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Humor in Shakespeare plays
The role of comedy in a midsummer nights dream
Elements of comedy in a midsummer night's dream
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Recommended: Humor in Shakespeare plays
In the play A Midsummer’s Night Dream, elements of insult comedy can be found as Shakespeare incorporates to better improve the humor. Insult comedy is a form of comedy that is intended to offend or mock a person or group of people in order to create a humorous tension. Shakespeare utilizes this very well as a way to push plot such as Helena loving Demetrius and Demetrius hating Helena as well as describing the terrible acting of the Mechanicals. Insults help form character opinions and thoughts making them more defined as the play progresses becoming very important for plot and character development. Insults become an effective tool for Shakespeare as a way to improve comedy and plot for his play.
Shakespeare uses insult comedy between
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the relationship of Helena and Demetrius. The young couple are not both in love with each other but instead Helena loves Demetrius and Demetrius hates Helena making for very interesting interactions between the two.
Helena usually begs for love while Demetrius tells her off with insults and burns. While Helena is following Demetrius through the woods in hopes to find Hermia, he says to Helena “Tempt not too much the hatred of my spirit;/ For I am sick when I look on thee”(2.1.215-216). This is insult comedy because Demetrius said he gets sick every time he looks at Helena because she is ugly. The insult also helps show the hatred Demetrius has for Helena. Shakespeare put this insult in to show the situation between the lovers and why Oberon has the love potion place on Demetrius’s eyes. This insult also shows what kind of person Demetrius is, at least to Helena he is very harsh causing her much strife. Demetrius is shown as overly hateful to Helena which is comical considering how much Helena loves him making them polar opposites with their emotions. This is also comical because of the full turn around Demetrius has when the love potion is placed on him causing him to love Helena and insult Hermia. While Demetrius does love Helena he despises Hermia’s lover Lysander as much as he despises Helena. After Demetrius’s tromping through the woods he finally finds Hermia, his love, but is bombarded with questions of the whereabouts of
Lysander by Hermia. After Hermia asks Demetrius if he had killed Lysander he responds with “I had rather give his carcass to my hounds”(3.2.64). This is an insult because he has given Lysander the title of being nothing better than food for his dogs. He has also insulted Hermia as well because Demetrius knows she loves Lysander and is desperately searching for him. This insult is incorporated into the shaping of Demetrius’s character in the plot as being bitter and mean while also serving as a shocking form of comedy to the audience. Demetrius openly hates Lysander for taking Hermia that he insults him for it. Demetrius while being very good at insult is not the only character to use this form of comedy within the play. Philostrate, Theseus’s advisor for the marriage, insults the mechanicals when Theseus decides to view their play over the other plays available. Philostrate responds by saying “It is not for you: I have heard it over, And it is nothing, nothing in the world; Unless you can find sport in their intents, Extremely stretched and conned with cruel pain”(5.1.82-85). Philostrate refers as the play being painful to watch and undesirable making it fit for an insult and to fit under comedy. The insult is saying how obviously bad the mechanicals are at what they do but this is the first time it has been outright said in the play. Shakespeare also incorporated this as a warning to Theseus and everybody else preparing to watch the play that it is going to be something awful. The mechanicals, as Philostrate said, are and will be silly and dumb for anybody viewing the play. Shakespeare used this insult for plot as much as he did for a comical purpose.
In act two scene two Lysander continues to insult Hermia. For example in the book it states “ Content with Hermia? No, I do repent…” (2.2.118-120). This shows that Lysander wants Helena’s love, but he is trying to hard to get it. In act three scene two Helena finds that both Lysander and Demetrius are “mocking” her. For example in the book it states “ ...I pray you,though you mock me, gentlemen.” (3.2.314). This shows that Helena doesn’t believe that Demetrius and Lysander “love” her. Oberon and Lysander find it impossible to control love.
Demetrius is a fool because he is unaware that his love changes through out the play. We learn from Demetrius that he has loved Helena before bestowing his affections on Hermia ( 1.1 106-107 , 242-243 ). It is not for nothing that he is termed “spotted and inconstant man'; ( 1.1 110 ). Athough at the start of the play Demetrius no longer loves Helena. ( 2.1 195 ) Demetrius says, “I love thee not , therefore pursue me not.'; ( 2.1 201 ) “Hence , get thee gone , and follow me no more.'; In Act 3 Scene 2 , Demetrius after being juiced begins to love Helena. ( 3.2 172-176 ) Demetrius says , “Lysander , keep thy Hermia; I will none. If e’er I loved her , all that love is gone. My heart to her but as guest – wise sojourned , And not to helen is it home returned , there to reamain.'; This proves how fickle he is , for he is not aware of his changing love once for Helena then for Hermia then returning to Helena with the help of the mystical father Oberon.
