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Analysis of saving private Ryan
Longest day vs saving private Ryan
Analysis of saving private Ryan
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A Comparison of Film Techniques Used to Depict the Omaha Landing
“Saving Private Ryan” & “The Longest Day”
In this assignment I will be comparing two scenes of the landings on
the Omaha Beach during the Second World War. The first film is “The
Longest Day” and the second film is “Saving Private Ryan”. The Longest
Day was shot in 1962 compared with the more recent filming of Saving
Private Ryan which was shot in 1998.
I will be focussing on the camera angles, special effects, sound
effects which includes the music used to depict certain scenes and the
audiences reaction to this. Also I will comment on the social context
and whether it effected each film’s different adaptation of this
particular event.
I had never seen these films before but I knew about the realism in
Saving Private Ryan, and as The Longest Day was made a long time ago
it will obviously be less realistic and lack the hi-tech effects used
today.
Also the acting will be of a poorer quality but will certainly be
entertaining.
I will be surprised at the differences between the two films as they
focus on the same event and therefore are the same scene.
But I am sure the differences will be visible which will make the
films more interesting to the audiences as they aim for varied age
groups and were filmed in different time periods. One film being
filmed much nearer the battle itself.
Firstly, Saving Private Ryan is in Multi-colour whereas The Longest
Day was only made in black and white.
In the opening scene of the Longest Day you enter onto Omaha Beach at
06:32 hours (whilst Beethoven’s 5th Symphony plays in the background
symbolising freedom as the story behind the music is good versus evil)
with a Long Shot of the beach in screen and a nice sea view. You then
focus in on the Germans talking amongst themselves (in german) inside
their bunkers. General Pluskat decides to take a glance at the horizon
through his telescope.
were poor and men loathed them. The soldiers slept on a bed of mud and
It was 1944, and the United States had now been an active participant in the war against Nazi Germany for almost three and a half years, nearly six years for the British. During that period occurred a string of engagements fought with ferocious determination and intensity on both sides. There is however, one day which stands out in the minds of many American servicemen more often than others. June 6, 1944, D-Day, was a day in which thousands of young American boys, who poured onto the beaches of Utah and Omaha, became men faster than they would have ever imagined possible. Little did they know of the chaos and the hell which awaited them on their arrival. Over the course of a few hours, the visions of Omaha and Utah Beaches, and the death and destruction accompanied with them formed a permanent fixation in the minds of the American Invaders. The Allied invasion of Europe began on the 6th of June 1944, and the American assault on Utah and Omaha beaches on this day played a critical role in the overall success of the operation. (Astor 352)
When given the task of comparing the sound design used in Raising Arizona and Drive, the task is fairly simple. Drive, which came out in 2011 and is a crime drama, is in no way like the sound design used it Raising Arizona, a black comedy film that was released in 1987. Given the nature of, Drive, the soundtrack for this film is understandably, intense while the soundtrack for Raising Arizona is noticeably, campy. I believe that these particular soundtracks, while different, are perfect for their respective films. In Raising Arizona, the music of the film has a folksy and goofy vibe that fits with all of the particular scenes in the film such as the mugshot scene and the diaper robbery. However, the soundtrack for Drive is prominently dark, powerful and intangible, something that fits most of the scenes of the film such as the numerous fight and driving scenes.
next is a point of view shot from the shark and then the theme music
In 1939, Charlie Chaplin was a world famous movie star who released a movie that would be very controversial, The Great Dictator. The movie was meant to ridicule Hitler, as at that time he was at the height of his power. At the end of the movie, Chaplin delivers a speech as a Jewish barber mistaken for Chaplin’s Hitler- like dictator. Chaplin uses speech rhetoric to convey Chaplin's message of hope and light. The film did very well in the theaters and was Chaplin's most successful movie. The speech in the film, The Great Dictator, used it's influential place in society with cinema to convey a message of peace, hope, and independence.
