More handpicked essays just for you.
Female stereotyping in The Merchant of Venice
Female stereotyping in The Merchant of Venice
Theme of gender stereotype in Merchant of Venice
Don’t take our word for it - see why 10 million students trust us with their essay needs.
A Feminist Perspective of Measure for Measure and The Merchant of Venice
Isabella's only power could be in saying 'no', her 'no' to Angelo that she would not leave the world despoiled and soulless, 'no' to Claudio that she would sacrifice herself, 'no' to the nunnery that she had wished to enter or 'no' to the Duke's offer of marriage. Isabella's role ability to be self-determining was quite different from Portia's advocacy in The Merchant of Venice, for Isabella was the tool of the Duke, fulfilling his scripting. Her nun's garb should have ensured a neuter role, and she intended her pity and love for her brother to involve her in this world only so far as to counsel him in honour. Despite her self concept, two men of the world with power over her saw her as a beautiful sexual object to be acquired. Against this, Isabella's strength was in theological purity, going straight to the sense of the Gospels. We cannot cast the first stone. We must have mercy for others, because "he which is the top of judgement" had mercy on us. Because the censors usually eliminated the word 'God', references were oblique, but there could be no real substitution of 'Jove' or 'the gods' here where the sense was so very New Testament. Isabella was preaching to a society which had gone far in condemnation and execution in the name of religion; she was a beacon of clear light.
Portia actively sought mercy as the greatest response and carefully gave Shylock every option to release the bond which held him when she stage-managed the last-minute dramatic revelation, showing that he too could be forfeit. Significantly, the advocacy of both Portia and Isabella was the same: mercy must be applied to the law. Could a Duke's one gateway denouement be...
... middle of paper ...
...d expanded, and the whole prospered on the servitude and devotion of women. Petruchio did his bit, as did Isabella's Duke, so that protectionism was the right end and repository for women's identity and role. Yet in the next section Benedick will meet his match, and that paragon, Portia, will tactfully remain within the rhetorical framework of male supremacy, costuming her more able endeavours....
i Jill Bavin-Mizzi, Ravished (Sydney: University of New South Wales Press, 1995).
ii Margaret Thornton, "Women as fringe dwellers of the jurisprudential community", in Sex, Power and Justice (Oxford: Oxford University Press, 1995), p. 190.
iii Charlotte Lennox (née Ramsay), 1729 -1804, actress and poet,
Women Reading Shakespeare 1660-1900, An anthology of criticism, ed. Ann Thompson and Sasha Roberts (Manchester: Manchester University Press, 1997), pp. 17-18.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
He professed to the congregation that he would go to the proconsul to be tried and in so doing, he would be martyred in front of his congregation willingly and they would become “partners in the graces” with him. It was recorded that Galerius Maximus, issued and judged the trial and after Cyprian denied the religion of Rome, he was acceptably sentenced to death. This martyr, would set off a ricochet of fellow martyrs from the Christian church, causing fear and loss of leadership to continue to damage the Christians throughout the empire. Valerian’s persecutions would be the most devastating actions from the emperor up until the time of Diocletian, the motivation behind the persecutions were in some way similar to his predecessor’s, Decius, but also involved many other problems, which will now be discussed below.
Throughout one’s life, he or she will experience many situations where a lesson is learned, or a fear is amassed. One person may be able to deal with such terrors easily, while another will suffer because of the dread and panic that now haunts them. The poem ‘My Fear’ by Lawrence Raab discusses the haunting situation of fear following someone, and the personification, imagery, and tone of the speaker all provide depth to this seemingly innocent poem and allow one to truly appreciate how fear and troubles affect him or her.
...nd how when I was really young I used to play football. Then during practice I got to meet a bunch of other kids as well. In my hometown we had a lot of people from Mexico and I got to know a lot of them while playing the sport. We ended up becoming really good friends during our course of playing and outside of school. I believe that if I would not have been in this sport I would have not met them. I am really glad I got to meet them and experience some of their culture by becoming close with them.
Leaders benefit from building a team to create and implement change, this is a key theme in the Kotter model of change. This teambuilding engages employees throughout the process. Allowing employees to be a part of the change process gives them the opportunity and trust to be creative moving toward the future (Cochrane, 2002). Leaders can create opportunity for employees and leaders to dialogue about the change, which can help troubleshoot the process. Leaders who engage employees throughout the organization from various levels of the organization will receive perspectives from the entire organization helping them make better-informed decisions. Employees want to be allowed the opportunity to help an organization they believe in, in a way that enhances the
In Act 1, Macbeth is a brave and noble soldier ready to die for his king, Duncan. He is considered a hero after taking a leading role in defeating the invading army. We know this from his defeat of Macdonwald and the Norwegian king. King Duncan was thrilled with this victory and decides to make Macbeth his new Thane of Cawdor. In Act 1, scene 2 Macbeths victory is recognized recognition and status and he is praised by the captain. "For brave Macbeth,-well he deserves that name...."Macbeth is presented as a brave man who led King Duncan 's forces to victory. Shakespeare creates an impression to the audience of Macbeth as a servant of bravery as the word "brave" suggests he is very loyal and noble . His brutality in the battlefield revealed his courageousness and that is why the Captain calls Macbeth ‘ brave Macbeth’. This shows the respect and status Macbeth has gained which portrays him as a very heroic character. kings
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
“Not everything that is faced can be changed, but nothing can be changed until it is faced” – James Baldwin. James Baldwin was one of the single most famous artists, or writers, during the Harlem Renaissance and in the beginning of the Civil Rights Movement. Baldwin grew up in poverty and extremely harsh conditions with a family of nine children, his mother, and stepfather. He knew from the time he was just a young child that writing was his passion and that was what he wanted to do with the rest of his life. Not only was he an excellent student in school with exceptional grades, he was observant of the world around him, and that led him to knowing more about the real world than most people his age (Contemporary). James Baldwin was one of the
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
Garner, Shirley Nelson, and Madelon Sprengnether, eds. Shakespearean Tragedy and Gender. Bloomington, Indianapolis: Indian U, 1996.
There is a lot of people perhaps famous that didn’t attend college and they were successful. That is because I think they had to put in a lot of hardwork and dedication. One famous person that did not attend college and was successful was Steve Jobs (Lynn). Steve Jobs was the founder and creator of apple. Perhaps the most successful company in the
Miranda’s character in the play represents the ideal woman of Elizabethan era. She is portrayed as a goddess among the men. “Most sure, the goddess/Oh whom these airs attend!”(1.2.425-426). Fer...
The prejudice the women tolerate is evidenced by their tendency to dress in men’s clothing in order to be heard or considered (Olson). As women, their voices are inhibited or disregarded; they are overshadowed and overlooked by society. Portia, for example, has little choice but to consent to being the prize in her “loving” late father’s lottery. All decisions are made in regard to her future and life is influenced by men. The fact that the father is deceased does not diminish his power. In fact, his status a...
Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398. Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.”
Bassanio was so grateful towards Balthazar that he was able to place Balthazar of above importance to Portia his wife. Portia then compares Bassanio giving up her beloved ring to if she were to give her body to the doctor as a parallel. Prior to the men being made aware of Portia and Nerissa’s disguises, they explain their reasoning’s as a necessity. Once Bassanio and Gratiano know the truth, they apologize with fear as they now know the power these two women posses. Gratiano ends the play by stating “I’ll fear no other thing so sore as keeping safe Nerissa’s ring” (V, I, 324-325). Gender roles are now reversed as the play concludes which shows that gender itself is a social construct and is not