A Midsummer Night’s dream was created for the main purpose of showing people what the phrase “love is blind” truly means. Through the combination of the two different types of irony, Shakespeare wasn’t only able to deliver his message, but was also successful in creating a comedy out of it at the same time. By using situational irony, he was able to create plot twists for the audience and make things more interesting. While dramatic irony was used mainly to create a comedic effect for the play.
After the love potion has been administered and Lysander and Demetrius have both fallen in love with Hermia, they both plot to kill one another instead of fairly attempting to in Helena’s love. When Lysander is searching for Demetrius, he states, “ I'll find Demetrius and revenge this spite/... Where art thou, proud Demetrius?/ speak thou now... /Here, villain; drawn and ready.” Lysander is drugged from the power that the love potion has over him.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
Although Helena’s love for Demetrius may have been constant, it’s also destructive in the way that Helena demeans herself in order to rationalize Demetrius’s harsh words towards her, “—spurn me, strike me, neglect me, lose me. Only give me leave, unworthy as I am, to follow you.” (Act 2 Scene 1) Helena even goes as far as to reveal Lysander and Hermia’s plan to elope together to Demetrius in a desperate and illogical attempt to somehow get him to acknowledge her. She even admits that her pining for him is wrong, albeit only because Demetrius is also wrong in his one-sided love towards Hermia, “And as he errs, doting on Hermia’s eyes, so I, admiring of his qualities,” (Act 1 Scene 1) indicating that her feelings are out of her own control. Demetrius did originally love Helena, but then he instantly fell out of love with her then in love with Hermia. This maybe have been unfair in Helena’s eyes, but it wasn't his own conscious decision, love is not a
This prompts an immediate and violent response from Helena: she says “Demetrius loves your fair. O happy fair! / Your eyes are lodestars and your tongue’s sweet air / More tuneable than lark to shepherd’s ear / When wheat is green, when hawthorn buds appear” (1.1.181-185). Just that simple statement has led to her starting on all of these beautiful features Hermia has, and being upset and jealous of her friend because the man she loves,
She thinks it is a cruel joke and tells him to stop abusing her. Helena says, "Wherefore was I to this keen mockery born? When at your hands did I deserve this scorn? Is't not enough, is't not enough, young man, that I did never, no, nor never can, deserve a sweet look from Demetrius' eye, but you must flout my insufficiency? Good troth, you do me wrong, good sooth, you do, in such disdainful manner me to good.
Helena is one of the silliest characters in the play, and at times can be quite irritating. Demetrius shows no love for her, yet she persists in chasing him. "And even for that do I love you the more. I am your spaniel; and, Demetrius, the more you beat me, I will fawn on you" (Act 2, Scene 1, Line #). These characters are a true definition of lovesick. All of them appear to be in love with love, more so than in love with each other. They all frantically run about, each changing partners so often that one is never really sure of who loves whom. Each consumes themselves with what they consider to be real love to the point of losing touch completely with the real world. To them, love is a fairy tale that involves no reason. They all believe that falling in love involves nothing more than romantic speech and desire for each other.
The love triangle in this story is very complicated, Lysander loves Hermia, Demetrius loves Hermia, While Helena loves Demetrius, but Demetrius hates her! So soon, Lysander and Hermia decide to leave Athens to get married. On their adventure, a mischievous fairy named puck accidentally puts the love potion on Lysander's eyes. Now, Lysander loves Helena, rather than Hermia. To fix this mistake, Oberon puts love juice on Demetrius’ eyes(which then makes him fall in love with Helena,) , while Lysander’s love potion Gets reversed. So in the end, Lysander goes back to loving Hermia, and Demetrius now loves Helena, rather than Hermia. This is not a love triangle, rather it is a love circle!
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
The Role of the Fairies in A Midsummer Nights Dream Introduction = == == == ==
In reference to the theme of dreams which represents the world that is characterized by fantasy and magic, in act II, the first scene Shakespeare takes his readers into the magical world of the fairies. This scene is situated in the woods outside Athens. Puck is in animated conversation with an unknown fairy who speaks to him in a musically. In this musical verse, the fairy explains that he is a servant of the Fairy Queen and dare not dally. The Fairy Queen, who is Titania must not catch him when he ought to be about her urgent business: