had put her into, in order to find peace. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy, because of the Victorian “rest-cure” (Gilman 45). Her husband decided to force her to have a strict bed rest by separating her from her only child. He took her to recuperate in an isolated country estate all alone. The bed rest her husband forced into made her mental state develop from bad to worst. The Yellow Paper is a story that warns the readers about the consequences of fixed gender roles in a male-dominated world. In The Yellow Paper, a woman’s role was to be a dutiful wife and she should not question her husband’s authority and even whereabouts. Whereas, a man’s role was to be a husband, main decision maker, rational thinker and his authority was not to be questioned by the wife.