The close up shot of the sheriff overlooking the people on the beach with the look of concern and distress, opposed to the family in the background, smiling and enjoying the nice sunny day. This shot of him explains his perturb feeling that he knows what awaits in the water, unlike everyone else. The long shot of the person floating in the middle of the sea exposed makes the audience feel relaxed but also cautious. Over the shoulder shot shows the attention is not on the man talking to the sheriff but on the woman in the sea, which was a false alarm, of the woman screaming, but also keeps the audience alert. Another long shot is shown when the children get up to go to sea, makes the audience anxious for danger that is about to happen.
Why do we fear the unknown? In the process of answering this question, science-fiction genre films successfully capture the history of American society at distinct points in time. The genre is so closely linked to social and historical contexts that its development relies solely on this connection. Sci-fi myths and conventions have remained static for decades, and the only measurable change in the genre lies in the films’ themes (Gehring 229-230). For example, Robert Wise’s The Day the Earth Stood Still (1951) argues that fear of the unknown is a flaw in human nature and criticizes the social paranoia of post-war, 1940s America. Conversely, Steven Spielberg’s Close Encounters of the Third Kind (1977) views the human existence through more positive outlook, wherein society can overcome such fear; this optimism reflects the escapist beliefs of the 70s. When juxtaposed, the films’ themes demonstrate the evolution of the sci-fi genre by expressing different social attitudes towards conventions such as foreign beings, unfamiliar technology, and unusual scientists. The films also represent the genre during two major aesthetic periods in cinema—the post-classical and the late modernist eras, respectively—but nonetheless serve a greater purpose in measuring America’s social progress.
The documentary I decided to analysis is the Dakota 38. I decided to go with this one because I felt a better emotional connection with the story they told. It made me feel like I was part of the tribe in the 1860s. While having an emotional connection, there are also several items that I learned from class that I am able to contribute to the movie at some points. Being Native American, I never really knew all the terrible atrocities that were brought upon them for no reason. Learning about this history will help progress the prevention of this ever happening, again. We need to be able to learn from our own mistakes and show future generations what forgiving and remembering is. It was a powerful documentary that brought together after selected
The Wizard of Oz is the 1939 film musical released by the studio Metro-Goldwyn-Mayer that became a cultural icon defining family entertainment for decades after its initial release. Though it did not turn a profit until 1956 when it aired on television, it has been considered a wide success, spawning several re-releases and sequels. The Wizard of Oz set the precedent for visual effects, innovations Hollywood still utilizes today in an age of computer generated images. The film has stood the test of time with its special effects, paving the way for the future of movie magic.
In the film ‘Into the Wild’ directed by Sean Penn, there are some scenes in the movie and enable us to understand how it was developed. I found one important scene in the movie, this is the scene in which Chris’ feels that his journey was almost end, the director uses some camera shots, dialogues and some soundtracks for us to see and understand the scene in this movie.
The scene utilizes long takes, point of view shots, split diopter, and the iconic Hitchcockian zolly shot to dramatize the events leading up to and subsequently, the shark attack itself. The establishing shot of the Amity Beach scene is
What do you think about when watching a film? Do you focus on the characters' good looks or the dialogue? Or do you go behind the scenes and think about what made the film? Maybe, it's even a combination of all three. No matter what comes to mind first, an important part of any good movie will be what you see. A camera and good director or cinematographer is needed to make that possible. Different directors and cinematographers will use different camera techniques to make you focus on what you see. Camera techniques show emphasis in films, because they make you focus more on situations and people. They are especially important in Darren Aronofsky’s Requiem for a Dream.
Lenin, M. Griffith classic: the making of birth of a nation, (2004). [Online] Available at http://www.leninimports.com/dw_griffith.html
Edwin S. Porter contributed the following editing styles and techniques to film. He used a dissolve between every shot just and he frequently had the same action repeated across the dissolves. According to Filmrefrence.com “Edison Company’s new Vitascope projector in Indiana and California, and Porter worked with them as a projectionist in Los Angeles and Indianapolis. Later that year he went to work for Raff & Gammon in New York but left after the Edison Company broke with Raff & Gammon. He then toured with entertainers through the Caribbean as an exhibitor of motion pictures, and in early 1897 he helped build the projector at the Eden Musée”(Filmrefrence.com.2014).
picture is facing the same way I am. As I look down and observe the ocean I