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Point of view of a pair of tickets by Amy Tan
Point of view of a pair of tickets by Amy Tan
Point of view of a pair of tickets by Amy Tan
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Psychoanalysis is a theory based on the assumption that, no behavior is accidental. All the behaviors that people have originate from the experiences that they went through in the past. Therefore, Psychoanalytic criticism is arguing either positively or negatively on the reason why people exhibit certain behaviors in their lives. The voice of a mother and daughter is one of the subjects that feminist scholars have critically looked at. Scholars have captured the issue of western feminists with the literature of matrilineage. Amy Tan in her scholarly works has written stories on Chinese Ladies who went through great suffering in their past life, and this has really affected their present life. Hence, this article will look at the voice of a mother and feminist subjectivity from a psychoanalytic perspective. Basing on the story A Pair of Tickets by Amy Chan, through psychoanalytic criticism, this paper explores the techniques that the author uses to expose the experiences of the Joy luck mothers in China, and how these experiences shape their present characters, as well as their daughters’ lives.
Amy Tan is a prolific
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The main reason for the feeling of disfranchisement by these Chinese mothers is that they feel inferior because of the disparities in their lifestyles with the people of American origin. This disparity arises from their identities and their widened difference in cultural perspectives. Another reason is their use of language; there are several instances in which the mothers cannot articulate the English words correctly; hence, one finds it had to know what they actually mean (Igeleke et al. 237). Even their American daughters find it had to understand what their mothers say in their broken English that is affected by their first
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
In the story "A Pair of Tickets," by Amy Tan, a woman by the name of Jing-mei struggles with her identity as a Chinese female. Throughout her childhood, she "vigorously denied" (857) that she had any Chinese under her skin. Then her mother dies when Jing-Mei is in her 30's, and only three months after her father receives a letter from her twin daughters, Jing-Mei's half sisters. It is when Jing-mei hears her sisters are alive, that she and her dad take a trip overseas to meet her relatives and finally unites with her sisters. This story focuses on a woman's philosophical struggle to accept her true identity.
“The minute our train leaves the Hong Kong border and enters Shenzhen, China, I feel different. I can feel the skin on my forehead tingling, my blood rushing through a new course, my bones aching with a familiar old pain. And I think, my mother was right. I am becoming Chinese. (179). In the story A Pair of Tickets by Amy Tan, the protagonist character, Jing-mei, finds herself in several difficult situations due to how her social and cultural upbringing has shaped her. She finds herself pulled between her Chinese DNA and her American background. While she was raised being told that she was Chinese and “it’s in her blood”, she does not identify as such, because she grew up in America and only sees herself as an American. After her mother’s passing,
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
Just as with her books, Tan’s focus in this essay is her mother. Tan considered her book, The Joy Luck Club, a success after her mother read it and exclaimed over how easy it was to read. However, the audience of this essay is not Tan’s mother, but rather it is anyone who can relate to this situation. Tan’s purpose was to bring to attention the fact that when the language spoken at home is different from that spoken by the general public, problems will arise for those caught in...
The struggle of self identity as she realized that all this while, her mother was right. Once you are born Chinese, you cannot help but feel and think Chinese. Amy Tan’s “A Pair of Tickets” presents an incredibly interesting perspective of a woman named Jing mei who is traveling through her native country of china, embarks on this journey of self-discovery to find her true chinese roots. The opening scene of "A Pair of Tickets" is an appropriate setting for Jing mei remark of becoming Chinese, because the introduction grabs the audience attention. We are first starting out in the story as reading Jing mei turning from American to Chinese in an instant second of the moving of a train from one city to the next. The narrator
Is it because he was a woman that he cried out at the sight of a child being harmed? Did he not cry out at the death of his wife because she was a woman? The role of the female in this story reveals a sense of inferiority towards women. These questions that the story raises show how women were viewed as inferior and weak in the eyes of the Chinese culture.
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
In the novel Paradise of the Blind, written by Duong Thu Huong, the importance of a motherly figure in society is illustrated through Huong’s depiction of both the mother Que and the Aunt Tam. By analyzing the actions of Que, her maternal instincts are shown at times to be very strong while being the opposite at other times. Whereas in Aunt Tam’s case her maternal instincts are shown to be very impactful due to the way she treats and protects the daughter Hang.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.